My favorite of the Galvin poetry volumes? The aphoristic precision of Imaginary Timber made for a remarkable improvisation on the Argentine modernists, but God's Mistress, unbalanced between its prose and verse sides, between its California, Wyoming and Iowa locales, was spottier. Elements was a comeback to the aphoristic intensity of the debut. What's fascinating to me now is that the perception clarified in the complexity of writing metaphysically coherent conceits is shaken by an erotic scale that finds every thing one is attracted toward leaving: The mother, the relationship (presumably), his father-figures, Ray Woorster and Lyle Van Waning. There's a bruise on the scud. Here are 15 or 20 poems I would reckon before living without.