Part cultural history, part sociological critique, and part literary performance, Panic Diaries explores the technological and social construction of individual and collective panic. Jackie Orr looks at instances of panic and its “cures” in the twentieth-century United from the mass hysteria following the 1938 radio broadcast of H. G. Wells’s War of the Worlds to an individual woman swallowing a pill to control the “panic disorder” officially recognized by the American Psychiatric Association in 1980. Against a backdrop of Cold War anxieties over atomic attack, Orr highlights the entanglements of knowledge and power in efforts to reconceive panic and its prevention as problems in communication and information feedback. Throughout, she reveals the shifting techniques of power and social engineering underlying the ways that scientific and social scientific discourses—including crowd psychology, Cold War cybernetics, and contemporary psychiatry—have rendered panic an object of technoscientific management. Orr, who has experienced panic attacks herself, kept a diary of her participation as a research subject in clinical trials for the Upjohn Company’s anti-anxiety drug Xanax. This “panic diary” grounds her study and suggests the complexity of her desire to track the diffusion and regulation of panic in U.S. society. Orr’s historical research, theoretical reflections, and biographical narrative combine in this remarkable and compelling genealogy, which documents the manipulation of panic by the media, the social sciences and psychiatry, the U.S. military and government, and transnational drug companies.
"Psychopower is a form of rationality that wants to mimic as well as manage what it will name the 'irrational' or the unconscious, taking on the figure of madness, by turns, as its radical 'other' and its intimate familiar." (14)
"What the criteria-specific approach to classifying mental disorders really accomplishes, writes Millon, is 'a significant conceptual step toward a future goal' when criteria of 'appropriate specificity and breadth' will offer reliable and valid indices for identifying psychiatric syndromes. As a step toward a future empiricity, the DSM-III does not name 'tangible entities' but rather 'conceptual prototypes'—a paradigm shift away from the notion of disease 'entity' and toward a 'prototypical' diagnostic model...Each disorder becomes, in a sense, a probabilistic model of that disorder. All the 'empirical,' criteria-specific syndromes named by the DSM-III are really operating, in Spitzer's words, as 'hypotheses to be tested.'" (240)
"From an objective measure of realness to a pragmatic measure of predictive utility, the validity of psychiatric diagnoses becomes abstracted from any reality principle at precisely the moment the diagnostic classification system turns insistently empirical." (242)
This is a beautiful book about the culture of panic in the US, written by a very smart lady who takes Xanex for recurrent panic attacks. Part of the book is a history of the relationship between the US military and social psychology, which includes tracking social panic after Orson Welles' War of the Worlds radio show, and trying to alleviate panic in the scariest way possible in 1950's era nuclear drills. The other part is the authors own experience volunteering for a clinical drug trial treating panic disorder. Compelling all around.
Spectacular interweaving of personal experience, history, and politics. Found the first chapter a little too pomo for my liking but stuck with it and learned lots of new and very scary stuff. What's not to panic about?