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And how would I survive if every molecule in my body had been corrupted? I'm not sure when the molecule thing happens, as you carry a child or simply as you mother him, but I was sure that each of my cell nuclei was unalterably made up of four parts, one part me, one part Kate, one part Alex, and one part Elijah. If a crucial Elijah-piece of each cell nucleus were suddenly sliced off at the cellular level, I was certain the missing piece of each cell would defile the whole structure until, eventually, it crumbled to dust. I could feel edges crumbling already.But then Dinah hears a mysteriously familiar a version of the lullaby she has always sung to Elijah. When Dinah tracks it to its source, she sees a ghost. Playing the guitar and perching on a couch in the ICU waiting room, the ghost--that of the appropriately named Seth Lucien, Dinah's first lover--both taunts Dinah in her grief and invites her to rescue Elijah from the angel of death. The novel is essentially a reworking of the archetypal Faustian to what extent will Dinah go to save her son? Is the ghost a means of salvation or an instrument of torment? It leads Dinah both backward and forward in she must explore the failings of her past, and tread uncertainly the various futures that lie before her, some of them truly horrifying. It will come as no surprise to any parent--or to any reader of Goethe--that Dinah accepts the ghost's her son will live, but she must live with the ghost forever within her. Elijah's stunning recovery from the coma grants him an uncanny ability to understand and empathize with the pain of others. He alone comprehends his mother's sacrifice as the rest of Dinah's life begins to disintegrate.
509 pages, Hardcover
First published June 5, 2000