Relatively succinct history of both some of our biggest acting exports and the movie business within Australia. There's four chapters named after four actors for particular periods of time, though the chapters do not exclusively follow those actors but use them as a vehicle to explain the time they occupied, government policy, their experiences within the Australian industry and Hollywood.
By far the most engaging chapter is the one on David Gulpilil, as it not only covers the mistreatment of the Indigenous creatives within the industry but also the many opportunities that were scuttled. Reading the many directorial aspirations and movies that remained unfinanced is effecting and you come away with a strong belief that we never truly saw all that Gulpilil was capable of.
Twyford-Moore is also damning in his epilogue, pointing out how many Australian actors have little opportunities at home due to their not being white. He used both Chris Pang and Geraldine Viswanathan as examples of actors who have had steady careers in Hollywood while being ignored at home. I also liked the way Twyford-Moore explained a lot of actors interaction with politics, their stances and engagement with both the government at home and aboard while contrasting that with an Australian public who prefers their celebrity to be apolitical.
A lot of interesting concepts and engaging history and how that has shaped the current social strata.