Language and Relationship in Wordsworth's Writing

by Michael Baron

William Wordsworth (1770-1850) needs little introduction as the central figure in Romantic poetry and a crucial influence in the development of poetry generally. This broad-ranging survey redefines the variety of his writing by showing how it incorporates contemporary concepts of language difference and the ways in which popular and serious literature were compared and distinguished during this period. It discusses many of Wordsworth's later poems, comparing his work with that of his regional contemporaries as well as major writers such as Scott. The key theme of relationship, both between characters within poems and between poet and reader, is explored through Wordsworth's construction of community and his use of power relationships. A serious discussion of the place of sexual feeling in his writing is also included.

Paperback

First published January 1, 1995

About the author

I grew up in the New York area and I’ve lived there my entire life. I worked in retail and taught high school English before I got my first book contract. I have gotten several additional book contracts since then, which is fortunate because I didn’t have the patience to work in retail and, while I quite enjoyed teaching, my approach was a bit too unconventional for most school systems. One school administrator told me that, “there are more important things than being a dynamic teacher.” Since I couldn’t name any of those things (at least in the context of school), I figured I didn’t have a long-term future in the profession. Hence, I became a writer, where I believe people appreciate a certain level of dynamism.


Though I started with nonfiction, I have always loved fiction and I have always wanted to write it. I’ve always had a particular affection for love stories. In fact, the very first book-length thing I ever wrote, when I was thirteen, was a love story. Mind you, it was the kind of love story that a thirteen-year-old boy would write, but it was a love story nonetheless. I have a deep passion for writing about relationships – family relationships, working relationships, friendships, and, of course, romantic relationships – and I can only truly explore this by writing fiction. These novels have given me a way to voice the millions of things running through my head.


My wife and kids are the center of my life. My wife is the inspiration for all of my love stories and my children enthrall me, challenge me, and keep me moving. One of the primary reasons I wrote my first novel, When You Went Away was that I wanted to write about being a father. Aside from my family, I have a few other burning passions. I’m a pop culture junkie with an especially strong interest in music, I love fine food (and any restaurant shaped like a hot dog), and I read far too many sports blogs for my own good.


You might have noticed that I haven't published a photo of myself. This isn't because I'm involved in the Witness Protection program or because I have an innate fear of cameras. It's because Michael Baron is a pseudonym. I'm writing these novels “undercover” because they're not entirely compatible with the nonfiction books I write and I didn't want to confuse readers. We're all different people sometimes, right? I just decided to give my alter ego another name.


My third novel, The Journey Home, has just come out. It’s a love story, too. Naturally.