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Memory Gardens
Poems explore a variety of themes including childhood, love, family, time, and the seasons
- GenresPoetry
Hardcover
First published June 1, 1986
About the author
Robert Creeley
343 books121 followersRobert Creeley was an American poet and author of more than sixty books. He is usually associated with the Black Mountain poets, though his verse aesthetic diverged from that school's. He was close with Charles Olson, Robert Duncan, Allen Ginsberg, John Wieners and Ed Dorn. He served as the Samuel P. Capen Professor of Poetry and the Humanities at State University of New York at Buffalo, and lived in Waldoboro, Maine, Buffalo, New York and Providence, Rhode Island, where he taught at Brown University. He was a recipient of the Lannan Foundation Lifetime Achievement Award, and was much beloved as a generous presence in many poets' lives.
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Displaying 1 - 5 of 5 reviews
June 11, 2008
Although some of these poems didn't do much for me, the ones that did really made me stop and re-read them. A great book. An amazing poet.
January 18, 2022
OUT
Within pitiless
indifference
things left
out.
* * *
HOTEL
It isn't in the world of
fragile relationships
or memories, nothing
you could have brought with you.
It's snowing in Toronto.
It's four-thirty, a winter evening,
and the tv looks like a faded
hailstorm. The people
you know are down the hall,
maybe, but you're tired,
you're alone, and that's happy.
Give up and lie down.
* * *
ECHO
Pushing out from
this insistent
time makes
all of it
empty, again
memory.
* * *
VISION
Think of the size of it,
so big, if you could remember
what it was or where.
* * *
THE ROCK
Shaking hands again
from place of age,
out to the one
is walking down
the garden path
to be as all reunited.
* * *
GO
Push that little
thing up and the
other right down.
It'll work.
* * *
FOR PEN
Lady moon
light white
flowers open
in sweet silence.
* * *
EDGE
Edge of place
put on between
its proposed
place in
time
and space.
* * *
MEMORIES
Hello, duck,
in yellow
cloth stuffed from
inside out,
little
pillow.
* * *
ECHO
Back in time
for supper
when the lights
* * *
FOR TED BERRIGAN
After, size of place
you'd filled
in suddenly empties
world all too apparent
and as if New England
shrank, grew physically
smaller like Connecticut,
Vermont - all the little
things otherwise unattended
so made real by you,
things to do today,
left empty, waiting
sadly for no one
will come again now.
It's all moved inside,
all that dear world
in mind for forever,
as long as one walks
and talks here,
thinking of you.
* * *
HANDS
Reaching out to shake,
take, the hand,
hands, take in
hand hands.
* * *
MEMORY GARDENS
Had gone up to
down or across dis-
placed eagerly
unwitting hoped for
mother's place in time
for supper just
to say anything
to her again one
simple clarity her
unstuck glued
deadness emptied
into vagueness hair
remember wisp that
smile like half
her eyes brown eyes
her thinning arms
could life her
in my arms so
hold to her so
take her in my arms.
* * *
SUPPER
Time's more than
twilight mother at
the kitchen table over
meal the boiled potatoes
Theresa's cooked with meat.
* * *
KNOCK KNOCK
Say nothing
to it.
Push it away.
Don't answer.
Be grey,
oblique presence.
Be nothing
there.
If it speaks
to you, it
only wants
you for itself
and it has
more than you,
much
more.
* * *
LANGUAGE
Are all your
preoccupations un-
civil, insistent
caviling, mis-
taken dis-
criminating?
Within pitiless
indifference
things left
out.
* * *
HOTEL
It isn't in the world of
fragile relationships
or memories, nothing
you could have brought with you.
It's snowing in Toronto.
It's four-thirty, a winter evening,
and the tv looks like a faded
hailstorm. The people
you know are down the hall,
maybe, but you're tired,
you're alone, and that's happy.
Give up and lie down.
* * *
ECHO
Pushing out from
this insistent
time makes
all of it
empty, again
memory.
* * *
VISION
Think of the size of it,
so big, if you could remember
what it was or where.
* * *
THE ROCK
Shaking hands again
from place of age,
out to the one
is walking down
the garden path
to be as all reunited.
* * *
GO
Push that little
thing up and the
other right down.
It'll work.
* * *
FOR PEN
Lady moon
light white
flowers open
in sweet silence.
* * *
EDGE
Edge of place
put on between
its proposed
place in
time
and space.
* * *
MEMORIES
Hello, duck,
in yellow
cloth stuffed from
inside out,
little
pillow.
* * *
ECHO
Back in time
for supper
when the lights
* * *
FOR TED BERRIGAN
After, size of place
you'd filled
in suddenly empties
world all too apparent
and as if New England
shrank, grew physically
smaller like Connecticut,
Vermont - all the little
things otherwise unattended
so made real by you,
things to do today,
left empty, waiting
sadly for no one
will come again now.
It's all moved inside,
all that dear world
in mind for forever,
as long as one walks
and talks here,
thinking of you.
* * *
HANDS
Reaching out to shake,
take, the hand,
hands, take in
hand hands.
* * *
MEMORY GARDENS
Had gone up to
down or across dis-
placed eagerly
unwitting hoped for
mother's place in time
for supper just
to say anything
to her again one
simple clarity her
unstuck glued
deadness emptied
into vagueness hair
remember wisp that
smile like half
her eyes brown eyes
her thinning arms
could life her
in my arms so
hold to her so
take her in my arms.
* * *
SUPPER
Time's more than
twilight mother at
the kitchen table over
meal the boiled potatoes
Theresa's cooked with meat.
* * *
KNOCK KNOCK
Say nothing
to it.
Push it away.
Don't answer.
Be grey,
oblique presence.
Be nothing
there.
If it speaks
to you, it
only wants
you for itself
and it has
more than you,
much
more.
* * *
LANGUAGE
Are all your
preoccupations un-
civil, insistent
caviling, mis-
taken dis-
criminating?
April 29, 2025
Robert Creeley's MEMORY GARDENS leaves the reader much to remember, much worth remebering, and much about the physical process of memory itself which remains to be pondered and is well worth pondering in this collection.
April 17, 2016
I was disappointed in this book and I feel that I am being generous in granting it two stars. I read Creeley before, long ago, and I have several of his books. His name is an important one in poetry. I didn't enjoy the first book that I picked up at all. It was old, he was young, so I put it back on the shelf and got this later work. It, too, is mediocre, mundane, bland. My poetry is better, I feel. I didn't find much in this volume that I liked at all, that made me think or took me to another place.
Back on the shelf it goes. Perhaps with a few more years, one of us will have changed.
Back on the shelf it goes. Perhaps with a few more years, one of us will have changed.
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January 14, 2013811.54 C913m 1986
Displaying 1 - 5 of 5 reviews





