As someone with a BA in lit and as someone from Kentucky, I found the book alluring- both in a literary and Southern gothic sense. It didn't hurt that another book of hers received rave reviews in the Baltimore City Paper.
However, the review doesn't do her justice. Priest does an amazing job of setting the scene and mood, her tools for pulling you into the story. Her sense of imagery is amazingly compelling, and so in terms of "fear factor," I have to put it up there with Stoker's Dracula. The way in which Priest describes that famed Chicamauga battlefield, with the fog rolling in, gives old Bram a run for his money in describing the final resting place of Lucy Westenra. It was this skill at imagery, as well as at storytelling, that fully lured me into the folds of her novel. I confess, unfortunately, that it has been a very long time since I have engorged a novel this way. I finished it in little under a week. Given my busy schedule, that's quite a feat, but I did so without any feelings of "I owe it to author to see how this ends." Instead, I was of the mind that I had to find out how in the hell it ends for my own sanity. The storyline is a bit of a detective tale, as well, something that very rarely captivates me, but Wings certaintly avoided this by never reading like a detective story, at least in that classical definition. Not to begrudge detective novels, they just aren't my thing.
Her characterization of Southern life and people is funny but without being offensive. There's no stereotypes here that she doesn't get away with, even if it's the crusty, dry bitch Dana telling Eden, and I paraphrase, that if you're going to say something about how Southerners are related, they're just jokes in North Carolina. Dana, ah yes, she was probably my favorite character. She hails from the Carolinas but speaks and holds herself like a Northeasterner, from her gulping of coffee by the gallons to dressing in a black. The other thing I enjoy is that Priest leaves some descriptive details to the imagination, and so you can freely associate this character with being a New Yorker, even though she's clearly from NC. I often envisioned her as a crustier, unemotional version of an embittered Kathy Bates character. I offer up, as another example, Priest's descriptions of Jamie, a character who, from the start, I stereotyped as homosexual, something that Eden later discloses about him in a poignant perhaps -he's-gay-but-doesn't-know-it-way, or maybe he just likes the gay attention. Yet, when she describes and explains his dates with various women or constant flirting with the ladies, it's completely viable. Both theories do not seem to clash, and you don't even ponder why. She totally pulls it off and totally pulls you in and makes everything, even the ghosts and the green-eyed sentry, seem believable.
Unfortunately, I wish I liked the main character more. To me, she came across as too much of a canned Goth lesbian character from the more recent horror films, and she's not even, as far as I know, a lesbian. She was probably the character I was least interested in and she came across as rather flat throughout most of the novel. That being said, there was some interest. If not, then I wouldn't have this urge to read Priest's first Eden novel, as well as the follow ups. I find myself questioning the character, but since I this is my first novel, I am bit behind in my understanding.
I am intrigued and willing to be taken further into Priest and Eden's world. Who knows, maybe I'll develop an interest in Eden. Even if I don't, I think I'll enjoy the supernatural ride.