Winner of the Kate Tufts Discovery Award for a first book of poetry. In wild, zany, often hilarious language, this poet writes about what it’s like to be a woman, a mother, a wife, an ex-wife and a poet in 21st century America. Linda Gregerson has commented that Blevins writes “the freshest poetic line that America has produced in 30 years.”
When she hits, she really hits. But many of the poems, just when I get into her riffing, she closes down the poem–that is, too early. And often, I felt like just when the poem was going to hit its note she sidesteps and goes elsewhere. But she still is fantastic.
Adrian is possibly the most interesting person I have ever met. She was one of the fellows in my workshop at Sewanee this past summer, and one of the few people with whom I was able to grumble about the lack of aesthetic range at that conference, without feeling like I had to explain that didn't mean I wasn't having a marvelous time. Not only that, but she is one of the best readers of poetry I have ever known - astute, articulate, always with an eye to all the possibilities a poem seems to hold. She's read everything, memorized most of it, and I think all these things show in the poems, which have the long conversational lines of a beat poem, but the language has both more levity and more gravity than the term "conversational" suggests. And the poems themselves are a record of a life and a series of emotional responses to it that are as complex and immediate and unapologetic as the poems themselves.
The first half of this book was pretty good, but perhaps only because I read it while getting a pedicure. After that, her self-obsessed ramblings about motherhood and being a woman and the world and blah blah blah. Kinda boring.