A retelling of a Siberian folktale—filled with lore, longing, and mythical romance!
In the age of Imperial Russia, deep in the Ural Mountains, two teenagers plot their escape from serfdom and dream of a destiny beyond their birth. Petr, a castoff orphan, longs to make a name for himself as a sculptor of malachite, the Ural’s most treasured gem. His best friend Lena harbors an even more impossible goal: to escape an arranged marriage to the cruel village bailiff and become an artist in her own right.
When their bid for freedom falls to pieces, Petr seeks help from the mythical Malachite Queen, only to find himself trapped in an underworld where godlike skill comes at the cost of his humanity. It’s up to Lena to contrive a daring rescue before Petr is lost forever in a kingdom of stone.
I remember the first time I cracked open The Lion, the Witch, and the Wardrobe—I was ten or so, I think? Like the Pevensy children, I fell right into the world of Narnia and never looked back. I didn’t need to get used to the world or think too hard about justifying the magical system. I just lived and breathed the story. For me, any good fantasy story must have that same element of naturalness. If I can’t fall right into it, it’s probably not the fantasy story for me.
That feeling of naturalness is the first thing that struck me (when I stopped to think about it, which I didn’t right away because the story was so compelling) about Emma C. Fox’s soon-to-be-released The Carver and the Queen.
The story follows Petr, an orphaned Russian serf who longs to become a renowned and succesful carver of malachite, and Lena, the housemaid to Petr’s teacher who likewise dreams of better things, particularly things better than the arranged marriage to the town’s cruel bailiff. In the process of chasing his dream and his chance to win his and Lena’s freedom, Petr falls into league with Malachanitsa, a cunning sorceress, queen of the underground malachite kingdom.
The limited magical elements (no keeping track of complicated systems here!) and battles between gain and selflessness, good versus evil—and of course the alluring evil queen—kept up the Narnia vibes throughout the entire story. It also reminded me, in its fantasy/historical setting and lyrical prose, of Shannon Hale’s early works, particularly The Goose Girl and the other Books of Bayern. It would probably appeal most to readers of the same age as those books as well—advanced 11-year-old readers through teens (and adults, as well!).
Thanks to Owl's Nest Books for sending me an ARC in exchange for my honest review.
I was lucky enough to read an advance copy of The Carver and the Queen and I'm so excited this story will soon be in the world! The characters and setting are captivating and the mystery kept me guessing till nearly the end. And I really admire Emma Fox's ability to use her inspiration from classics and craft a beautiful new story for today's young readers. Russian folklore and C.S. Lewis's The Silver Chair are clearly at the roots of this one and it made me eager to read what she'll write next.
A retelling of a Russian folktale, The Mistress of the Copper Mountain. I'd never heard of this tale before now, but I really liked it! . The writing of this is very descriptive, making it easy to picture the events and the characters. . A wonderful story of good vs evil. I was worried that my questions would be left unanswered, but everything came together wonderfully. . I received an advanced copy of this book from Owl's Nest Publishers. All thoughts are my own. . The Carver and the Queen is available 10/3/23. . I immediately downloaded this author's other book after finishing this one.
I've been looking forward to Emma Fox's new book and this did NOT disappoint. Emma weaves the realism of a rural Russian community in the early 1800s with the mystery and magic of Russian folktales about a Malachite Queen who lives beneath the mountains. She has endearing characters, old and young. Her protagonist Petr makes a foolish choice, but the reader feels for him, knowing why he did it, and knowing he will be saved somehow, someway--Lena won't let it be otherwise.
I love Emma's attention to detail, painting word pictures that live without overwhelming. She also worked hard to make the place and time feel authentic.
I read the authors first novel, “The Arrow and The Crown”, and knew I had to read this one as well. Fox is an incredible story teller and has such a gift for immersing the reader into a fantastical world. This was a fun read and I really enjoyed it! Hoping to read many more from her in the future.
The Carver and the Queen is a beautiful mix of historical fiction, Siberian folklore, and mythological fantasy. I loved the wonderful 1800s Russian setting so much. So very well done. The character development was fantastic, with the sweet romance between the two main characters and their interactions with the mythological (but so real!) malachite queen under the mountain driving the well paced plot. This novel is beautifully written and enjoyable to read. What a wonderfully different fantasy read for adolescents - and adults!
Loved the book. Beautiful cover. There was a bit too much romance in places for the boys 😉, but we made it through and they overall liked the story and asked to read every night until we finished.
I received an ARC of this book and absolutely loved it! I was expecting a simple folktale and instead found myself transported to Serpent Hill with Malachanista, Petr, and Lena.
The Carver and the Queen is rich with symbolism and depth reminiscent to the works of C.S Lewis’s The Chronicles of Narnia and Hans Christian Andersen’s The Snow Queen.
Emma C. Fox did her research on the Siberian culture from the clothing the people wore to the food they ate. As well as the process of the carving itself. Though I have never carved Malachite in my life, after reading this story I feel like I have.
Petr and Lena were so sweet, but also had very different strengths and weaknesses. Petr was a perfectionist always trying to prove himself and feel validated by the world, and when he fails, he seeks for an escape within the underground. While Lena felt trapped by society. In the end they realize that they don’t need the world to exist in happiness but only each other.
In a world where people constantly feel the need to be validated and seek happiness in all the wrong places the Carver and The Queen has such a relevant message that I will be teaching my own children for years to come.
This entire review has been hidden because of spoilers.
This was such a fun and engrossing read. I was so grateful to get an ARC of the Carver and the Queen. There were so many little details included that made the setting and time period feel very tangible. You can tell that a ton of research went into this story. With complex and well-rounded characters, an engaging plot, & such well-written prose, I would definitely recommend this to anyone who enjoys historical literature or fairytale retellings!
Such a classic-feeling tale steeped in Siberian folklore, with high stakes! I loved the unique setting and the richness of this world! Well done, Emma!
An incredible read, rich with layers, myth, and rich details, one that kept me turning page after page. It led me to love and want to learn more about Slavic tales. A must read!
This fantasy tale based on Siberian folklore is a sweet coming-of-age story about Petr and Lena, two serfs who desire a life of beauty and freedom in the shadow of their small mining town. There’s a powerful witch (who, I will candidly say, felt like a copy and paste of the Lady of the Green Kirtle from “The Silver Chair” by C. S. Lewis), a madman’s search for treasure, and a bit with the dog. Come for the malachite carving and stay for the true love that does indeed conquer all. “The Carver and the Queen” is an age appropriate story for young teens and I would therefore highly recommend it for that crowd.
I received an ARC of this book from Owl’s Nest Publishing in exchange for my honest review. It comes out October 3rd.
This book hit the spot. I loved it, and I thought it was even better than The Arrow and the Crown. The dual protagonists were lovable. The villains were mysterious and not made of cardboard. I also loved the supporting cast.
This book is based on a fairy tale that I'm not familiar with, so, for me, it read like a story set in a fairy tale world. It didn't feel strange or contrived in any way, which sometimes happens with a retelling when you aren't familiar with the source. You don't NEED to know the source story to enjoy this one.
This is a sweet romance, too! Perfect for teens who want clean, mature romance. No spice, just heart.
I'm very much looking forward to Emma C. Fox's next book!
First of all, let's get the obvious out of the way: the cover is stunning! Amy Grimes did a phenomenal job with the design and I love the matte texture, as well.
Now onto the novel: Emma Fox skillfully wove all aspects of the Malachite Queen folklore and slavic names into this inspired retelling.
Petr and Lena are on the fringes of their society, living in a small village in the Ural Mountains of Russia. They develop a friendship through their service to a local expert carver and bond over their love of the carving craft. They both also have to contend with brutal bullying by the local miscreant, Gorlov, who is intent on mistreating and abusing each of them in order to get what he wants.
Throughout this tale, Lena and Petr both learn how to exert influence over their own decisions, rather than allowing others to do so for them. They also explore the legend of the Malachite Queen and learn that not only should they trust themselves, they also need to trust others.
The light (innocent and wholesome) romance that develops in this book is appropriate for upper middle grade and young teens.
A satisfying read for any season of the year, side characters such as an older woman skilled in the use of herbs and the spookiness of underground scenes make this book a perfect choice for an autumnal read.
{Thank you to Owl's Nest Publishers for the ARC I received in exchange for an honest review.}
“Sometimes we must reach the end of ourselves to find what lies beyond us.”
I took a chance on this book. I happened upon it at a local book festival where I got to meet the author and her newly published novel. I bought it on a whim, simply because Emma Fox was such a doll and she just felt like a good writer.
This book mixed folktale with romance with fairy tale with adventure. I loved the growth of the characters, and though this book took me a minute to read, I was enthralled. I regret trying to read multiple books at a time because THIS deserved all of my attention.
I highly recommend and will read any and every book that Emma releases in the future.
This book is timeless. A century from now, it will be just as enchanting as it is today. I cannot think of another book written in the past decade that can make the same claim. It’s difficult to pinpoint exactly what makes Emma’s writing so extraordinary—her prose is simple, every line sweet, earnest, and endearingly straightforward. Yet the story feels rich and alive, as if you could step right into its world and breathe the same air as its characters.
I adored it and will recommend it to anyone who will listen to me. Absolutely lovely.
What a spectacular story. I never wanted to put it down. An excellent fairy tale…my favorite fiction genre I think. Her prose was so much better in this one and the story gripped me from page one. The characters and place were so interesting. Bravo Emma C. Fox. Can’t wait for whatever you write next!!
Gollll I enjoyed this read so much. I wasn't sure about it after one of the opening scenes at a whipping post--gah! What is this and where is it going to go?!--but I stuck with it and am so glad I did.
I actually saw a lotttttt of crossovers/overtones with C. S. Lewis's The Silver Chair (one of my favorite Narnia books, because hello, Rilian)--and I'd be super curious if Lewis was familiar with Prokofiev's ballet or any of the related legends. A cursory Google search didn't tell me anything; I'll just have to keep looking (and fangirling in the interim).
Russia has long fascinated me, so that element also really drew me in to this read. It was fun to read something entirely different/new to me--it's not my run-of-the-mill inspy/historical fiction read, by any means, and in this instance, that was great! I loved it and am really looking forward to reading other books by this author.
Loved this book! So many good things to say about this story and how captivating it is. It is set in Imperial Russia in the Ural Mountains. Petr was an orphan, living in a village without anyone to look after him or to give him a proper home or name. He dreams of being famous and making a name for himself as a master of the craft of carving. One day while he’s watching over some cows and playing music, the most beautiful woman comes to him claiming she can help him be great. When the cows he was suppose to be tending are nowhere to be found Petr finds himself in trouble with the towns bailiff, Gorlov, who shows no mercy to Petr as he refuses to help capture the ethereal woman he saw. Lena watches as her family struggles to make ends meat while doing all they can to ensure to keep the master and town bailiff happy. She has a secret though she is an artist at heart and dreams of one day attaining her freedom and becoming a master carver of the precious stone malachite which the town is famous for. Lena and Petr meet and they become fast friends sharing in their love for the craft of carving malachite and the dream of freedom. After their plans and future are greatly affected by the mysterious queen of the mountain Malanchonista. Gorlov has a fascination with Malanchonista and the treasures hidden in her mountain. He will stop at nothing to use Petr and Lena to gain access to this treasure he believes is entitled to him. This book definitely had some surprising twists and turns and was not predictable in the least. In the end love conquers the enemy and reveals a history no one was expecting. Emma Fox has written a masterful tale.
This was a really good read. Every character was refined and well written. I would definitely enjoy reading this book again - 12 year old
The Carver and The Queen is a beautifully written, absorbing examination of ambition, greed, the pursuit of perfection, and the power of love. It is a magical fantasy coming-of-age story that draws from Siberian folklore and is set in the remote Ural Mountains of Imperial Russia.
The tale begins with an act of cruelty, and this binds the fates of two young serfs, Petr and Lena, together as they begin their journeys into adulthood in this harsh reality. They encounter some recognisable characters on their quest for freedom, including an alluring evil queen, a cruel, greedy bailiff, and a grumpy old man with a hidden heart of gold.
The love story between Petr and Lena is authentic and well-drawn in its development and messy complexities. The story shifts ably between the two of them, and Lena makes for a brilliant, steely, and strong female lead who I found myself really rooting for.
The story moves at a good pace with the tension continuing to build and a satisfying showdown and payoff at the end. There are twists and double crosses and moments of tragedy and hope that make this a compelling and rewarding read.
I thoroughly enjoyed this book - the writing was beautiful and poetic at times, with the time and place being artfully created as a world in which our two young lovers face cruelty, challenge, and the cold. The descriptions paint a vivid picture of Petr and Lena's world, and the fine details - most notably of the malachite stone itself - really bring it to life.
A highly recommended read - one of my favourite books of the year so far.
I received a free ARC of this book in exchange for an honest review.
The writing style is so easy to read and get into. I enjoy the third-person limited point-of-view that alternates between the two main characters, Petr and Lena. The characters, premise, and storytelling are engaging, and it reads like a well-written fairytale. Fox seems to effortlessly recreate Imperial Russia without sounding like a history lesson, yet, if you're curious, you could learn quite a bit. Did you know malachite dust is poisonous? I didn't, until I read this book. I enjoy books that teach me new things without actually aiming to teach me anything at all.
It took quite a long time to get to the action that the blurb advertised. I also had questions after the book ended, like Does Lena ever get the recognition she deserves as an artist? Does she continue to carve malachite? I have other questions, but I don't want to spoil the ending for those of you who don't read ahead.
There is also a moment when the heroine gets what she wants a little too easily because her heart is so full of love or purity or magic? I wasn't quite sure how her heart magically saved the day, and I wasn't expecting it from what I had previously read. It seemed a little rushed and not quite plausible. However, it didn't ruin the story for me, and that is a popular fairytale trope.
This was a really enjoyable and engaging story, and I can't wait to read more from this author. It looks like she tells stories that aren't mainstream, and in the last few years there have been so many familiar fairytale retellings that I'm ready for something different made fresh and accessible to modern audiences.
I have come to The Carver and the Queen because I have begun to follow the work of Owl's Nest Publishers. It is a relatively new small publisher (about 2-3 years old). One of the founders is the author, KB Hoyle, and I am a big fan of her work. I have read her published novel-length works at least once. I have most enjoyed her fantasy Gateway Chronicles books, but I have also enjoyed her dystopian series (Breeder Cycle), the start of a science fiction series (Orion and the Starborn) and fairytale series (Son of the Deep) and her stand-alone book (Queen of Ebenezer). This has also led me to trust her judgment as an editor and publisher. I have started working through the other books that Owl's Nest has published.
The Carver and the Queen is a retelling of a Siberian folktale I did not know. I have enjoyed the modern reimagining of folk tales that I did know, Orson Scott Card's Enchanted, Neil Gaiman's work, and Son of the Deep. But I am unaware of another book that was consciously retelling a folk story I did not know. I have not read Russian literature widely. But I have read some, both modern and older. This retains a Russian feel to my sensibility but does not feel too distant.
The story opens with Petr, a teenage orphaned serf, being beaten for losing some cows he was supposed to be watching. It wasn't just the loss of the cows but the willingness to tell a magical reason for the loss and to keep to the story that led to such a severe beating. A teen girl, Lena, observes the beating, and when the boy and girl's eyes meet, a connection is made, and experienced readers will know that this is, at heart, a romantic fairytale.
Young adult literature is almost always about youth's naive optimism and bad decisions because they naively think that the bad things that happen to others won't happen to them. Young adults are trying to find their way apart from the protection of the adults around them. It is a necessary part of growing up, but as an adult, I grieve the lousy decision-making of youth. I know it is a natural and necessary part of maturing, but still, I can see the pain it will cause and wish there was another way.
Petr is gifted and independent. He teaches himself to play the flute, which is what gets him into trouble in the first place. And then, after the beating, he is eventually placed as an apprentice of a stone carver as a punishment. But that too is something that he is very good at. Tragedy is all around. This is set in 18th or 19th century Siberia, and everyone lives hard lives. Death is common. Systems are corrupt and unfair. And magic has a price.
I enjoy reading young adult fiction, but as my kids get older, I have started to read it more through the eyes of a parent instead of through the eyes of a former teen. That doesn't mean I enjoy it less, but I come at it differently. I have much more sympathy for the adults trying to protect and train the teens, and I wish the teens were more receptive to the well-meaning advice. I appreciate that young adult plotting keeps the story moving quickly, but there is still character development and young love, which are also essential parts of the genre.
One of the weaknesses of this book is that it needs a stronger sense of how communal identity was a self-protective feature of the culture. American individualism is still present in the book, and while all cultures have some individualism, I think the positive sense of communal identity needed a more significant role here.
I read this over three days of Thanksgiving break, and it was precisely the type of relaxing read I was looking for.
I received an ARC of this book in exchange for an honest review
I first ran across Pavel Bazhov's collection of Ural folktales several years ago, and absolutely loved them. So when I saw this retelling, I was very excited to read it, but also a bit apprehensive—would it live up to my expectations?
Well, I can now say it absolutely lived up to my expectations, and exceeded them. I loved this book.
Synopsis: Petr and Lena, serfs in Imperial Russia, both dream of carving malachite—and winning their freedom. When the cruel village bailiff, Demyon Gorlov, demands Lena marry him, she and Petr make a daring plan to escape. Yet an enchantment poisons their work from the very start; the beautiful Queen under the Mountain has her eyes on Petr, and eventually lures him into a trap. Lena refuses to give up on him, but her rescue puts her in the path of Gorlov, who has his own reasons for hunting the Queen.
What I loved about this book: Ok, first of all, the research. I can't resist a well-researched fantasy, and the author clearly did her homework on Imperial Russia in general and malachite carving in particular. Yet it isn't overwhelming; the historical details are woven into the story in way that adds to the setting and the characters but doesn't come across as forced. It's brilliantly done.
Second, the relationship between the characters. I also loved the exploration of family relationships, such as those between Lena and her siblings as well as between Petr and Yermolay.
Third, the Queen is terrifying in the best possible way.
Fourth, the plot balances the beats of a fairy tale with the complexity of a novel really well. All the folktale elements are there—wise women, riddles, magical flowers, etc.—but there's still a sense of urgency and plenty of clever plot twists. You can definitely see the framework of the source material, which I really enjoyed. And I definitely want to reread it, because I was so invested in what happened next that I read it very quickly.
And finally, the writing is just lovely. There were so many descriptions and passages that stuck with me. There's quote near the end that might be my favorite: "Sometimes we must reach the end of ourselves to find what lies beyond us."
Overall, a wonderful retelling that I think can be enjoyed by adults just as much as teens. I'm excited to read more by this author.
The Carver and the Queen is an immersive and richly detailed story of two serfs seeking their freedom Petr Nichto, (whose last name literally means 'nothing'), seeks self-worth and longs to be a renowned carver of malachite, the green mineral that can be found in the Ural mountains. Lena seeks escape from an arranged marriage to a cruel bailiff. When Petr's and Lena's fates are intertwined, love blossoms between them, a love borne of mutual hardships and similar interests. Lena, too, longs to be an artist, carving beautiful objects from malachite, but carving is forbidden work for a woman. When their work to gain freedom is thwarted by circumstances beyond their control, Petr seeks help from Malachitsenia, the "Mistress of the Mountain," a queen who rules a beautiful but mysterious world underground. Things are not what they seem, however, and soon Petr and Lena must battle an ancient evil in order to find freedom.
This riveting fairy tale is replete with beautiful imagery and exciting storytelling. I loved the genuineness of the romance, a romance that is allowed to grow throughout the novel instead of being an instantaneous love. Petr's vulnerability and artistry is wonderfully portrayed as is Lena's quiet strength and heroism. I loved that their relationship grew out of mutual interests and out of their willingness to help each other. The supporting cast was equally vivid, and I especially loved Yermolay, a crotchety but kind stone cutter, and Granny Vichka, the village healer. The antagonists were complex. I especially appreciated the complexity of the Malachite Queen, whose motivations are creepy but oddly empathetic. I also loved the author's use of many folktale motifs and the exploration of the themes of captivity to desire, redemption and the meaning of true freedom.
If you enjoy stories with strong but kind heroines, surprise reveals and genuine love stories with hints of otherworldly magic, then I thoroughly recommend The Carver and the Queen. The book has been compared to C.S. Lewis's The Silver Chair, and the comparison is somewhat apt. However, The Carver and the Queen is even more complex and richly immersive, a wondrous blending of historical Imperial Russia with an underworld of alluring beauty. And, for those of you who love dogs, Sasha is adorable! Happy reading, and God bless you all.
In Imperial Russia, teenagers Petr and Lena find friendship and a shared dream: to leave their lives of serfdom behind and become accomplished sculptors of malachite, the valuable gem of the Ural Mountains. However, their plan for freedom is hindered by the cruel bailiff of their town and the fantastical Malachite Queen of the mountains. Lena must avoid an arranged marriage to the bailiff while embarking on a mission to save Petr, who has fallen prisoner to the Queen’s promise to make him the greatest sculptor of malachite. The cost, however, is Petr himself.
Fox is a master of weaving a tale of magic and fantasy wrapped in history. Her research in Russian history and folklore shines as her story unfolds. Her characters are grounded in a setting that feels real in the middle of all the fantastical elements. Fox’ characters embody tried and true archetypes: The Everyman, the Creator, the Caregiver, and more. However, thanks to Fox’ deft and caring touch, each character becomes much more than their archetypes. They are real, and their circumstances are relatable. And though Fox’ heroes may falter, they find strength to persevere.
In addition to Fox’ skill in creating meaningful characters, some of the scenes featuring magical beings of ancient lore left me wanting to learn more. During a pivotal moment in her adventure, Lena encounters a group of bog maidens. The scene is fleeting, but it leaves the reader intrigued to learn more of these spirits, especially through Fox’ storytelling.
The publisher’s suggested reading level for The Carver and the Queen is ages 13-18. The Carver and the Queen is an excellent novel for younger readers who are ready for fantasy books with higher stakes for the characters, such as magic, death and violence, and a touch of romance. However, older readers will enjoy the story and the rich folklore that Fox has infused into it.
To open this book is to step into the dusty, vibrant, brutal, homey, barren, festive world of Siberian serfdom and the glittering, treacherous mysteries of its folklore. The writing is as haunting as music, so rich with detail you forget you're reading instead of living it: the smells of chicken broth and thyme, the sight of fireflowers burning on the mountains, or the playful tune of a zhaleika.
The characters are even better, leaping off the page in a passion of longing, love, greed, generosity, courage, and determination. As a reader, I can be overly harsh with characters' mistakes and misunderstandings, but Lena, Petr, and the rest of the cast were so lovable that their adventures drove me to read the book in two days.
Emma Fox brought this tiny corner of the Ural Mountains and the wealth of Siberian folklore to life. Her story uses the language of fantasy to illuminate the yearnings of the human heart, the tragedy of evil, and the glory of redemption.
This was such a sweet Russian fairy tale retelling with beautiful prose, descriptions, and characters that grow over the course of the novel. I enjoyed learning about a place I've never heard or been to and experience a little-known fairy tale.
The stone working craft was entrancing; Emma always does an excellent job of weaving unique fantastical elements that are not seen in many books and describing them so they seem real and beautiful and just right in the world. I also loved the music magic--it fit so perfectly with the characters and the world.
The only slight issue I had was Petr's naivete and how Anna always seemed to have to bail him out of trouble. His reasons for a decision (a rather stupid decision) he does later in the story didn't seem strong enough, but other than that, the story was flawless!
This is a great read for lovers of fairy tales, The Bear and the Nightingale, or lovers of adventure.
Such a charming book. A light read, but very well-researched. Pulls from lots of Russian folktales and uses a spattering of Russian vocabulary (properly!) which is great. I only wish it had a Glossary with the Cyrillic spellings of the Russian words so I could look them up.
The romance was pretty sweet, but it felt a tiny bit forced. She didn't really spend enough time developing it. The characters were also a bit flat but they were still fairly relatable. The setting was very beautiful and I appreciated her use of vivid description and inclusion of very small details that really added to the scene. (She overdid it, at times, but it's a technique I'll definitely employ some more from now on.)
All that to say, I did quite enjoy this book and I'd recommend it if you're looking for a light, easy, slightly educational read.
A delightful tale full of the richness of Russian fairytales and culture. Emma Fox has created a delightful world that feels captivating and tangible!
Highlights: - a classic fairytale retelling that avoids my biggest pet peeves: spice, cussing, and excessive emotional angst! Add to this the great writing and you have me hooked! - The characters were flawed but they were genuinely good. It was so refreshing to read about characters that had moral compasses, even if they were misguided at times. - the descriptions of the landscapes were truly delightful
Only downside was that the plot slows down for a while in the middle. It wasn’t a big deal, just don’t expect every chapter to have fast-paced action. Things do pick back up at the end.
I would definitely recommend this to teens or anyone who loves a good fairytale. Great YA read!