Hexworld’s pre-turn of the 20th century, alternate New York City bears all the distinctions of Jordan L. Hawk’s world building acumen and fertile imagination. This is a city where magic flows freely and yet feels as though it still could have existed, owing to the abundance of ambient qualities and other small but significant details the author intermingles with the narrative to ground readers in the setting. The overall tone of this book is different from the others in the series, however, and necessarily so. Elements of Hexhunter needed to stand on their own, in juxtaposition to the other witch/familiar couples, because the complexion of Isaac and policeman Bill Quigley’s relationship, and their connection to each other, is unique to them.
It’s been two years since Isaac, the Mastiff familiar, was rescued from a witch who’d force bonded with him and was using Isaac’s magic for nefarious purposes. Before that bitter misfortune, however, Isaac was violently rejected by the witch to whom his familiar magic called. For two years, Isaac has been traumatized by his memories and has rejected his familiar aspect out of fear and self-recrimination. But now the past has come back for a visit, a past which impacts both Isaac and the man he pines for, and the revelations upon its return will either end Isaac and Bill’s chances, forever, or it will draw them to each other and spare them from a life of loneliness for which they both feel destined.
Flawed characters who are well-written without resorting to exaggeration and are sympathetic without relying on a blatant and/or over-the-top attempt to manipulate my emotions will always pull me into their story (if their story is one I want to hear). Jordan L. Hawk seems to excel at developing and delivering those sorts of characters, offering them warmth, charm, humor, integrity, and complete personalities to compete with and overcome the prolific mayhem that ensues in their paranormal realms. Bill and Isaac don’t have an easy go of it in Hexhunter. They are each carrying the weight of their own misfortunes on their shoulders, neither believing he is worthy of the sort of love he wants so desperately but doubts he can ever have with the other. Family—or, in Bill’s case, what passes for it—along with betrayal and abuse at the hands of others, influence Bill’s and Isaac’s reticence as well as their resilience.
Not all pairings are romantic and/or soul-encompassing in this series, some are merely practical, so the bonding aspect of Hexworld and the way it defies the more common fated mate trope in speculative fiction is as exclusive to each bonded witch and familiar as is their magical strengths. The difference in this novel, a much appreciated one, is how Bill and Isaac’s relationship contrasts with the others. Bill tested so low for witch potential as to be nearly mundane and is why he’s a copper with the non-magical police. That his own magic isn’t impressive, and that Bill’s magic didn’t call to Isaac’s in the usual way, made their choosing to be together all the more romantic for it.
I’ve been waiting for this book for what feels like forever. Not that I’m complaining. Everything in good time is the quintessence of a Jordan L. Hawk series, after all. There’s always a long arc, and Hawk always teases it out to perfection. Bill and Isaac working together wasn’t unexpected to fans of Hexworld. What was unexpected is the case to which they were assigned and everything it took for them, Isaac especially, to follow the trail of a crime that begins with murder and is perpetuating horrors upon missing children. The climactic scene, as always, is written to maximum effect and yet it expended minimum effort on my part to engage my imagination and set my adrenaline spiking.
This series arc is not complete yet, there is still a powerful criminal mastermind to thwart, so hang on. It's not the end but merely the beginning of more to come.