CONTENTS Joan Aiken - Lodgers Cynthia Asquith - The Playfellow Enid Bagnold - The Amorous Ghost Denys Val Baker - The Face In The Mirror E. F. Benson - Caterpillars Ambrose Bierce - The Damned Thing Algernon Blackwood - A Case Of Eavesdropping Robert Bloch - A Home Away From Home Elizabeth Bowen - The Cat Jumps Gerald Bullett - Dearth’s Farm Ramsey Campbell - Calling Card Mark Channing - The Feet William Charlton - Undesirable Guests R. Chetwynd-Hayes - Shona and The Water Horse Winston Churchill - “Man Overboard!” Michael Cornish - Superstitious Ignorance F. Marion Crawford - The Dead Smile Roald Dahl - Georgy Porgy Mary Danby - Woodman’s Knot David Dixon - The Lodger In Room 16 Arthur Conan Doyle - The Adventure Of The Speckled Band Elizabeth Fancett - When Morning Comes Rick Ferreira - The Girl From Tomango Theo Gift - Dog Or Demon? Charlotte Perkins Gilman - The Yellow Wallpaper Anthony Gittins - Gibbet Lane Catherine Gleason - A Question Of Conscience Winston Graham - The Basket Chair Stephen Grendon (August Derleth) - The Tsanta In The Parlor Roy Harrison - The Frogwood Roundabout William F. Harvey - The Beast With Five Fingers William Hope Hodgson - The Voice In The Night M. R. James - The Ash-Tree Jerome K. Jerome - The Dancing Partner Glyn Jones - Jordan David H. Keller - The Thing In The Cellar Stephen King - Suffer The Little Children Nigel Kneale - The Pond Henry Kuttner - The Graveyard Rats Perceval Landon - Thurnley Abbey Kay Leith - Avalon Heights H. P. Lovecraft - The Rats In The Walls Lord Lytton - The Haunted And The Haunters Richard Matheson - Deadline Norman Matson - The House On Big Faraway Ogden Nash - The Three D’s E. Nesbit - Man-Size in Marble Edgar Allan Poe - The Pit and The Pendulum Tony Richards - Headlamps Flavia Richardson - Behind The Yellow Door Lennox Robinson - A Pair Of Muddy Shoes Saki - The Music On The Hill May Sinclair - The Villa Désirée A. E. D. Smith - The Coat Clark Ashton Smith - The Seed From The Sepulcher Lady Eleanor Smith - Satan’s Circus Bram Stoker - The Squaw Terry Tapp - The Invaders Basil Tozer - The Pioneers of Pike’s Peak H. Russell Wakefield - Blind Man’s Buff Evelyn Waugh - Mr. Loveday’s Little Outing Dennis Wheatley - The Snake Mary Williams - No Ticket P. C. Wren - Fear John Wyndham - Close Behind Him
"The Snake" by Dennis Wheatley is probably the first piece of short (or long) fiction I've ever read by the author - Wheatley being a figure most familiar to me as having written the source for the fun film THE DEVIL RIDES OUT. Outside of that, I'm not really in a rush - descriptions of his novels make me feel like he's some sort of reactionary Robert Ludlum writing supernatural novels. But here we have a story, told over drinks, where a rich man explains why he believes in black magic, relating a story that goes back to his poverty-stricken beginnings in South Africa, where his bootlegging/arms-dealing boss runs afoul of the local witch doctor when he tries to collect on a debt. This is one of those traditional "native magic works on unbelieving white man" stories (see the much better "Pollock And The Porroh Man" by H.G. Wells) which plays out mostly like you'd expect (although there's a final, dramatic, unexpected twist) but pretty much does so in a workmanlike way - and Wheatley lives up to my low expectations by insulting Italians, Jews and Black Africans within the first few pages. Eminently forgettable.
"The Dancing Partner" by Jerome K. Jerome - an expert maker of clockwork figures turns his skills towards the complaints of young women of his association who are unhappy with their choice of dancing partners at the grand balls. But ingenuity ends in tragedy. There's so much to like about this piece - its succinctness, its restraint (it lets you know that awfulness has happened without spelling it fully out), its prescience (as we enter the age of AI, for good or ill), its (possible) awareness its own lineage (I imagine Jerome must have read Hoffmann's "The Sandman" and incorporated its tale of the proto-android Olympia). A good 'un.
In Lady Eleanor Smith's "Satan's Circus", we are introduced to the reputation of the Austrian Circus Brandt, which, while considered a fine and professional show, has a bad reputation that follows it as it travels across Europe, especially from its workers who don't stay on very long. And one such man, a juggler, tells his story of why he left, a story involving a circus worker named Anatole, the Brandt's corrupt ways, and the sudden need for a lion tamer... Again, while a bit subdued, it has a certain European charm, with faint echoes of the Decadent writers.
Very good anthology.A lot of the stories I have seen in other books but this doesn't detract from the winning selection of horror short stories.There also is not a lot of blood and guts so fans of Splatterpunk will be let down.The stories are also a little dated but this I find that I like. Overall a worthwhile read. You would like it Danielle.
Definitely a mixed bag of stories. Most tended to follow a British or European ghost story trope where somebody marries, moves into a haunted house, has a horrible time, and then something ghastly happens to make them abandon it yet again. Of course, there are always little variations, but after awhile it got stale. There are also a few more modern stories, like King's "Suffer the Little Children", and many others featuring creepy hordes of insects and psychological issues. Stories are arranged alphabetically by author, so no real organization beyond the selection by the editor, who didn't proofread my edition that well either.
Warning: There is one H.P. Lovecraft story in this collection that features a black cat the narrator has chosen to name, "Nigger-Man". (It's set in the 1920s. I'm not asking.) He plays a pivotal role in the story and sticks close to the narrator, so it's impossible to avoid reading his name multiple times. Hilarity or shock may result.
As with any book of short stories, some were better than others. However, where else can you get Sir Winston Churchill and Stephen King in the same book?
A terrific 'all star' anthology of classic (and often hard-to-find) horror tales, from such masters of the genre as Ramsey Campbell, R. Chetwynd-Hayes, Stephen King, Robert Bloch, Dennis Wheatley, John Wyndam, and many dozens more. An invaluable addition to the collection of any fan of great horror fiction.
As I read, I look to find something about the authors, other things they have written. Quite an education, Alger self taught, about some amazing writers.