Textual Bodies: Modernism, Postmodernism, and Print

by Michael Kaufmann, Emilia Pardo Bazán

Examining the unusual typography in Faulkner's As I Lay Dying, Stein's Tender Buttons, Joyce's Finnegans Wake, and Gass's Willie Master's Lonesome Wife, Kaufmann shows how these writers exposed the printed surface of their works and eventually made the print a part of the fiction itself.

140 pages, Hardcover

First published May 1, 1994