Dixie Lullaby

by Mark Kemp

Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.

320 pages, Hardcover

Published August 24, 2004

About the author

"Mark Kemp is every bit as audacious as the musicians he writes about. The story he tells here encompasses everything that is important about modern life. And he tells it beautifully, the cultural criticism and memoir blended seamlessly."—Stephen J. Dubner, Turbulent Souls: A Catholic Son's Return To His Jewish Family

"As a child of the South ... I know in my heart that Mark Kemp has told the truth about what growing up here and loving music was like. But you don't have to be a Southerner to get it... fascinating, well-written, and entertaining..."—Larry Brown, Fay

"Kemp's grace and insight into a complex cultural scenario forms a combination that's hard to beat."—Kirkus Reviews

Read more:
http://rockcritics.com/2008/07/07/sou...
http://www.indyweek.com/gyrobase/Cont...

Listen:
http://www.ibiblio.org/wunc_archives/...

Mark Kemp is the author of Dixie Lullaby: A Story of Music, Race & New Beginnings in a New South. He has written news and features, columns, essays and reviews since the late 1980s for Option, Rolling Stone, The New York Times, The Charlotte Observer, Harp, Paste and many other publications. He has served as music editor of Rolling Stone and vice president of music editorial for MTV Networks. In 1997 he was nominated for a Grammy for his liner notes to Farewells & Fantasies, a retrospective of music by ’60s protest singer Phil Ochs. Kemp began his journalism career in the early 80s as a reporter at the Times-News of Burlington, North Carolina. In the early 90s he served as the editor of Los Angeles-based Option magazine, which chronicled the rise of post-punk independent and alternative rock and hip-hop, and also covered contemporary jazz, avant-garde, electronica as well as musical styles and trends from other countries and cultures. In 2002 Kemp returned to his home state of North Carolina, where he currently serves as senior editor at Our State magazine.