One of the two anthologies I owned in childhood, alongside the Kingfisher Story Library companion volume SCIENCE FICITON STORIES. This one's by far the superior of the two, mainly because it doesn't feature any of those space-filling extracts that plagued the other book, aside from a brief excerpt from Kenneth Grahame's THE WIND IN THE WILLOWS, which I can forgive. The rest is a solid mix of '80s-era ghost stories written for children, and a handful of older classics. Of the latter, we open with Kafka's THE KNOCK AT THE MANOR GATE, a strange inclusion for sure which nonetheless tackles criminal justice in a way I can only describe as, well, Kafkaesque. Dickens' THE LAWYER AND THE GHOST is a typically humorous stab at the ghost story which nonetheless offers a novel way to get rid of a troublesome spirit. Next up are two Eastern classics: THE GHOST WHO WAS AFRAID OF BEING BAGGED is a fine twisty anonymous one from India, while SCHOOL FOR GHOSTS is an evocative romantic haunted house tale from ancient China.
Guy de Maupassant is one of my favourite short story writers, and WAS IT A DREAM? is a typically vivid and haunting nightmare sequence with some truly macabre imagery. Following that comes Sir Arthur Quiller-Couch's A PAIR OF HANDS, a more sentimental and unusual effort that nonetheless still has a spooky apparition as its centrepiece. LOST HEARTS is, of course, the M.R. James classic which needs no further elaboration than the author's name, while Perceval Landon's THURNLEY ABBEY is one I've encountered before and thoroughly enjoyed, a delightfully ghoulish offering. Meanwhile, Gahan Wilson's YESTERDAY'S WITCH (a fun if familiar Halloween horror) and Ray Bradbury's THE EMISSARY (a fine piece of writing, as is most of the author's output) make up the early 20th century quota alongside SREDNI VASHTAR, a typically biting effort from Saki.
All of the preceding stories are entertaining enough, but what I enjoyed most about this anthology are the fresher, less familiar children's tales which make up the other half. Most of these are surprisingly good, and don't feel spoonfed at all. John Hynam's A LEGION MARCHING BY, for instance, is a hauntingly lyrical time travel tale about a ghostly Roman legion, while Mary Williams' THE LITTLE YELLOW DOG is a quietly tragic tale about a beach haunted by the ghost of an old man searching for his missing companion. Alison Prince contributes THE LILIES, a beautifully-constructed tale of a pair of sympathetic witches, and JOHN PETTIGREW'S MIRROR sees Ruth Manning-Sanders ably combining a selkie story with a more moralistic, but nonetheless engaging, climax.
Philippa Pearce's MISS MOUNTAIN is one of the most unusual ghost stories collected here, an almost purely psychological tale of cruelty which goes hand-in-hand with John Gordon's equally unpleasant LEFT IN THE DARK. Both stories chart the depths to which some adults will go in making childrens' lives a misery. Jean Richardson's NOT AT HOME is a slight spin on a well-worn trope but not without merit, while Joyce Marsh's THE SHEPHERD'S DOG is a completely heartrending read if you're an animal lover like me. Finally, we have an early Phillip Pullman story, VIDEO NASTY, which has a very obvious twist but plenty of suspense to go with it, and Robert Westall (who also edits the volume) provides THE BOYS' TOILETS, an atmospheric story about a run-down abandoned school haunted by the ghost of a former pupil. There are very few misses in what is a fine and compelling anthology overall.