Complete disappointment. Prepare for rant - read at your own discretion.
The only way I was able to finish this, was skim more than I actually read.
I loved the concept behind this, but the actuality was a flat disappointment.
The FMC is an abject doormat.
On it’s own it would be endurable, but she’s also very judgemental, shallow, selfish at times, and unforgivably boring.
Her monologues are filled with nasty judgements about everyone she meets, most of which are obliviously hypocritical. [She criticises one for his job and living circumstances, while never acknowledging that her own is the same.]
Her inner dialogue is immature and tedious. Her constant reference to female deities in an attempt to be ‘cool’, is very cringe and overused.
She resorts to wine anytime she ‘can’t cope’, preferring to run away and avoid problems and any form of maturity.
She is very much a stereotypical millennial, more appropriate to contemporary-popular-fiction style books.
We’re told about her being bullied in school, but then becomes best friends with the same type, and passively enables, by watching this person take advantage and mistreat others. No objections or discomfit, instead she participates in the behind door put downs.
The BFF uses everyone, [including the FMC, though she’s completely oblivious] but so long as she doesn’t direct it her way, all good. She feels no guilt over this.. 😳
The storybook villains are annoying and one dimensional caricatures. There’s no real evolution or depth to their personalities.
Moriarty is a narcissistic drama queen with OCD, one step away from flapping his wrists. While he has a great vocabulary, he does not read as a genius. Missing so many obvious points, failing to ask questions, and generally running around pointlessly.
He then ‘miraculously’ turns up clues that lead nowhere, but allows the story to drag on.
The FMC questions if she would be attracted to him if not for his looks, and apparently doesn’t like the answer.. but of course, ‘can’t control her poor, weak, hormonal, body’, sigh… 🙄🥱
Heathcliff is a nasty depressing arse, whose only redeeming factor is he’s supposedly ‘hot’. A fact the FMC notes several times early on as well.
The raven shifter is insecure, depressed, and a closet stalker, so naturally must be an artist.. 🙄🙄🙄
We are constantly ‘told’ they are flirting. We are ‘told’ that she is attracted to them [though given no reason why, other than the physical].
We are ‘told’ many things, but rarely shown. There is no sensuality, no steam, no believable romance. A couple of awkward, kink, sex scenes that don’t fit, and are used to bemoan and dramatise over after.
The villain is blatantly obvious, yet the ‘criminal mastermind’ doesn’t figure it out. Instead, the inept coward, who would normally be a side character, does.
[The kind too scared to stand up for herself, and feels no guilt over pas-agress tolerating and enabling whatever it takes to be liked, while putting everyone else down. But only behind their backs, or in her own head, while pretending to be nice.]
I really, really, wanted to like this. I so loved the concept!
But none of the characters are likeable, the story is loaded with filler that doesn’t progress the plot, romance, or character development. The only point of real interest or mystery, is the real villain of the story, who is killed early on [not her death, but her life]. A villain who the FMC still doesn’t acknowledge as being such by the end of B1…
I’m ranting… But I just don’t understand how the author can put forth such an morally defunct, immature, shallow-judgemental, passively aggressive coward, as our FMC whom we’re supposed to like and care about? 🤯
That’s not even including the flat, angsty, and boring male love interests.
So no, I won’t be reading further, and can’t recommend.. 😂
[Ohh, I almost forgot…what’s with the other authors bashing? Was it really needed? Didn’t add to the plot or overall story (though it did add to the characters snobbery and bullying).]