The late Jack Wiler read as part of my Visiting Author's Series on 11/2/2007. This is a version of my spoken introduction for him:
Jack Wiler’s poems put us where things are coming apart--lives, logic, the ability to know where one stands not only with the world, but in one’s own skin. Using everyday language, Jack’s poems convey righteous anger and indignation, sharp-edged humor and an almost unbearable longing. In much of his work there’s the exasperation with those who waste the beauty and possibilities presented them, whether in small ways, like not simply acknowledging another’s existence, not noticing beauty in one’s midst, or in a larger sense, as a country, a world, seems to descend into madness around him.
He expresses all this not just with barely-controlled rage, but also with a withering wit that would make a Mencken proud.
There is real intimacy in Jack’s writing, his daring to engage the world, to delve deep into all he encounters, sometimes not happily, not even completely willingly, but in the spirit of “if there’s no good reason to say no…say yes.” Jack’s poems are plain-spoken and direct, but like the lives embodied inside them, never, ever simple. And then the longing: In a poem like “Running the River,” he vividly brings each moment to our senses, better then to feel for ourselves the great reaching out that occurs there, and in the best of his work. Jack Wiler’s poems are efforts to appreciate what we have; in “Spring at Little One’s,” he evokes this finally accepting what is, and the ever-ongoing effort to let go of the unattainable with the beautiful lines:
“...in New Jersey.
Stars.
Not millions but enough”