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Two Ninety One N0 1 12: 1915 1916
Hardcover
Published August 1, 1972
About the author
Dorothy Norman
45 books1 followerDorothy Norman (née Stecker; 28 March 1905 – 12 April 1997) was an American photographer, writer, editor, arts patron and advocate for social change.
Norman never worked as a professional photographer; instead, she captured images of friends, loved ones and prominent figures in the arts and in politics. People she photographed included Jawaharlal Nehru, Indira Gandhi, Thomas Mann (with his wife Katia, or Katy), John Cage, Marcel Duchamp, Bernard Berenson, Albert Einstein, Theodore Dreiser, Elia Kazan, Lewis Mumford and Sherwood Anderson.
She also photographed special sites, trees, harbors, churches and buildings. She detailed the interior of An American Place, Stieglitz's last gallery, in photographs included in America and Alfred Stieglitz, A Collective Portrait, published in 1934. She created an extended portrait study of Stieglitz.
Norman's photographic work is noted for its clarity of vision, masterful blend of light and shading, and professional-quality printing techniques.
Norman was a productive author. She wrote a weekly column for the New York Post (1942-1949) and for ten years (1938-1948) edited and published the literary and social activist journal Twice a Year, whose contributors included Richard Wright, Albert Camus, Jean-Paul Sartre and Bertolt Brecht. Norman chose provocative aphorisms by contemporary and historical writers, male and female, and from various cultures, to accompany the thematic groups of photographs in sections of MoMA's world-touring exhibition The Family of Man for its curator Edward Steichen, a long-term associate of Alfred Stieglitz.
She wrote or edited numerous books, including The Selected Writings of John Marin (1949); Nehru: The First Sixty Years (1965), a two-volume collection of the Indian leader's writings; Alfred Stieglitz: An American Seer (1970), the first full-length biography of the American modernist; and Indira Gandhi: Letters to an American Friend (1985). Her memoir, Encounters, was published in 1987. She also wrote the book The Spirit of India.
Norman never worked as a professional photographer; instead, she captured images of friends, loved ones and prominent figures in the arts and in politics. People she photographed included Jawaharlal Nehru, Indira Gandhi, Thomas Mann (with his wife Katia, or Katy), John Cage, Marcel Duchamp, Bernard Berenson, Albert Einstein, Theodore Dreiser, Elia Kazan, Lewis Mumford and Sherwood Anderson.
She also photographed special sites, trees, harbors, churches and buildings. She detailed the interior of An American Place, Stieglitz's last gallery, in photographs included in America and Alfred Stieglitz, A Collective Portrait, published in 1934. She created an extended portrait study of Stieglitz.
Norman's photographic work is noted for its clarity of vision, masterful blend of light and shading, and professional-quality printing techniques.
Norman was a productive author. She wrote a weekly column for the New York Post (1942-1949) and for ten years (1938-1948) edited and published the literary and social activist journal Twice a Year, whose contributors included Richard Wright, Albert Camus, Jean-Paul Sartre and Bertolt Brecht. Norman chose provocative aphorisms by contemporary and historical writers, male and female, and from various cultures, to accompany the thematic groups of photographs in sections of MoMA's world-touring exhibition The Family of Man for its curator Edward Steichen, a long-term associate of Alfred Stieglitz.
She wrote or edited numerous books, including The Selected Writings of John Marin (1949); Nehru: The First Sixty Years (1965), a two-volume collection of the Indian leader's writings; Alfred Stieglitz: An American Seer (1970), the first full-length biography of the American modernist; and Indira Gandhi: Letters to an American Friend (1985). Her memoir, Encounters, was published in 1987. She also wrote the book The Spirit of India.
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