Charlaina "Charlie" Hart is seventeen and a member of the Vendor class, the class of merchants. Her parents have a restaurant, she attends a school for vendor children, and her friends are the children of other vendors. As a member of this class, she's only allowed to speak two languages: parshon, the language of her class, and Englaise, the universal language and language of the Serving class, the lowest class in Ludania. But Charlie has a unique and very secret gift: she can understand all languages, even pictorial ones. And no one other than her parents can ever, ever know because it would be an instant death sentence for her.
Then one night at an illegal club with her best friend, Brook, Charlie meets Max, a young, handsome man who speaks a language she's never heard before - but that doesn't stop her from understanding it. Terrified that he's realised she can understand him, Charlie is determined to keep him away and maintain her low profile. But when she stumbles upon the underground resistance movement, led by the enigmatic Xander, and learns the truth about Ludania's powerful Queen, Charlie must decide just what part she will play in the coming conflict.
I read this as a standalone novel, especially considering the epilogue gives it a sense of finality, but learned afterwards that it's the first of a trilogy (mostly at the publisher's urging). It would have been fine - not great, but fine - as a standalone, but as the first in a series it's definitely lacking. The motivator for continuing to read it would be a really fleshed-out world (I get the sense that the characters will change in the next book, but that may not be the case), and I didn't get one. The Pledge continues my on-going disappointment with YA fiction these days, especially the sci-fi/fantasy kind.
Though, to be honest, I'm starting to wonder just how much of it is because I'm an adult, with different expectations, and an imagination that works in different - and perhaps less effective - ways. I'm thinking of re-reading some of my favourite YA books from when I was a young adult, books that I know came alive in my head in vivid ways, and see how much that was the writing and how much simply my imagination being more fertile. If it's the latter, it won't grant a stay of execution to the many weak YA books being published today, but it might make me less harsh on the ones I mostly liked.
That said, where do I stand on The Pledge? It's a fast-paced book, maybe too fast, and some of the plotting seemed a bit convenient. I'm unsure where I stand on the characters - I liked Max, and every scene he was in made me feel, from Charlie's perspective (she narrates), like I wasn't alone, that he made a good team, and had my back. That's the vibe he gave off, not in a dull way - there's a good dose of sexy charisma mixed in there. But both Max and Xander remained rather unknown by the end of it. You get glimpses - like Xander's true feelings for Eden, and Max recounting how he and his brother used to explore for treasures from the past and secret passageways - but you never really get to know them because we only see them through Charlie's eyes and understanding, and she's a bit preoccupied.
Charlie was a pretty good heroine, if rather self-absorbed. She does have reason, but still. She has no real curiosity about her world, and misses some important - and rather glaring - questions. The one thing I did really love about her was her love for her sister, Angelina. Just four years old and with her own unique abilities, Angelina hasn't spoken a word yet - and her family fears she'll be taken away because of it, possibly even executed. Charlie's protectiveness of Angelina, and Angelina's utter and unspoiled sweetness, saved the book for me. A small, simple thing, but there you are.
Speaking of Charlie's world, let's discuss. It's a far far future, and their history only really extends to previous versions of their own society. That is to say, they don't know about us. The world is made up of Queendoms, small countries each ruled by a queen. Only a queen can rule, because only a queen is born with some kind of magic, and it's hereditary. In Ludania's history, a bloody uprising brought down the Queen and her family and installed something closer to our kind of democracy - but the country was immediately isolated, shut off from the countries who refused to deal with them without a queen, so it fell apart. The current Queen was brought in from another country to be Ludania's queen, and through her magic has remained ruler ever since. In order to quell any future uprisings, she established the class system, which has been in place for long enough that the people have lost the ability to learn new languages. The law is, that if you look at a person from a higher class while they speak their own class language, you will be executed.
I couldn't really believe that the ability to learn new languages would become obsolete - I don't think it works that way. They may not be able to look at someone higher up while they speak their own language, but that doesn't mean they aren't exposed to it. Language as a means of repression was an interesting concept, though, and I was saddened that the political, social and cultural aspects of it weren't more explored. As I said before, the world-building was a tad thin. Given the richness of the concept, so much more could have been revealed in the small details. As it is, I don't even know what the architecture was like, or what people ate; I have a basic understanding of what the vendor class wore, but nothing about the social structure of Ludania or how it interacts with the other countries. And I was completely confused by the two mentions of "Queen Eden", which is never explained.
I was thrown by how contemporary some of the characters - Charlie and Brook, especially - seemed. I get that they may be more relatable this way, but it wasn't all that realistic. They didn't feel foreign - they live in a world foreign to us in every way, but sounded like teenagers from our own modern urban societies. And considering the fantasy world setting, that jarred.
We haven't even got to the plot yet, and I'm already complaining about so much. As a fantasy (I'm not going to bother calling this a dystopia - it takes more than a rigid class system and a despotic ruler to make a dystopia), there's so so so much potential here, and the epilogue - which jumped ahead in time - made the story live on in my head. I still think it should have ended there, it's much more spooky that way and ends on more of an open question. Your imagination can take it the rest of the way. But for a fantasy it moved too fast and was too short (condensed, even).
While Charlie narrates in first-person, her chapters are interspersed with chapters from the third-person perspective of the Queen, Max and Xander. This could have given Max, for example, a chance to really help us understand and believe in his growing attraction to Charlie. But the most I got was a sense that he was attracted to the mystery of Charlie. I also have to say that I really, really didn't like the typeface: they used a sans serif (like Arial), and I found it hard to read. It's the font they use when they put emails into novels, you know the one? It constantly kept me at arms-reach of the story and made it hard to really sink into it.
All of that said, I didn't dislike the book, I was just disappointed by it. If it had been a longer novel, it could have gone into greater detail, and really fleshed out the world. The concept is quite scary, but that sense of everyday fear didn't carry over, and part of the problem was that the characters never really convinced me they were of this world. I hate to say it, because it sounds so pompous, but while I was reading it I kept thinking what I would have done to really make the world come alive.