After Image: Drawing Through Process

by Cornelia Butler, Museum Of Contemporary Ar

The term "process art" describes a moment of radical, aformal experimentation in postwar American sculpture. Through the medium of drawing, Afterimage revisits process art in terms of the artists who defined the movement and suggests a transitional moment when many of its practitioners anticipated the feminist and postminimalist art of the 1970s. Nancy Grossman's use of language, for example, suggests a kind of material abstraction, and Nancy Holt's earth works and related drawings introduced content into a minimalist vocabulary. The book also explores the drawing as a residual object in works in which the process of making dictates the form of the drawing. Examples include Gordon Matta-Clark's stacked cuttings, Robert Morris' "blind time" drawings, and Sol Lewitt's folded construction drawings. Other works, such as those by Bruce Nauman and Robert Smithson, record a particular approach to body-based and process-oriented sculpture.

The book, which accompanies an exhibition, contains an essay by Cornelia H. Butler on the historical ambiguity surrounding process art and one by Pamela M. Lee on temporality in work of the late 1960s. The artists included in the book are William Anastasi, Richard Artschwager, Mel Bochner, Agnes Denes, Nancy Grossman, Robert Grosvenor, Marcia Hafif, Eva Hesse, Nancy Holt, Barry LeVa, Sol Lewitt, Lee Lozano, Sylvia Plimack Mangold, Gordon Matta-Clark, Robert Morris, Bruce Nauman, Yvonne Rainer, Dorothea Rockburne, Alan Saret, Joel Shapiro, Robert Smithson, Michelle Stuart, Richard Tuttle, and Jack Whitten.

Copublished with The Museum of Contemporary Art. Los Angeles.


EXHIBITION SCHEDULE:

The Museum of Contemporary Art, Los Angeles
Los Angeles, California
April 11-August 22, 1999

Contemporary Arts Museum
Houston, Texas
May-July 2000

Henry Art Gallery
Seattle, Washington
July-September 2000

Genres: Art

Hardcover

First published January 1, 1999

About the author

Cornelia H. "Connie" Butler is Chief Curator at the Hammer Museum in Los Angeles. From 2006-2013, she served as the Robert Lehman Foundation Chief Curator of Drawings at the Museum of Modern Art (MoMA, New York City). Prior to that, she was a curator at the Museum of Contemporary Art, Los Angeles (MOCA) from 1996-2005. Butler also held curatorial positions at the Neuberger Museum of Art (Purchase, New York), Artists Space (New York City), and the Des Moines Arts Center (Iowa). Her multimedia exhibition WACK! Art and the Feminist Revolution dealt with international feminist art of the 1970s. Butler is a 1980 graduate of Marlborough School, and a 1984 graduate of Scripps College.

(from Wikipedia)

Reviews

[Sam · Rating 5 out of 5]

you can borrow my podcast recitation if you'd like.