**Many thanks to NetGalley, Minotaur/St. Martin's Press, and Jennifer Hillier for an ARC of this book! Now available as of 7.19!!**
Think back to the Wizard of Oz.
(I know, it may be a minute since you've seen it...but HOPEFULLY you have. If not, skim the next paragraph or two for mini-spoilers)
Remember the scene with the 'big reveal' that the Oz wasn't a Great and Powerful green floating head, but just some unlucky guy behind a curtain, working a janky control panel?
Now imagine that each time the Wizard was seen on screen PRIOR to this scene, that the audience watched said man operating the controls, even if the other characters in the film were unaware.
That is EXACTLY the feeling I got while reading Jennifer Hillier's latest, Things We Do in the Dark.
For a quick bit of background before we get to THAT explanation...Paris Peralta, wife of Jimmy Peralta, is found in quite a sticky spot, literally. She is in the bathroom with her husband's straight razor in her hand, covered in blood...and Jimmy is dead in the tub, ex-sanguinated. Of course, since Jimmy has just come back into fame after a lull in his career and Paris is younger and flashier than he, this looks like an obvious case of gold digging gone deadly. But Paris has worked hard to revamp her life and has a dark and murky past that few know...except her blackmailer:
Ruby Reyes, the "Ice Queen", who HERSELF has been convicted of murder, twenty-five years ago…
She knows all of Paris' secrets and now that she's out of prison, she's ready to either tell all, collect...or possibly strike again. Can Paris continue on her new path, or at least remember what happened that fateful night with Jimmy? Or will the Ice Queen bring a blizzard of scrutiny down upon her and cast her into the tundra for good?
So WHY Wizard of Oz, do you ask? As a pretty devout thriller lover as well as a certified fangirl of Jennifer Hillier, I was a bit confused by how this book was set up from the jump. It's purported to be like many other Hillier books, a 'twisty' psychological thriller.
However...there just weren't really any twists.
The audience was basically clued in on EVERY twist AS it was unfolding, which was a strange experience. With such a prolonged glimpse 'behind the curtain' throughout, the twists arguably weren't twists at all. You sort of knew exactly what was going to happen and it was simply a matter of when. Toss in the investigative angle where yet ANOTHER character walks us through exactly what's happening...and this thriller felt much less like a thriller.
There's also the fact that most of the story takes place in the past...and this works to some extent, until it no longer serves the story. One section in the middle in particular slowed to a near-crawl for me, so if you can't handle reading long passages about the life and times of a stripper, you might be a bit fidgety too. Having so much backstory sort of made the PAST the important part and the main through line, and left Paris' current situation on the back burner. In some ways, I felt like this is the book Hillier ACTUALLY wanted to write--an emotional, somewhat suspenseful domestic-type plot, rather than trying to fit this narrative into the typical thriller box.
And YET...there was just something about this book. The first 40% or so, I absolutely flew through. Hillier's writing chops drove everything forward, and she is so talented in terms of character and world building that all of the plot problems seemed to sort of melt away and I was able to truly lose myself in the narrative for a while. I did experience some hiccups when I hit the aforementioned slow strip-club scenes, but after this, I was able to hop back into the rhythm of her writing and keep plugging away. Granted, things never quite got back to the page-flipping frenzy I experienced at the beginning of the novel, but it didn't matter.
I stopped looking to be surprised, stopped waiting for a twist that was going to blow me away, and focused all of my attention on looking at the pictures Hillier painted with her words and the pain she explored through these characters. This simple change of perspective took my reading experience from frustrating to more of an emotional place, where I felt I was able to glean a lot more from the book framed in this way.
Though most thrillers require a simple suspension of disbelief on some level, the most important attributes you can have going into this Hillier read are probably patience and tempered expectations.
And if you're fresh out?
You can always ask the wizard! 😉 🧙♂️
3.5 stars, rounded up
Nominated for Best Mystery/Thriller in the Goodreads Choice Awards!