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Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year
A revelatory look at the tumultuous life of a jazz legend and American cultural icon
In the first biography of Billie Holiday in more than two decades, Paul Alexander—author of heralded lives of Sylvia Plath and J. D. Salinger—gives us an unconventional portrait of arguably America’s most eminent jazz singer. He shrewdly focuses on the last year of her life—with relevant flashbacks to provide context—to evoke and examine the persistent magnificence of Holiday’s artistry when it was supposed to have declined, in the wake of her drug abuse, relationships with violent men, and run-ins with the law.
During her lifetime and after her death, Billie Holiday was often depicted as a down-on-her-luck junkie severely lacking in self-esteem. Relying on interviews with people who knew her, and new material unearthed in private collections and institutional archives, Bitter Crop —a reference to the last two words of Strange Fruit , her moving song about lynching—limns Holiday as a powerful, ambitious woman who overcame her flaws to triumph as a vital figure of American popular music.
In the first biography of Billie Holiday in more than two decades, Paul Alexander—author of heralded lives of Sylvia Plath and J. D. Salinger—gives us an unconventional portrait of arguably America’s most eminent jazz singer. He shrewdly focuses on the last year of her life—with relevant flashbacks to provide context—to evoke and examine the persistent magnificence of Holiday’s artistry when it was supposed to have declined, in the wake of her drug abuse, relationships with violent men, and run-ins with the law.
During her lifetime and after her death, Billie Holiday was often depicted as a down-on-her-luck junkie severely lacking in self-esteem. Relying on interviews with people who knew her, and new material unearthed in private collections and institutional archives, Bitter Crop —a reference to the last two words of Strange Fruit , her moving song about lynching—limns Holiday as a powerful, ambitious woman who overcame her flaws to triumph as a vital figure of American popular music.
368 pages, Hardcover
First published February 13, 2024
39 people are currently reading
3643 people want to read
About the author
Paul Alexander
120 books43 followersBesides the bestselling Kindle Singles Murdered, Accused, and Homicidal, Paul Alexander has published eight previous books of nonfiction: Ariel Ascending: Writings About Sylvia Plath; Rough Magic, a biography of Plath; Boulevard of Broken Dreams: The Life, Times, and Legend of James Dean, the bestseller that has been published in 10 countries; Death and Disaster: The Rise of the Warhol Empire and the Race For Andy’s Millions; Man of the People: The Life of John McCain; The Candidate, a chronicle of John Kerry’s presidential campaign; and Machiavelli’s Shadow: The Rise and Fall of Karl Rove.
A former reporter for Time, Alexander has published journalism in The New York Times, The New York Times Magazine, New York, The Nation, The Village Voice, Salon, Worth, The New York Observer, George, Cosmopolitan, More, Interview, ARTnews, Mirabella, Premiere, Out, The Advocate, Travel & Leisure, The Los Angeles Times Book Review, Biography, Men’s Journal, Best Life, The New York Review of Books, The Daily Beast, and Rolling Stone.
Shane Salerno’s forthcoming feature documentary Salinger is based on Alexander’s biography of J.D. Salinger. Alexander is the author of the plays Strangers in the Land of Canaan and Edge, which he directed. Developed at The Actors Studio, Edge, the critically acclaimed one-woman play about Sylvia Plath, ran in New York, London, Los Angeles, among other cities. Edge toured Australia and New Zealand and enjoyed a second run in New York. In all, Torn performed Edge 400 times. Alexander is also the director of Brothers in Arms, a documentary film about John Kerry and Vietnam (First Run Features).
A graduate of The University of Alabama and The Writers’ Workshop at The University of Iowa, Alexander is a member of the Authors Guild and PEN American Center. In the fall of 2002, he was a Fellow at the Hoover Institution at Stanford University. He lives in New York City.
A former reporter for Time, Alexander has published journalism in The New York Times, The New York Times Magazine, New York, The Nation, The Village Voice, Salon, Worth, The New York Observer, George, Cosmopolitan, More, Interview, ARTnews, Mirabella, Premiere, Out, The Advocate, Travel & Leisure, The Los Angeles Times Book Review, Biography, Men’s Journal, Best Life, The New York Review of Books, The Daily Beast, and Rolling Stone.
Shane Salerno’s forthcoming feature documentary Salinger is based on Alexander’s biography of J.D. Salinger. Alexander is the author of the plays Strangers in the Land of Canaan and Edge, which he directed. Developed at The Actors Studio, Edge, the critically acclaimed one-woman play about Sylvia Plath, ran in New York, London, Los Angeles, among other cities. Edge toured Australia and New Zealand and enjoyed a second run in New York. In all, Torn performed Edge 400 times. Alexander is also the director of Brothers in Arms, a documentary film about John Kerry and Vietnam (First Run Features).
A graduate of The University of Alabama and The Writers’ Workshop at The University of Iowa, Alexander is a member of the Authors Guild and PEN American Center. In the fall of 2002, he was a Fellow at the Hoover Institution at Stanford University. He lives in New York City.
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Displaying 1 - 30 of 38 reviews
July 16, 2025
interesting and detailed book at the latter years of Billie holiday's life sad and heart breaking in parts
June 15, 2025
Brilliant, superbly written, deeply researched. Left me feeling hollowed out, sad and most of all incredibly angry. Should be read much further and wider than by people just interested in Holiday’s tragedy- it covers her life and talent thoroughly and with care, but this is also a book about control and how the state will act against counter-culture and do whatever it takes, no matter how egregious.
May 20, 2024
A must read about Billie Holiday.
The book was more than just her "last year" but the retelling of the events that led to her "heartache and triumph of her last year." To understand who Lady Day was, and to be able to appreciate her music, "Bitter Crop" helped me to to look at her in a whole different angle.
I retrieved couple of her albums, and have been listening to them as I read about Billie Holiday. I could hear her pain, her resilience, and her honesty behind that distinctive voice.
I highly recommend "Bitter Crop" and I can't wait to start reading "Lady Sings the Blues" soon.
The book was more than just her "last year" but the retelling of the events that led to her "heartache and triumph of her last year." To understand who Lady Day was, and to be able to appreciate her music, "Bitter Crop" helped me to to look at her in a whole different angle.
I retrieved couple of her albums, and have been listening to them as I read about Billie Holiday. I could hear her pain, her resilience, and her honesty behind that distinctive voice.
I highly recommend "Bitter Crop" and I can't wait to start reading "Lady Sings the Blues" soon.
June 15, 2024
The reason I'm giving this 4 instead of 5 stars is simply because of the pain inherent in the story. Call it a warning. It is actually a five star tribute to the writer, the subject (and material) that a tale so tragic is so compelling.
For everyone who grew up listening to Billie Holiday's music, and for those who discovered the agony of "Strange Fruit" as young adults, perhaps in an American Lit or a music class, you will appreciate Holiday's work and accomplishments so much more for reading this.
For everyone who grew up listening to Billie Holiday's music, and for those who discovered the agony of "Strange Fruit" as young adults, perhaps in an American Lit or a music class, you will appreciate Holiday's work and accomplishments so much more for reading this.
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May 14, 2025A profound and harrowing biography of Billie Holiday that seems to simultaneously portray her as both a fiercely independent icon of strength and fortitude, while also suffering from a broken and fragile spirit. This book aims to correct previous inaccurate accounts and intentional misrepresentations of Ms. Holiday’s life experiences, and in that, I found it very effective and an astute historical barometer.
I listened to the audiobook and found the narrator, Maya Days, to be perfectly suited as the reader of this story. Ms. Days performed with a unique cadence and evoked a smoky southern drawl that added a layer of smooth velvety texture when evoking the character of Billie Holiday.
I listened to the audiobook and found the narrator, Maya Days, to be perfectly suited as the reader of this story. Ms. Days performed with a unique cadence and evoked a smoky southern drawl that added a layer of smooth velvety texture when evoking the character of Billie Holiday.
May 30, 2024
This was a fascinating addition to the books about BH. Her life, as anyone familiar with her story knows, was awful and tragic and maybe that’s part of what made her great, accounted for her style and why it resonates, but I really always hate that it might have taken that to create her unique gifts. It always almost makes me feel guilty for appreciating artists, like somehow I’m “condoning” all the horrors the cosmos threw at them, because I love so much what it contributed to creating. But I suppose it’s the ultimate fulfillment of the adage “take your broken heart and make it into art.” Life breaks hearts more often than it doesn’t, so perhaps it’s fitting to celebrate the times it results in something as breathtakingly profound and moving as what Billie Holiday was able to create in her lifetime. I just hope she found as much solace in the work of artists who came before her, or perhaps in her own work, as we do in the work she left for us.
I was especially interested in the focus of her last year as I live two blocks over from her final address, in an apartment with a similar footprint, so it felt somehow serendipitous.
My one issue with this book was that the chronology felt all over the place. I was so confused. I suspect it’s partly because I listened to the audiobook. It’s usually easier to sense format and keep up with shifts and time jumps in a physical copy. So I’m allowing for that possibility.
I was especially interested in the focus of her last year as I live two blocks over from her final address, in an apartment with a similar footprint, so it felt somehow serendipitous.
My one issue with this book was that the chronology felt all over the place. I was so confused. I suspect it’s partly because I listened to the audiobook. It’s usually easier to sense format and keep up with shifts and time jumps in a physical copy. So I’m allowing for that possibility.
February 21, 2024
I thought this was a well crafted book, intertwining Billie Holiday’s entire life with the final 12 months of her life. Readers should be prepared that this is a sympathetic biography, while leaving sufficient space to see the mistakes she made and character weaknesses, like stubbornness, attraction to abusive men, and addiction to fantasy — particularly about her own life.
One example of that space allowed me as an ill informed reader of her life to stick to a conclusion that perhaps isn’t what Alexander was hoping one would draw by then end. Despite the biographer returning repeatedly to a theory of government persecution and conspiracy contributing significantly to her final demise, Holiday had advanced cirrhosis of the liver yet kept drinking alcohol, using drugs and smoking. She was addicted to all of that and refused to change despite the urging of friends, doctors, and colleagues.
A worthwhile read to learn more about a complicated person who contributed significantly to the evolution of American music over the course of her self-shortened life.
One example of that space allowed me as an ill informed reader of her life to stick to a conclusion that perhaps isn’t what Alexander was hoping one would draw by then end. Despite the biographer returning repeatedly to a theory of government persecution and conspiracy contributing significantly to her final demise, Holiday had advanced cirrhosis of the liver yet kept drinking alcohol, using drugs and smoking. She was addicted to all of that and refused to change despite the urging of friends, doctors, and colleagues.
A worthwhile read to learn more about a complicated person who contributed significantly to the evolution of American music over the course of her self-shortened life.
June 10, 2025
Great artists transcend time, but understanding their time can enhance the work so much; on the other hand, what I feel like people never understand is that an artist of the caliber of Billie Holiday is someone we will never fully catch up with. The same way kids on Reddit are reigniting debates over Shakespeare's plays that manage to reemerge with every generation, the same way people still act as though the half-century-old aesthetics of hip hop and punk are reactionary and incendiary, there is an undercurrent of supernatural bravery to the most accomplished creators among us that will always remain inscrutable because it is a power that is literally inaccessible to most people most of the time. As I type this I'm listening to a collection of Holiday's recordings for Commodore -- her shortest-lived association, packed into which are several of her most significant and culturally entrenched recordings; I'm more a Columbia guy, but I'm also a sap -- and there is such sport and such joy in trying to parse out what she's doing, what secrets she holds, what she's telling us and not telling us about life, but we'll be doing it forever because we will never really know. I would make the same case for Hank Williams, the other greatest artist of American music, and to a lesser extent Bob Dylan or Aretha Franklin, except that in the former two cases I think they knew they knew more than we did, while Dylan and Franklin would be more apt to market the mystery while also copping cheerfully to a certain false humility. In Holiday and Williams' records is the actual power of knowing transcendence: their depth of knowledge surrounding their tools of communication, a pure straight line from their emotions to yours, has kept their work vital for our entire lives and will continue to do so.
I've read two excellent books about Billie Holiday now. Both define the act of bearing witness very differently. The first is her own memoir, a bestseller toward the end of her life, Lady Sings the Blues -- the book is a fabrication, but it's also telling: it molds the past into the story Holiday wants us to hear about herself, sometimes more grim and tragic and sometimes (even) more fortuitous and sensational than reality. In this book, though, Paul Alexander suggests that the real story is the more interesting and ultimately (as the subtitle implies) sorrowful yet enervating. What's so touching about it to me, though, is how Alexander positions himself and the reader as cohorts and champions of Holiday's. While the book chronologically covers her final year in painstaking detail, it also flashes back frequently to past successes and injustices and outright disasters, and at every turn it takes pains to reveal -- in an empathetic but never condecending way -- the state of mind of the artist as best as can be known, and always the most stalwart of her associations is the pact she holds with herself as a performer, her control and mastery of a genre, her complete synthesis of herself into her music.
In the final chapter, the book's most flawed because Holiday herself is absent from it, Alexander bitterly runs down the reductive obituaries, the reductive biopics, the reductive tributes on down through the years, but notes that only music journalists seemed to appreciate what was lost in 1959 in the moment. It's an informative passage, but Alexander by this point has no need to rehabilitate his subject -- he's already resurrected her and made her whole just by allowing us to sit in each moment with her. Only the most shallow of readers could fail to understand or to place themselves inside her skin. The book demands it, just as her songs did, and not in a way that engenders an empty or regressive sort of pity, just in how Holiday's music and our continued attempts to get our arms around its majesty suggest a sort of common humanity that doesn't crack as easily as the news of her time and ours would lead us to believe.
I've read two excellent books about Billie Holiday now. Both define the act of bearing witness very differently. The first is her own memoir, a bestseller toward the end of her life, Lady Sings the Blues -- the book is a fabrication, but it's also telling: it molds the past into the story Holiday wants us to hear about herself, sometimes more grim and tragic and sometimes (even) more fortuitous and sensational than reality. In this book, though, Paul Alexander suggests that the real story is the more interesting and ultimately (as the subtitle implies) sorrowful yet enervating. What's so touching about it to me, though, is how Alexander positions himself and the reader as cohorts and champions of Holiday's. While the book chronologically covers her final year in painstaking detail, it also flashes back frequently to past successes and injustices and outright disasters, and at every turn it takes pains to reveal -- in an empathetic but never condecending way -- the state of mind of the artist as best as can be known, and always the most stalwart of her associations is the pact she holds with herself as a performer, her control and mastery of a genre, her complete synthesis of herself into her music.
In the final chapter, the book's most flawed because Holiday herself is absent from it, Alexander bitterly runs down the reductive obituaries, the reductive biopics, the reductive tributes on down through the years, but notes that only music journalists seemed to appreciate what was lost in 1959 in the moment. It's an informative passage, but Alexander by this point has no need to rehabilitate his subject -- he's already resurrected her and made her whole just by allowing us to sit in each moment with her. Only the most shallow of readers could fail to understand or to place themselves inside her skin. The book demands it, just as her songs did, and not in a way that engenders an empty or regressive sort of pity, just in how Holiday's music and our continued attempts to get our arms around its majesty suggest a sort of common humanity that doesn't crack as easily as the news of her time and ours would lead us to believe.
September 23, 2024
What can I say about this heartbreaking biography? Although I was only 8 when Lady Day died, I began to follow her and love her music in my 30’s. now in my 70’s after listening to this book, I am in awe of her even more. What a sad, sad, life she had, and what a legacy she left in the jazz and blues worlds! There will never be another like her, and there will never be another be another Lady Day. This biograph reached me somewhere inside and I can’t get it out of my mind. I feel so bad for what Billie Holiday endured in her lifetime. And even in her last days, her persecution did not stop. A prostitite at 14, singing in clubs at 18, and at the mercy of predators all her life. Yes, she made some bad decisions, and picked the wrong men, but would we be any different at that time if we were black and alone? Even now, 50 years later, Billie doesn’t receive the homage she deserves. She was the best jazz and blues singer that ever was. She was someone we should be honouring and lauding, but she is still not appreciated for her talent. The only thing that would have made the audiobook better was if they had played clips of some of her songs. I absolutely loved this book, and thought that it provided Billie with the with the appreciation that she deserves. I immediately played Lady in Satin when I finished the book and fell in love all over again. Billie, RIP and know that you are still revered and loved today. This is an excellent biography. Highly recommend.
April 16, 2024
I was 10 when Billie Holiday died. I was unfamiliar with her until I saw the 1972 film "Lady Sings the Blues" starring Diana Ross. I have since fallen in love with her beautiful / poignant voice and music. I listened to her albums while reading the book. It was very interesting to find out that the film was largely a lie created by Louis McKay, her last husband and abuser. He inherited her money and had control over how he was portrayed in the film.... This book in addition to a biography of Ms. Holiday is a history of jazz in America and especially in Harlem. It is sad that such a great talent was so damaged by life that she chose men who abused her and turned to drugs and alcohol. It will perhaps seem odd, but I was most struck by the scene where Annie was washing Billie's hair and gives her a vinegar rinse. Lady felt so pampered.... I use a vinegar rinse every time I wash my hair and have for decades. It was sad to me that this gentle interaction was such a rare event in Billie's life that she told others about it. Farewell Lady Day. You left us far too soon. Kristi & Abby Tabby
January 21, 2026
This is a sad tale of a legendary jazz musician who a.) made some bad choices in her personal life and with her money & legal affairs, and b.) fell into the trap that many jazz musicians of that period of time (and rock musicians since) believed that drugs were necessary to be great at making music. Compounding all of that was that the FBI and other law enforcement tried to make an example of her drug use, hindering her ability to make money (she lost her cabaret card as a result of charges). A further tragedy is that her voice was not the same as it had been, and critics derided her for it. Yet, among all of this adversity, she recorded arguably her best album and seemed to find peace with her legacy amid the whirlwind of tragic events. She was a flawed person who rose from poverty, fought for everything she ever got, and made beautiful music that still touches us nearly three quarters of a century later.
August 19, 2025
This is an interesting book, but it has two significant flaws. First, while the title implies that it is a deep dive into Holiday's last year, it is in fact a full biography, just with an emphasis on her last year. It starts in 1958 but then at different points, reverts back to different times in her life. By the end of the book, one has read a full biography, but the "flashbacks" are not in chronological order and, for this reader at least, that is disorienting.
Second, the author frequently tells us what Holiday was thinking, for example when she's in bed trying to fall asleep, or waiting in the wings before a performance. But the author offers no evidence to support what is clearly just a conjecture on her part. This is an egregious sin on the part of a biographer. The fact that it happens so frequently makes it even worse.
Second, the author frequently tells us what Holiday was thinking, for example when she's in bed trying to fall asleep, or waiting in the wings before a performance. But the author offers no evidence to support what is clearly just a conjecture on her part. This is an egregious sin on the part of a biographer. The fact that it happens so frequently makes it even worse.
November 7, 2024
I ordered this book from my local library after reading a Review in a UK Broadsheet newspaper.
As an account of the final year of Billie Holiday’s life I was underwhelmed unfortunately.
I wanted more of Holiday’s interior life, her thoughts, feelings,to gain a better grasp of the events in her life which caused her descent into alcoholism ,illness and death at the tragically young age of 44.
The writing style is somewhat flat and it is further impaired by the plain recounting of facts and the need to provide accompanying information on those who were a part of Holiday’s final Year no matter how marginal, the owner of a Nightclub, a Custom’s Agent etc.
Overall a lacklustre and tepid book about an undeniably great Singer.
As an account of the final year of Billie Holiday’s life I was underwhelmed unfortunately.
I wanted more of Holiday’s interior life, her thoughts, feelings,to gain a better grasp of the events in her life which caused her descent into alcoholism ,illness and death at the tragically young age of 44.
The writing style is somewhat flat and it is further impaired by the plain recounting of facts and the need to provide accompanying information on those who were a part of Holiday’s final Year no matter how marginal, the owner of a Nightclub, a Custom’s Agent etc.
Overall a lacklustre and tepid book about an undeniably great Singer.
July 20, 2025
An excellent biography of Billie Holiday told using her last year as a starting point and hopping back to her past to give a pretty comprehensive story of her life and the events that contributed to her much too young death. I loved her autobiography but Billie wasn't one for letting truth get in the way of a better story so reading bitter crop is helpful. At the same time, reading Billie in her own words is worth the concession of not 100% accuracy. You don't need to know much about her, you don't even need to know her music, I think there's enough in Bitter Crop to hold your interest regardless although for my money you're losing out not knowing her. Id like to write more about sweet Billie but we'll leave that for elsewhere. In the meantime bitter crop gets 5/5.
January 17, 2025
Her signature look was a white gardenia tucked behind her ear and it made a memorable statement for nearly three decades. When her voice was gone, the flower disappeared too. As if she knew the gardenia no longer fit her life. A more appropriate choice at this point would have been a yarrow: A cluster of small white blooms that survives in neglect, that is resilient and a beautiful color.
- Valerie Morales
Read the full review at: https://www.bookbrowse.com/mag/review...
- Valerie Morales
Read the full review at: https://www.bookbrowse.com/mag/review...
April 18, 2025
Sympathetic biographical review of Billie Holiday's life. Informative, I never knew anything about her before, but although the reader was expected to have compassion for her struggles I found her unlikable. Her casual criminality, her self destruction in spite of her great gift, her debased lifestyle all grated on me in spite of her sad decline and ruin. I particularly recoiled at the constant blaming of others for her faults and self indulgence, and how it was all somehow the government that made her do it.
August 16, 2025
A mess! Me. Not this book!
An all-at-once glorious and tragic tribute to Lady Day told reverently and honestly through the scope of her final year. The heartache is indeed plentiful and real, yet and still so is the triumph. Her contribution to music, civil rights and culture as a whole should never be denied or diminished as it often was during her life and after. Paul Alexander makes sure this is clear to every witness of her story.
As Sonny Rollins put it “Billie was a consummate artist..…at least a genius.”
An all-at-once glorious and tragic tribute to Lady Day told reverently and honestly through the scope of her final year. The heartache is indeed plentiful and real, yet and still so is the triumph. Her contribution to music, civil rights and culture as a whole should never be denied or diminished as it often was during her life and after. Paul Alexander makes sure this is clear to every witness of her story.
As Sonny Rollins put it “Billie was a consummate artist..…at least a genius.”
January 18, 2024
The story of Billie Holiday definitely makes for an interesting book. I found the initial chapters a bit overwhelming, as facts, names, dates, clubs, etc., were listed or noted in what felt like a slightly haphazard way. Once I got more into the narrative, it kept me invested until the end. Thank you to the publishers for a free advanced copy of this book.
April 21, 2025
billie holiday is a fascinating, complicated human and artist - this isn’t a rating of her (standard caveat for biographies!). the structure of the book, and the writing itself, were SUPER repetitive, jumping all over the place chronologically and then circling back and back again to the same facts, often articulated with identical words and phrasing.
September 24, 2025
Very good bio of jazz singer Billie Holiday. not just a chronicle of Billie's last year, but this a well-written and well-researched biography. The book juxtaposes Billie's final year with earlier episodes. I did find this structure a tad confusing at times, which begs the question of why not a more straight-forward chronological bio, but the book worked for me and I am glad I read it.
January 3, 2026
I read Bitter Crop by Paul Alexander about "the heartache and triumph of Billie Holiday's Last year." The many disjointed flashbacks needed to tell the story undermine the power of the narrative. Still, it is a remarkable life that you get to encounter here. A visit to an amazing talent inside a troubled soul.
February 28, 2026
Very detailed writing but I felt some of the side stories detracted from Ms.Day. I get they added context to some of the relationships but I guess I just didn’t really care.
I wish Ms. Holiday would have met a better end and not lived a traumatic life that led to her demise (being a prisoner to alcohol). Glad to know more of her story and may she rest in peace
I wish Ms. Holiday would have met a better end and not lived a traumatic life that led to her demise (being a prisoner to alcohol). Glad to know more of her story and may she rest in peace
April 14, 2024
this book was hard to sit with. i really want to read billie holiday's memoir now--with a grain of salt!--to see how she represented herself. i'm glad i read this, but it was just achingly sad and such a mixed ending for a powerhouse.
June 24, 2024
4.5 This book covers much more than the last year of Billie Holiday's life. I feel like I finally have a better grasp on the true details of her life which she, herself, tended to embellish and obscure to protect herself. A great bio.
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July 7, 2024Read 5% and couldn't get into it. I'm truly sorry.
August 29, 2024
A thoughtful look at Billie Holiday's last year. Sometimes harrowing, sometimes maddening but ultimately mostly uplifting - recommended
September 6, 2024
A poignant and sad tale of a great talent who died too young, at age 44. With great photos from my cousin Mel.
September 8, 2024
Such a sad life, despite her astounding uniqueness and influence upon us all. The role the goverment played in hounding Billy Holiday and making her life miserable is disgusting.
September 30, 2024
The soul-crushingingly sad life of an absolute legend, finally told with accuracy.
November 5, 2024
Seems good at setting the record straight but would have been better with the story presented in chronological order. There are too many confusing jumps back in forth in time.
Displaying 1 - 30 of 38 reviews