For suspense I love the books of Charlotte Armstrong. This one was published at the beginning of 1959, so it's of its period. Somehow I find suspense books of this era more enjoyable than current ones. Maybe they're less creepy or horrifying? Maybe it's because there are definite good guys and bad guys as well as some you're never sure about? I find it hard to say. But Armstrong always gets you involved right off, keeps the pace up, and you know who to root for. There are decent people and scoundrels and those who are merely self interested. The male protagonist in this, John Sims, is a twenty-eight-year-old graduate student and researcher who grew up as a neighbor in San Francisco to Nan and Dorothy Padgett and had squired Nan around to dances and outings as a dependable date. Dorothy, on the other hand, was a stunner and never had a lack of beaux. Nan was shy and not sure of herself, and at twenty, quite a bit younger than Johnny. Back home for the summer, Johnny is surprised to learn that Nan is engaged to Dick (Richardson) Bartee after a two month courtship and is on cloud nine. Dick Bartee is tall and handsome and his family owns a vineyard. Dorothy (Dotty) is worried about such a quick engagement, and Aunt Emily who had raised the two cousins after their parents' deaths in a car crash is traveling abroad. When they reach her by phone to tell her of the engagement, she says that Nan must not marry that man and she is coming straight home from Paris. Nan is upset, obviously. Aunt Emily arrives home but is ill and is taken to the hospital and confides in Johnny why Nan must not marry the man, but swears him to secrecy. It turns out all their names have been changed and Nan's father is in San Quentin for murdering her mother. Emily never believed her brother was guilty of the crime and was convinced that the real murderer was Dick Bartee, a fifteen-year-old at the time, who now is Nan's thirty-two-year-old fiance. Also, Nan, unknown to herself or Dorothy, is an heiress from a grandfather's legacy. But apparently this Dick Bartee, though no blood relation, is part of Nan's family, and has found out about her wealth which she'll inherit when she's twenty-one or her aunt dies. Emily had told John that her brother, Nan's father who is in jail, must decide whether to reveal to Nan the truth as he believes it, but he equivocates. John isn't even sure that her father, the convicted murderer, can be trusted. Aunt Emily dies suddenly in the hospital, and Dick is urging Nan to get married immediately and brings her to his home at the Bartee vineyard. Johnny has to stop the wedding but can find no evidence of Dick's guilt in the murder. He and Dorothy join forces as they go to the Bartee estate and try to find the truth of the past and convince Nan of the danger. Yet John who knows the truth according to Aunt Emily and the family lawyer can't confide it all to Dorothy and doesn't want to totally crush little Nan's new found pride if he can help it. Nan, oblivious to her real identity, is intent upon marrying Dick that very week and thinks Johnny is just being mean and jealous. Can John stop the wedding without divulging the secrets of her family's past? The tension builds until a final explosion on the wedding day, because Dick Bartee has already murdered twice and lets nothing get in his way.
Armstrong's novels of suspense are always rather quirky, which adds to the interest for me. The omniscient point of view skips around and can be disjointed. The mysteries hinge on weird details. Here, there are two identical jewelry pins that play a part of the evidence of who the original murderer was, a confusing scenario. Then there are blue ceanothus petals that are a clue to a second murder. It was a bit difficult to follow, as were all the convoluted inter-relationships of the Bartee family. Armstrong doesn't do a lot of explaining, keeping the suspense taut, but if you pay close attention and keep up (reading at one sitting helps), you can follow along. There are some things that aren't really explained. (For example, what happened to Dorothy's parents - were they the ones who died in a car wreck? And when did John, a student and a teacher, find time to work for the investigative writer Roderick Grimes, who gives him a convenient excuse to be investigating an old murder? And there's a confusing conversation with a witness at a bar when John gives away that he knows where the stranger went to school, but the guy doesn't wonder how he knew.) There seemed to be little editing. The final confrontation with the murderer is a bit far-fetched, but I went along with it, and it ended quickly. Though abrupt, the ending was satisfying.
The 1959 gender roles are obvious here, with John being the protector and lead investigator. But Nan and Dorothy were raised by a single woman who supported herself by writing stories, and they both worked in clerical jobs. And while Nan was a dreamy romantic in need of rescuing, Dorothy was savvy and intuitive and quickly put two and two together.
This isn't Armstrong's best, and is more of a three and a half star read than a four, but I rounded up for the sheer pleasure of the immersive storytelling and the likeability of the main character.
As for this Kindle edition, unfortunately there are lots of typos, which may have been from the original paperback. Annoying, but I'm glad to have her books available and inexpensive.