Time-travel books are one thing; time chaos books are another. Keith Laumer’s series with Lafayette O’Leary is more of the latter. Indeed, the first book in the series was called The Time Bender and that pretty well describes the entire multiverse-like set-up of differing and possibly overlapping time continuums. The Shape Changer is the third volume in the series, but it was so entertaining that I immediately ordered copies of The Time Bender and The World Shuffler for my growing “to-read” pile.
Lafayette O’Leary is billed by some as the “accidental hero.” One can certainly attest that the comedic element is rampant throughout the book. Misunderstandings caused by the protagonist are common. One finds one asking oneself, “Why doesn’t he just tell it more up-front and save himself a lot of grief?” But one would ask that of oneself in vain just like those who watch horror films and ask, “Why is she about to answer that door in her underwear when she knows it’s dangerous?”
The Shape Changer has a plot where a rogue time agent from the mysterious bureau known as “Central” is attempting to isolate a continuum from Central’s control and use that continuum as a beachhead where he would rape its resources and use those to fund his greater, far more nefarious scheme of taking over all continua. O’Leary himself undergoes a bit of shape-shifting and, as usual, Laumer has fun with dialects. Of course, 21st century sensitivities might not like the way he uses a Zorro trope and Sgt. Garcia accent (if you’re an old Disney Zorro fan) in one set of circumstances and a clicking, “chitting” avian language in another.
Although O’Leary seems to be in something of a lull, agency-wise, he is technically a “secret agent.” And, of course, “secret agents” usually have woman trouble. For O’Leary, who is happily married to a character from previous adventures, he has double-trouble to hilarious results. The double-trouble relates to different situations, both incredibly awkward and both necessitating quick thinking and a resolve of steel.
The Shape Changer is not for those looking for “science” in their “science-fiction.” The events and “technology” of these adventures are only based on what one might call a “science” of mesmerism, if anything. Yet, as with Laumer’s Retief series, the situations may be improbable and the “science” lacking, but the results are hilarious because they are solidly based on human foibles and proclivities. Maybe it was just my mood, but I liked it a lot!
I'm a huge Keith Laumer fan, but this series has gone from "so-so" to "boooorrrring". The hero is definitely not the sharpest knife in the drawer, but that's balanced by the fact that most of the other characters are even dumber. I think the author has definitely run out of material for this series. I actually made it through to the ending (dogged determination) which is the high point of the book -- if you can get there.
7/10 An interesting little book with body swap and mystery, not perfect, but I had a lot of fun. The main character is not the brightest pup, but still entertaining, too bad the women in the story are all wet blankets (almost like in old sci-fi and fantasy unfortunately), the villain has a good arch, but at the end he gets to monologue and he's unsufferably boring... I really enjoyed though how it was written, despite being book #3 of the series it was clear enough to have a good idea of the whole setting and characters. It could have been more creative though, the main character got swapped among a few other people, one of which was a birdman. That part was the most fascinating one and I would have loved to see more of the society and the customs, but it didn't last long, pity! One thing that was very pleasing to see was how Lafayette kept a minimal knowledge from the beings he was swapped into, little traits that helped him throughout his peril even after he returned to his own body. Would have been fascinating to see what happened to the other characters that were swapped as well.
I read once that pulp sci-fi has style but no heart. That is not absolutely true, it may not even be generally true, but this novel is a demonstration that it is sometimes true. It is not profound, and even the emotions are like vivid strokes of paint: bright but with little depth. I still don't understand the plot fully.
On the other hand, this novel has its entertaining points. It kept up a good pace through changing scenery, which sometimes showed imagination; the dialogue could be snappy. I enjoyed the happy way the author created a Gypsy band with Spanish names and expressions like "bring home the bacon", how he tossed together Musketeer guards with '60s slang and ye olde insults ("varlet") with modified new lingo ("That's gravy over the tablecloth"). It's not rigorous world-building, it's not consistent or convincing - but it's fun.
THIS is the book with walking through walls and 'singing' people out.
My copy, alas, is falling apart. I think it's a first paperback edition (it's from 1972), and the glue used in that period seems to have been very perishable.
I'd like to get a better copy, because this is the best in the Lafayette o'Leary series.
Note that this is the first time anybody from Artesia goes to Central.
Lafayette has a habit of arguing with himself, and berating himself for not being smarter, more ingenious, and more persuasive. I don't think he'd become worse at those things with age: I just think he remembered earlier adventures with advantages.
Also, look out for Clarence's spelling of his name.