“Tell them that I don’t know if we can release [him] alive by force. But I’ll promise to burn their planet for his funeral pyre if we can’t.”
This retelling of The Odyssey is another selection of the Venture Science Fiction series (an imprint of Arrow Books, not to be mistaken for the magazine of the same name) that was published in the 1980s. The Venture edition is also the edition I own.
Along ten meters of the trail, pairs of pincer-tipped legs slashed out of the soil like sprouts in time-lapse.
It is a nice and violent little story too, populated with a few vicious critters, some interesting locations and a whole assortment of unwholesome characters. That’s to say, it’s what you might expect.
The Odyssey elements make for some quirks. Such as the arrival of Odysseus Don Slade on Scheria the planet of Elysium. Naked. It’s one thing flying around in a space shuttle stark naked, it’s another to forget you are naked until you make planetfall. Like I said: QUIRKS. If this weren’t a retelling of The Odyssey this would just have been… odd, to say the least.
The ship’s crewmen looked quizzical, but they did not realize how close they had been to a maelstrom of bodies and gunfire.
Because of the almost episodic nature of the story, as it follows the adventures of the protagonist from planet to planet, dealing with a variety of different threats, it is also somewhat reminiscent of Star Trek. That’s to say, if Star Trek was uber violent and uncompromising. This does, after all, take place in the Hammer’s Slammers universe, so you can expect a certain level of mayhem.
The hot barrels of their weapons added an angry tinge to the stink of ozone.
It’s mostly an action story. However, the general flow of the narrative takes a bit of a knock once the protagonist reaches his home planet, in the final chapters of the novel. At this point politics take over, making for a somewhat juddering transition. Even so, the final climax still generates some high excitement, and a last upsurge of impressive violence.
“Do you really think there’s a way, ah—Captain?”
“Lord help me. I think there is.”
In the end, everything is moot. This is David Drake, so there is a certain gravitas to the storytelling and the military aspects are proficiently dealt with (in fact, few authors can describe abrupt battle violence as well as Drake). If you have at all been following his (separate) RCN series, you’ll be aware of his tendency to revisit historical events and conflicts (or, in this case, classical mythos) in a Science Fiction setting. He is good at it.
“He does not bluff when he threatens. When he offers slaughter, he means nothing short of it. . . .”