Mark Morris , written with the choreographer's full cooperation, is part biography, part critical study. It describes how he has lived and how he turns his life - and music, narrative, and tradition - into dance, and it discusses how to look at his dances.
Joan B. Acocella was an American journalist who served as a dance and book critic for The New Yorker.
Acocella received her B.A. in English in 1966 from the University of California, Berkeley. She earned a Ph.D. in comparative literature at Rutgers University in 1984 with a thesis on the Ballets Russes. She received a Guggenheim Fellowship in 1993. Acocella was a 2012 Holtzbrinck Berlin Prize Fellow at the American Academy in Berlin.
Acocella has served as the senior critic and reviews editor for Dance Magazine and New York dance critic for the Financial Times. Her writing also appears regularly in the New York Review of Books. She began writing for The New Yorker in 1992 and was appointed dance critic in 1998.
Her New Yorker article "Cather and the Academy", which appeared in the November 27, 1995 issue, received a Front Page Award from the Newswomen’s Club of New York and was included in the “Best American Essays” anthology of 1996. She expanded the essay into Willa Cather and the Politics of Criticism. (2004).
A gushing account of Morris's choreographic work. Acocella brings many of Morris's life experiences and personality quirks to bear on a detailed series of dance analyses. Modern dance is harder than ballet for me to watch because I don't know the vocabulary -- indeed, the fun of it is that there is no set vocabulary. This book helped me better appreciate Morris's classical, inclusive and uplifting vision, as expressed through dance.
I actually read this in graduate school. Joan Acocella writes about dance for the New Yorker and she's probably one of the only living dance critics who makes the movement of dance clear on the page.
Acocelila does a wonderful job of mixing Morris' biograhy with his dances. I saw the Morris group right after reading this book, and appreciated them even more because I understood much more of what was happening in the dance.