I like his painting style well enough, though you had better really be into barns because there are a lot of ’em in here. My favorite bit was actually the chapter called “Playing Around,” where things get a bit more loose and lively. There’s also a good example of an abstract, value-based underpainting in there, which is something I keep trying to find more of. I liked his suggestion of taking a couple L-shaped pieces of paper to make a frame and hunting down good abstract value patterns embedded in other images, e.g. in a magazine.