I generally like the books of Witold Rybczynski. “City Life” was a fascinating history of urban development; “Waiting for the Weekend” was a brisk look at how we created the modern workweek. Though I wasn’t as impressed by “Last Harvest” or “Home: The Short History of an Idea,” they were readable, thorough, and filled with interesting tidbits.
So when I picked up “One Good Turn: A Natural History of the Screwdriver and the Screw,” I thought, how bad could it be? I mean, it’s a slim work – 151 pages, including many illustrations – and though the screwdriver itself might seem like a better topic for Rybczynski’s ally in explanation, engineering professor Henry Petroski (“The Evolution of Useful Things”), I figured that Rybczynski probably had a number of Bill Bryson-like anecdotes up his sleeve.
Well, I don’t want to say I was screwed, but “One Good Turn” was about as interesting as inserting a drill bit.
Part of the problem, I think, is that the book began as an essay in The New York Times. Rybczynski, an architecture professor at Penn, had been asked to write about “the best tool of the millennium” for a special issue of The New York Times Magazine. After some process of elimination – this tool was too old, this one not necessary enough – Rybczynski settled on the screwdriver, which had been invented in the 18th century.
So far, so decent. A worthy topic for 800 words. But maybe it should have stopped there.
Because “One Good Turn” doesn’t have much more to say. The screwdriver was derived from earlier tools with sharp edges, then refined after industrial processes made screws a mass-produced product. (That’s pretty amazing when you think about it -- that screws had to be filed by hand from nails and rivets, and no two were alike until the 1800s.) The concept of the screw itself dates back to the ancients, but were thought of more as an inclined plane around a shaft than the wall fastener we have today. It was a wonderful labor-saving device, used in milling and printing, and able to increase the amount of force a person could place on an object or use to lift one up.
What’s lacking in “One Good Turn” are people. Oh, there are a few – Peter Robertson, inventor of a socket-head screwdriver; Henry Phillips, inventor of the Phillips-head screwdriver; Jesse Ramsden, who invented an improved screw-cutting lathe – but they’re passing figures, with no more depth than a black-and-white photo in a film montage. Even Archimedes himself, the legendary mathematician and engineer who invented the screw pump, gets just a few pages towards the end.
The exception is Henry Maudslay, a blacksmith who lived in the late 1700s and early 1800s. It’s Maudslay who we have to thank for modern precision tools and uniform screw measures, due to an incredibly accurate lathe that he created. He’s also a rarity in “One Good Turn,” a colorful character who once built a prototype of an unpickable bank lock and designed regulating screws and highly polished sheets of steel, “so that work in progress could periodically be placed on it to check if it was true.”
Without Maudslay, such inventions as steam engines would be impossible, Rybczynski observes: they required “completely new standards of perfection.” And thus we got the Industrial Age.
I imagine James Burke could have gone on for several more pages with a character like Maudslay, highlighting his eccentricities and uncovering praise from successors. But “One Good Turn” breezily keeps going, neither as deep nor as diverting as it could be.
If you’re a hardware history geek, the illustrations are probably worth the price of admission. But for a guy like me, so ham-handed that I can screw up an IKEA bookcase, I was hoping for a tale with more whimsy and astonishment. For me, “One Good Turn” was surprisingly shallow. If it were a screw, it would need a wall anchor.