Richard Wright: Later Works

by Richard Wright

Native Son and Black Boy are classics of twentieth-century American literature—and yet the novel and memoir known to millions of readers are in fact revised and abbreviated versions of the books Richard Wright wrote. This two-volume Library of America edition presents for the first time Wright’s major works in the form in which he intended them to be read. The authoritative new texts, based on Wright’s original typescripts and proofs, reveal the full range and power of his achievement as an experimental stylist and as a fiery prophet of the tragic consequences of racism in American society.

Wright’s wrenching memoir Black Boy, an eloquent account of his struggle to escape a life of poverty, ignorance, and fear in his native South, was an immediate bestseller when it appeared in 1945. But Wright’s complete autobiography, Black Boy (American Hunger), is a far more complex and probing work. Its original second section, in which Wright chronicled his encounter with racism in the North, his apprenticeship as a writer, and his disillusion with the Communist party, was cut at the insistence of book club editors and was only published posthumously as a separate work. Now that the two parts of Wright’s autobiography are finally printed together, Black Boy (American Hunger) appears as a new and different work—a unique contribution to the literature of self-discovery and a searing vision of racism in Northern slums as well as Southern shanties.

Richard Wright’s novel The Outsider (1953) appears here in a text that restores the many stylistic changes and long cuts made by his editors without his knowledge. This text, based on Wright’s final, corrected typescript, casts new light on his development of the style he called “poetic realism.” The “outsider” of Wright’s story is Cross Damon, a black man who works in the Chicago post office. When Damon is mistakenly believed to have died in a subway accident, he seizes the opportunity to invent a new life for himself. In this, his most philosophical novel, Wright reconsiders the existentialist themes of man’s freedom and responsibility as he traces Damon’s doomed attempts to lead a free life.

This volume includes notes on significant changes in Wright’s texts and a detailed chronology of his life.

Genres: Literature, Fiction, American, Novels

887 pages, Hardcover

First published October 1, 1991

About the author

Richard Nathaniel Wright was an African-American author of powerful, sometimes controversial novels, short stories and non-fiction. Much of his literature concerned racial themes. His work helped redefine discussions of race relations in America in the mid-20th century.

Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.

Reviews

[Renita Johnson · Rating 5 out of 5]

Back in the day black folk was on da struggle foreal!!!

[Ronald Wise · Rating 5 out of 5]

This volume contained two books — the autobiography Black Boy American Hunger), and the novel The Outsider. Both were very well written and a rather strange juxtaposition, as there was a lot of overlap between the autobiographical author in the first, and the fictional Cross Damon in the second, though Damon had some negative qualities to distinguish him. In both books I found the 1950s discourse about Communism extremely interesting. This book was added to my reading list with all the author's works after reading his Native Son in October 2005.

[Sara · Rating 5 out of 5]

I read the second half of Wright's autobiography here and promptly ordered the book, since I want to re-read the unedited version of Black Boy more carefully. This should be a classic. Many of Wright's observations seem prophetic to me, given what we are seeing in the US political climate now.
Haven't read The Outsider yet but I'm anticipating...

[merrynems · Rating 3 out of 5]

Hard Core coming of age in an ugly time.

[Tswarelo · Rating 5 out of 5]

a beautiful autobiography. a must read

[Nathan · Rating 2 out of 5]

The first half of Black Boy merits four stars, but Wright loses the plot to his autobiography after he moves to Chicago.

[David Withun · Rating 5 out of 5]

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