What do you think?
Rate this book
No Funeral for Nazia
Nazia Sami is a celebrated author, but perhaps her greatest plot twist is yet to be produced. In her final days, she wields a pen one last time as she fills her diary with instructions for her sister, Naureen, and writes six letters to be delivered after her death. There is to be no funeral for Nazia. Instead, only six invitees are asked to attend a party, one of whom is a mystery guest. Over the course of an extraordinary evening, secrets are revealed, pasts reconsidered, and lives are forever changed. Perfect for fans of MOHSIN HAMID and KAMILA SHAMSIE, No Funeral for Nazia is a striking and inventive exploration of what death can mean for both the deceased and those left behind.
272 pages, Paperback
Published October 19, 2023
15 people are currently reading
343 people want to read
About the author
Taha Kehar
8 books23 followersTaha Kehar is a novelist, journalist and literary critic. A law graduate from SOAS, London, Kehar is the author of three novels, No Funeral for Nazia (Neem Tree Press, 2023), Typically Tanya (HarperCollins India, 2018) and Of Rift and Rivalry (Palimpsest Publishers, 2014). He is the co-editor of The Stained-Glass Window: Stories of the Pandemic from Pakistan. Kehar has served as the head of The Express Tribune’s Peshawar city pages and bi-monthly books page, and worked as an assistant editor on the op-ed desk at The News. Kehar’s essays, reviews and commentaries have been published in The News on Sunday, The Hindu and South Asia magazine and his short fiction has appeared in the Delhi-based quarterly The Equator Line, the biannual journal Pakistani Literature and the OUP anthology I’ll Find My Way. Two of his short stories appeared in an anthology titled The Banyan and Her Roots, which has been edited by the British writer Jad Adams. In 2016, he guest-edited an issue of The Equator Line, titled ‘Pakistan: After The Stereotypes’, that focused on new writing from Pakistan. Kehar curates Tales from Karachi: City of Words, an Instagram e-anthology that publishes flash fiction from and about Karachi. He recently compiled and edited the first print anthology of the initiative titled Tales from Karachi (Moringa, 2021). Based in Karachi, he teaches undergraduate media courses.
Praise for 'Typically Tanya':
"[Tanya's] story... cover[s] the formation and destruction of relationships." - Hindustan Times Brunch
"Typically Tanya explores the themes of freedom and negotiation [and] also looks at marriage and love." - The Asian Age
"It's a risky undertaking for a man to write in the female first-person, but one that the novelist pulls off with aplomb...Kehar is a good observer of human frailties and paradoxes." - Dawn, Books and Authors
"One of Pakistan's most exciting new writers." -The Express Tribune
"When Taha Kehar writes Typically Tanya, he borrows a page out of the Wodehousian narrative, but he does not go for the whole Wodehousian spirit. Instead, he fashions a world out of Karachi that is more Wodehouse and less Dostoevsky." - The News on Sunday
"Typically Tanya is like a breath of fresh air as it sparks hope that Pakistan has room for paperbacks." -Slogan Magazine
"A comical satire...a great book with an originality that is spellbinding." - Daily Times
Praise for Kehar's stories in 'The Stained-Glass Window':
“’Intruders’ is a hilarious account of a rich family planning their daughter's wedding during lockdown days, but even in this, the contradictions between the problems of the haves and have-nots are evident.” – Southasia Magazine
“Taha Kehar’s ‘Intruders’ deftly combine[s] the grim challenges of lockdown with much needed levity and I wish more stories in the book had followed this tone… Kehar’s second story calls attention to the plight of at-risk older adults who are used to the hustle and bustle of joint families and are now faced with the daunting reality of quarantine and social distancing. It is a sombre reminder of how the pandemic is compounding their already isolated existence.” – DAWN
“...in a standout story, ‘Intruders’, Kehar himself writes with characteristic exuberance about a wedding that has to be shifted on to the online setting of Zoom. Amid a gregarious but volatile joint family setting, an ageing matriarch, Mrs Akmal, laments the disruption to her granddaughter’s nuptials because of the ‘canola virus’.” – Claire Chambers, DAWN
‘Taha Kehar describes a Zoom wedding disturbed by an uninvited guest; in another story, he juxtaposes the solitude of a young girl and her elderly delusional neighbour during lockdown.” – Muneeza Shamsie, the Journal of Contemporary Poetics
Praise for 'Typically Tanya':
"[Tanya's] story... cover[s] the formation and destruction of relationships." - Hindustan Times Brunch
"Typically Tanya explores the themes of freedom and negotiation [and] also looks at marriage and love." - The Asian Age
"It's a risky undertaking for a man to write in the female first-person, but one that the novelist pulls off with aplomb...Kehar is a good observer of human frailties and paradoxes." - Dawn, Books and Authors
"One of Pakistan's most exciting new writers." -The Express Tribune
"When Taha Kehar writes Typically Tanya, he borrows a page out of the Wodehousian narrative, but he does not go for the whole Wodehousian spirit. Instead, he fashions a world out of Karachi that is more Wodehouse and less Dostoevsky." - The News on Sunday
"Typically Tanya is like a breath of fresh air as it sparks hope that Pakistan has room for paperbacks." -Slogan Magazine
"A comical satire...a great book with an originality that is spellbinding." - Daily Times
Praise for Kehar's stories in 'The Stained-Glass Window':
“’Intruders’ is a hilarious account of a rich family planning their daughter's wedding during lockdown days, but even in this, the contradictions between the problems of the haves and have-nots are evident.” – Southasia Magazine
“Taha Kehar’s ‘Intruders’ deftly combine[s] the grim challenges of lockdown with much needed levity and I wish more stories in the book had followed this tone… Kehar’s second story calls attention to the plight of at-risk older adults who are used to the hustle and bustle of joint families and are now faced with the daunting reality of quarantine and social distancing. It is a sombre reminder of how the pandemic is compounding their already isolated existence.” – DAWN
“...in a standout story, ‘Intruders’, Kehar himself writes with characteristic exuberance about a wedding that has to be shifted on to the online setting of Zoom. Amid a gregarious but volatile joint family setting, an ageing matriarch, Mrs Akmal, laments the disruption to her granddaughter’s nuptials because of the ‘canola virus’.” – Claire Chambers, DAWN
‘Taha Kehar describes a Zoom wedding disturbed by an uninvited guest; in another story, he juxtaposes the solitude of a young girl and her elderly delusional neighbour during lockdown.” – Muneeza Shamsie, the Journal of Contemporary Poetics
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 81 reviews
August 13, 2024
Nazia didn't follow the rules in life, and she certainly isn't following them in death. She flaunts all her societal, and religious rituals to do things her way. She leaves instructions with her sister to throw a party in place of the expected funeral and requests six guests to be there. As in life, Nazia has a few surprises to reveal. This is no ordinary party. A quick and thoroughly ebetertaining read that reveals the layers and difficulties in friendships, family, societal expectations and death. #nofuneralfornazia #tahakehar #neemtreepress #TheWriteReads
September 12, 2023
No funeral for Nazia is the first book, I have read by Author Taha Kehar & a very quick read.
Set in Karachi, the story is based on Nazia who has dead & wants her sister Naureen to fulfill her last wish, by having a party instead of a funeral.
The plot of the story is very intriguing. It started of great and was able to the keep me hooked for nearly 80% of the book. The remaining 20% which was the ending, lacked some depth. The ending left me with more questions & i was unable to conclude the main reason for this party. The ending to me was flat, it just needed something more.
Though, the characters pretty much did a good job and were interesting in their own way. The main character Nazia, even though dead had a good hold over all the other characters in the book. The writing style also was pretty easy to read with a hint of local terms.
The major part of this book deals with politics, friendship, sisterhood, love and betrayal.
Overall, a good read and recommended if you’re looking out for a quick & short read with less chapters.
Thanks to Netgalley, the publisher at Neem tree press and the Author Taha Kehar for this ARC.
Set in Karachi, the story is based on Nazia who has dead & wants her sister Naureen to fulfill her last wish, by having a party instead of a funeral.
The plot of the story is very intriguing. It started of great and was able to the keep me hooked for nearly 80% of the book. The remaining 20% which was the ending, lacked some depth. The ending left me with more questions & i was unable to conclude the main reason for this party. The ending to me was flat, it just needed something more.
Though, the characters pretty much did a good job and were interesting in their own way. The main character Nazia, even though dead had a good hold over all the other characters in the book. The writing style also was pretty easy to read with a hint of local terms.
The major part of this book deals with politics, friendship, sisterhood, love and betrayal.
Overall, a good read and recommended if you’re looking out for a quick & short read with less chapters.
Thanks to Netgalley, the publisher at Neem tree press and the Author Taha Kehar for this ARC.
August 21, 2024
I received an advance review copy of this book, to review as part of a tour with The Write Reads.
As the story began, I enjoyed how the author set the scene, bringing both the characters and setting to life. I understood that someone named Nazia had passed away, and found myself wondering about this person. Who was Nazia? What was she like?
I had the impression that Nazia meant something different to each of the characters, and that they would all grieve in a different way. How did her passing impact those that were left behind? I think that while I was reading, I began to feel like an outsider, in the sense that I only learned about Nazia through the other characters, but that wasn't an unpleasant feeling.
It occurred to me that the story was paradoxical, in the sense that it was about Nazia, and she was at the centre of it all, but she was never present. In any case, Nazia served as a link between all of the other characters; something that all of the other characters had in common. I began to feel as though I was grieving in my own way, for someone I never knew. Again, that was something which surprised me, but it wasn't unpleasant.
I enjoyed Nazia's letters to the other characters, as they were beautifully written, and I did find this book quite moving to read.
Thank you to The Write Reads, Neem Tree Press, and to the author, for the opportunity to read and review this.
As the story began, I enjoyed how the author set the scene, bringing both the characters and setting to life. I understood that someone named Nazia had passed away, and found myself wondering about this person. Who was Nazia? What was she like?
I had the impression that Nazia meant something different to each of the characters, and that they would all grieve in a different way. How did her passing impact those that were left behind? I think that while I was reading, I began to feel like an outsider, in the sense that I only learned about Nazia through the other characters, but that wasn't an unpleasant feeling.
It occurred to me that the story was paradoxical, in the sense that it was about Nazia, and she was at the centre of it all, but she was never present. In any case, Nazia served as a link between all of the other characters; something that all of the other characters had in common. I began to feel as though I was grieving in my own way, for someone I never knew. Again, that was something which surprised me, but it wasn't unpleasant.
I enjoyed Nazia's letters to the other characters, as they were beautifully written, and I did find this book quite moving to read.
Thank you to The Write Reads, Neem Tree Press, and to the author, for the opportunity to read and review this.
August 20, 2024
Book source ~ TWR Book Tour
Nazia Sami is a wife, mother, and successful author. That’s such a simple description for someone so complicated. Living in Karachi, Pakistan with her younger sister and brother-in-law, she suffers a stroke not long after her daughter leaves in anger to live with an old childhood friend. For three years she struggles and then one night she’s gone. She has written specific instructions for after her death and a funeral is not to be part of it. Instead, a party with certain people and a mystery guest. Unique and stubborn in life, she doesn’t let death dictate her afterlife.
While the writing is a bit choppy, with characters’ emotions flip flopping all over the place, the people are extremely interesting if totally unlikeable. Ok, they do have some redeeming characteristics, but for the most part I’d call them frenemies to Nazia. Nazia herself is a complicated person. Highly intelligent with a keen insight she nevertheless careens through life with a seeming disregard for others. In the course of an evening we learn quite a lot about her from the guests and it turns out, not all is as it seems. But isn’t that the case with most people? We feel like we know our family and friends, but do we really? This is an enjoyable and unique premise with a decent execution. I’ll be watching the author for future books.
Nazia Sami is a wife, mother, and successful author. That’s such a simple description for someone so complicated. Living in Karachi, Pakistan with her younger sister and brother-in-law, she suffers a stroke not long after her daughter leaves in anger to live with an old childhood friend. For three years she struggles and then one night she’s gone. She has written specific instructions for after her death and a funeral is not to be part of it. Instead, a party with certain people and a mystery guest. Unique and stubborn in life, she doesn’t let death dictate her afterlife.
While the writing is a bit choppy, with characters’ emotions flip flopping all over the place, the people are extremely interesting if totally unlikeable. Ok, they do have some redeeming characteristics, but for the most part I’d call them frenemies to Nazia. Nazia herself is a complicated person. Highly intelligent with a keen insight she nevertheless careens through life with a seeming disregard for others. In the course of an evening we learn quite a lot about her from the guests and it turns out, not all is as it seems. But isn’t that the case with most people? We feel like we know our family and friends, but do we really? This is an enjoyable and unique premise with a decent execution. I’ll be watching the author for future books.
August 15, 2024
Grief is a punch in the gut, whether your relationship to the deceased is good, bad, or somewhere in the middle. My Momma died about six and a half years ago, and we had a complicated relationship. Most days, life is life. Sometimes, I still weep bitter tears. The one thing we can all agree on is that whatever societal ritual we perform to mark the passing of an individual is usually integral to that moving on. However, this book explores the what-if we don’t to very intriguing results.
This is a unique exploration of death, especially its effects on those left behind. I’ve never quite read something like this, and I’m not sure I ever will again. This is one of those books that feels like an island all its own. While it explores a different culture than mine, focusing on a group of Muslims in Pakistan, like all stories, it focuses on the human condition at its core. Everyone, everywhere, experiences grief. In the end, the trappings are just different.
We all have the eccentric aunt or uncle who said, “Don’t cry at my funeral. I want you to throw a party.” Possibly in much more colorful language. It’s just that this time, the family had it in writing with very strict instructions. The foray into hypnotism and uncovering secrets made it that much more intriguing. I can’t deny I kept thinking that Nazia would jump out of a closet to catch people out at any moment. But this wasn’t that kind of story.
Some might find this story boring or domestic, but human interest is one of my favorite formats. My former journalist’s heart was drinking up the spilled tea, craving the mystery of why Nazia had invited all these people here. I was so surprised when the book ended because I flew through it, wanting to know the secrets hidden in the pages. There were so many moving parts, and it was clear the author is brilliant at planning and story telling.
I really enjoyed the story, especially how it highlighted various aspects of the human condition: love, vulnerability, insecurity, and so much more. In many ways, I both admired and felt sorry for our heroine, who technically wasn’t even alive during the story. She was so admired, beloved, and misunderstood by those who supposedly loved her. Her life was complicated and difficult, and in the end, she just wanted to give those she loved some peace.
I look forward to reading more from this author.
Who’s It For?
If you love domestic dramas with complex storylines, wonderfully crafted characters, and glimpses into the human condition, grab this book! Also, if you enjoy learning about different cultures and practices, this is a great one. I have always loved working with TheWriteReads tours because they always seem to offer up-to-date readings from different cultural experiences. This one focuses on Muslims from Pakistan, and it was really interesting.
Content Warnings: Attempted Sexual Assault, Child SA (Off Page), Betrayal, Infidelity, War, Violence, Suicide/Ideation, Child Abuse, Death, Grief
This is a unique exploration of death, especially its effects on those left behind. I’ve never quite read something like this, and I’m not sure I ever will again. This is one of those books that feels like an island all its own. While it explores a different culture than mine, focusing on a group of Muslims in Pakistan, like all stories, it focuses on the human condition at its core. Everyone, everywhere, experiences grief. In the end, the trappings are just different.
We all have the eccentric aunt or uncle who said, “Don’t cry at my funeral. I want you to throw a party.” Possibly in much more colorful language. It’s just that this time, the family had it in writing with very strict instructions. The foray into hypnotism and uncovering secrets made it that much more intriguing. I can’t deny I kept thinking that Nazia would jump out of a closet to catch people out at any moment. But this wasn’t that kind of story.
Some might find this story boring or domestic, but human interest is one of my favorite formats. My former journalist’s heart was drinking up the spilled tea, craving the mystery of why Nazia had invited all these people here. I was so surprised when the book ended because I flew through it, wanting to know the secrets hidden in the pages. There were so many moving parts, and it was clear the author is brilliant at planning and story telling.
I really enjoyed the story, especially how it highlighted various aspects of the human condition: love, vulnerability, insecurity, and so much more. In many ways, I both admired and felt sorry for our heroine, who technically wasn’t even alive during the story. She was so admired, beloved, and misunderstood by those who supposedly loved her. Her life was complicated and difficult, and in the end, she just wanted to give those she loved some peace.
I look forward to reading more from this author.
Who’s It For?
If you love domestic dramas with complex storylines, wonderfully crafted characters, and glimpses into the human condition, grab this book! Also, if you enjoy learning about different cultures and practices, this is a great one. I have always loved working with TheWriteReads tours because they always seem to offer up-to-date readings from different cultural experiences. This one focuses on Muslims from Pakistan, and it was really interesting.
Content Warnings: Attempted Sexual Assault, Child SA (Off Page), Betrayal, Infidelity, War, Violence, Suicide/Ideation, Child Abuse, Death, Grief
August 14, 2024
There is some great fiction coming out of Neem Tree Press. I have read several of them, and they have been excellent. This book is no exception.
If you would like to read my full review please visit my blog at:
https://leftontheshelfbookblog.blogsp...
If you would like to read my full review please visit my blog at:
https://leftontheshelfbookblog.blogsp...
October 30, 2023
I have not read a novel like this in a while, and I truly enjoyed it! I picked this up because I like reading about stories that tackle death and grief, plus I was curious about the "plot twist" promised by the blurb. I was not disappointed.
I loved the complexity of the characters and how their lives intertwined with Nazia. There were jaw-dropping moments and reveals I didn't see coming. The level of "drama" in the characters' pasts could've gone overboard and turned even soap opera-like, but Taha's writing style kept things grounded and real. They could be real people, real events, real reactions to the someone's passing. I thought back to what the author told me when I got to interview him — that his role as a fiction writer was to produce stories that will hopefully inspire people to think about life's experiences in a different way — and he managed to achieve that with me with this novel.
The omniscient POV did throw me off a little in the beginning, but only because I'm so used to multi-POV SFF. Barring that, the prose is beautiful, while still being easy to grasp and internalize. The novel also gave me insights on Pakistani culture and society, which I admittedly don't know a lot about, so for that, I am grateful.
This part of the blurb sums up the novel best: a striking and inventive exploration of what death can mean for both the deceased and those left behind. If that's your cup of tea, as well as character-driven stories, I highly recommend this book!
I loved the complexity of the characters and how their lives intertwined with Nazia. There were jaw-dropping moments and reveals I didn't see coming. The level of "drama" in the characters' pasts could've gone overboard and turned even soap opera-like, but Taha's writing style kept things grounded and real. They could be real people, real events, real reactions to the someone's passing. I thought back to what the author told me when I got to interview him — that his role as a fiction writer was to produce stories that will hopefully inspire people to think about life's experiences in a different way — and he managed to achieve that with me with this novel.
The omniscient POV did throw me off a little in the beginning, but only because I'm so used to multi-POV SFF. Barring that, the prose is beautiful, while still being easy to grasp and internalize. The novel also gave me insights on Pakistani culture and society, which I admittedly don't know a lot about, so for that, I am grateful.
This part of the blurb sums up the novel best: a striking and inventive exploration of what death can mean for both the deceased and those left behind. If that's your cup of tea, as well as character-driven stories, I highly recommend this book!
October 15, 2023
This is a very interesting story and one I didn’t expect when I went into this book.
Dealing with Pakistani politics, love betrayal, death…this is a book about how we perceive ourselves and each other.
Nazia is an enigmatic character who even in death holds such power over the people in her life.
To some she’s a celebrated author and to others she’s a monster.
The book definitely highlights the fact that how we are perceived by others does not reflect our inner feelings but also the fact that closure is not always forthcoming.
I couldn’t quite understand the end of the book in that did the character do those actions to reinforce the stereotype about them or as a way to say goodbye to Nazia.
I also feel like it needed to be fleshed out a little more as it was a lot of monologue rather than description which I guess shows how 2 dimensionally Nazia was perceived by those around her.
Overall, a very interesting take and commentary on how women are perceived in some slices of society in Pakistan.
Dealing with Pakistani politics, love betrayal, death…this is a book about how we perceive ourselves and each other.
Nazia is an enigmatic character who even in death holds such power over the people in her life.
To some she’s a celebrated author and to others she’s a monster.
The book definitely highlights the fact that how we are perceived by others does not reflect our inner feelings but also the fact that closure is not always forthcoming.
I couldn’t quite understand the end of the book in that did the character do those actions to reinforce the stereotype about them or as a way to say goodbye to Nazia.
I also feel like it needed to be fleshed out a little more as it was a lot of monologue rather than description which I guess shows how 2 dimensionally Nazia was perceived by those around her.
Overall, a very interesting take and commentary on how women are perceived in some slices of society in Pakistan.
August 18, 2023
Nazia dies and her wish is for there not to be a funeral; instead she wants a party. The attendees once played a pivotal role in Nazia's life and then all became estranged from her. What ensues is a night of incidents being uncovered, reflections about the past and coming to terms with reality.
No Funeral for Nazia was an intriguing read. Having never read any of Taha Kehar's work before, I thought he brilliantly brought to life all these flawed characters.
NetGalley and Neem Tree Press provided me with this book in exchange for an honest review.
No Funeral for Nazia was an intriguing read. Having never read any of Taha Kehar's work before, I thought he brilliantly brought to life all these flawed characters.
NetGalley and Neem Tree Press provided me with this book in exchange for an honest review.
November 6, 2023
**I was provided with an ARC of the book by Neem Tree Press for a blog tour in exchange for an honest review**
CW: death, infidelity, miscarriage, misogyny, violence, sexual assault, rape, terminal illness, toxic relationship/friendship, gaslighting, neglect/abandonment, grief
--
No Funeral For Nazia explores the themes of remembrance and grief in an unconventional yet compelling way.
It is a book about how we are shaped by those around us, how our perception of others doesn’t always paint the whole picture and how society plays its part too.
Nazia was a renowned writer yet her final wish to her sister was for there to be a gathering to celebrate her life with a select few people rather than a funeral. Thus through the perspectives and recollections of these few chosen characters the story untangles the spiderweb of relationships between them all and Nazia.
The narrative overall evokes a sense of drama that is akin to desi serials but also has an added layer of mystery which keeps you reading.
There is a lot of jumping between different points of view within chapters and a fair bit of monologuing however, Kehar’s writing flows in a way that makes it not too hard to keep a track of who’s who.
Being set in Karachi there is also a lot of political commentary fed into the story, giving background context as well as laying bare how significant of a part it plays in effecting communities and lives.
Each character is complicated in their own way and you’re made to go through a full spectrum of emotions towards them all as more about each of them and their history with Nazia is revealed.
The ending felt quite abrupt but I find myself also thinking this was fitting. As despite learning so much about Nazia from the fragments of other people’s memories, my parting feeling is more remorseful in how we will never know the real her at all.
Final Rating: 3.5/5 Stars
CW: death, infidelity, miscarriage, misogyny, violence, sexual assault, rape, terminal illness, toxic relationship/friendship, gaslighting, neglect/abandonment, grief
--
No Funeral For Nazia explores the themes of remembrance and grief in an unconventional yet compelling way.
It is a book about how we are shaped by those around us, how our perception of others doesn’t always paint the whole picture and how society plays its part too.
Nazia was a renowned writer yet her final wish to her sister was for there to be a gathering to celebrate her life with a select few people rather than a funeral. Thus through the perspectives and recollections of these few chosen characters the story untangles the spiderweb of relationships between them all and Nazia.
The narrative overall evokes a sense of drama that is akin to desi serials but also has an added layer of mystery which keeps you reading.
There is a lot of jumping between different points of view within chapters and a fair bit of monologuing however, Kehar’s writing flows in a way that makes it not too hard to keep a track of who’s who.
Being set in Karachi there is also a lot of political commentary fed into the story, giving background context as well as laying bare how significant of a part it plays in effecting communities and lives.
Each character is complicated in their own way and you’re made to go through a full spectrum of emotions towards them all as more about each of them and their history with Nazia is revealed.
The ending felt quite abrupt but I find myself also thinking this was fitting. As despite learning so much about Nazia from the fragments of other people’s memories, my parting feeling is more remorseful in how we will never know the real her at all.
Final Rating: 3.5/5 Stars
August 4, 2024
Thank you to Neem Tree Press and NetGalley for my advanced reader copy of this book in exchange for my honest thoughts.
Actual rating: 3.5 stars.
A curious, character-led mystery, set over one evening, No Funeral for Nazia is an engaging novel from Taha Kehar that has me intrigued to read more of their work. When celebrated author Nazia passes away, her wish is there is to be no funeral – only a party with six invitees. Nazia’s sister is entrusted with delivering six letters to these guests during an unforgettable evening where family secrets are uncovered, relationships are pulled taut to strain, and pasts are reconsidered.
This novel read differently to almost anything that I’ve read before. It gets straight to business but, for me, this meant I found it really hard to fully connect with any of the characters. Short but sweet, the story is a searing insight into South Asian familial relations and traditions, but also in how relationships break down over time. I thoroughly enjoyed the Pakistani representation here and can’t wait to continue reading more from this corner of the globe.
Actual rating: 3.5 stars.
A curious, character-led mystery, set over one evening, No Funeral for Nazia is an engaging novel from Taha Kehar that has me intrigued to read more of their work. When celebrated author Nazia passes away, her wish is there is to be no funeral – only a party with six invitees. Nazia’s sister is entrusted with delivering six letters to these guests during an unforgettable evening where family secrets are uncovered, relationships are pulled taut to strain, and pasts are reconsidered.
This novel read differently to almost anything that I’ve read before. It gets straight to business but, for me, this meant I found it really hard to fully connect with any of the characters. Short but sweet, the story is a searing insight into South Asian familial relations and traditions, but also in how relationships break down over time. I thoroughly enjoyed the Pakistani representation here and can’t wait to continue reading more from this corner of the globe.
April 29, 2024
No Funeral for Nazia was a quick read and very engaging. I enjoyed how perceived past transgressions were slowly revealed. However, it is sad that Nazia’s true intentions of what others perceived as “misdeeds” may never truly be known. She remains an enigma. Although Nazia requested no traditional funeral, she wanted a party with a few people important to her life story. Their narration is meant to free them from any negative feelings like guilt or anger. Also, bringing them together and making them vulnerable may allow them to repair relationships among themselves. A little of Pakistani politics is woven in the story. This was a culture not my own so I appreciated the insights to learn a little more.
(Note: includes themes of incest and infidelity)
I recommend this to anyone who enjoys domestic fiction and the exploration of relationships. I received an advanced copy for free from BookSirens and I am leaving this review voluntarily.
(Note: includes themes of incest and infidelity)
I recommend this to anyone who enjoys domestic fiction and the exploration of relationships. I received an advanced copy for free from BookSirens and I am leaving this review voluntarily.
September 11, 2024
— despite an intriguing premise the book fell flat for me.
August 4, 2023
Loved this humorous take on Nazia’s funeral! There aren’t many writers who can manage what Kehar delivers here. He has a fantastic grip on his prose to produce something so prolific and enticing. Entertaining and engaging, NFFN delivers what it promises.
May 5, 2025
Overall Rating: 3/5
No Funeral for Nazia follows celebrated author Nazia Sami, who, in her final days, pens a series of letters and diary entries that bring together six guests for an unforgettable evening. Secrets are exposed, lives are changed, and the story seemed to promise emotional depth and intrigue.
While the premise is compelling, the execution falls flat. At times, it feels more like a filler soap opera than a carefully written story. Much of the plot centers around multiple characters obsessively in love with one person—an idea that quickly becomes repetitive and unrealistic.
That said, I really admire Mr. Kehar’s writing style. It's fast-paced, direct, and refreshingly free from the overwrought philosophical tone common in some contemporary Pakistani fiction. Basically, this book has got the same kind of review from me as Typically Tanya—readable and grounded—but lacking a strong and structured story.
I’m also growing weary of the overuse of sex and alcohol in Pakistani literature. It often feels like these elements are inserted to cater to a Western readership rather than reflecting the lived experiences of many in Pakistan. Must every middle-class character be portrayed through this lens?
Another plot element that’s starting to irritate the hell out of me is the subtle—and at times blatantly obvious—attempt to justify or “forgive” characters who behave immorally throughout the story. I understand that the definition of morals differs from person to person, but some actions cross a universal line. Sleeping with your sister’s husband, for example, is not something that can be excused by the overused trope of being “unhappy.” Personal pain doesn’t erase accountability and trying to frame such behavior as understandable or even sympathetic feels both forced and deeply frustrating.
Kehar clearly has talent, but the plots need more time and development. I hope his future works concentrates on more thoughtful storytelling.
No Funeral for Nazia follows celebrated author Nazia Sami, who, in her final days, pens a series of letters and diary entries that bring together six guests for an unforgettable evening. Secrets are exposed, lives are changed, and the story seemed to promise emotional depth and intrigue.
While the premise is compelling, the execution falls flat. At times, it feels more like a filler soap opera than a carefully written story. Much of the plot centers around multiple characters obsessively in love with one person—an idea that quickly becomes repetitive and unrealistic.
That said, I really admire Mr. Kehar’s writing style. It's fast-paced, direct, and refreshingly free from the overwrought philosophical tone common in some contemporary Pakistani fiction. Basically, this book has got the same kind of review from me as Typically Tanya—readable and grounded—but lacking a strong and structured story.
I’m also growing weary of the overuse of sex and alcohol in Pakistani literature. It often feels like these elements are inserted to cater to a Western readership rather than reflecting the lived experiences of many in Pakistan. Must every middle-class character be portrayed through this lens?
Another plot element that’s starting to irritate the hell out of me is the subtle—and at times blatantly obvious—attempt to justify or “forgive” characters who behave immorally throughout the story. I understand that the definition of morals differs from person to person, but some actions cross a universal line. Sleeping with your sister’s husband, for example, is not something that can be excused by the overused trope of being “unhappy.” Personal pain doesn’t erase accountability and trying to frame such behavior as understandable or even sympathetic feels both forced and deeply frustrating.
Kehar clearly has talent, but the plots need more time and development. I hope his future works concentrates on more thoughtful storytelling.
This entire review has been hidden because of spoilers.
August 6, 2024
No Funeral for Nazia has an interesting premise. Set in Karachi, Pakistan, Nazia, a terminally ill prominent journalist and author, has left a detailed plan for managing her family’s and friends’ observance of her death. Instead of a funeral, she wants a party with a very limited guest list. This is nothing like a celebration of life, but a long evening in which each guest has an extended session with a hypnotherapist to review their relationship with Nazia. Her objective was to give her guests the opportunity to “release any negativism they felt towards her”.
None of the guests, her sister who hosts the party and Nazia herself are nice, sympathy inducing people, so the reader is let in on complicated histories of destructive relationships. It seemed that the author’s objective was to expose negative aspects of Pakistani society and culture.
It also seemed clear that the target audience for the book was South Asians. There are many references to politics since partition from India. Little background information is given. There is also a fair amount of Urdu vocabulary. A glossary was provided, but it was aggravating to look up the meanings and retain them. As a non South Asian reader, I felt disadvantaged, but it was informative.
I had expected the book to be about reaction to death. As it turned out it was really about the consequences of less than good decisions and societal expectations.
Thank you to the author, the publisher, Neem Tree Press and BookSirens for the opportunity to read and review an ARC.
None of the guests, her sister who hosts the party and Nazia herself are nice, sympathy inducing people, so the reader is let in on complicated histories of destructive relationships. It seemed that the author’s objective was to expose negative aspects of Pakistani society and culture.
It also seemed clear that the target audience for the book was South Asians. There are many references to politics since partition from India. Little background information is given. There is also a fair amount of Urdu vocabulary. A glossary was provided, but it was aggravating to look up the meanings and retain them. As a non South Asian reader, I felt disadvantaged, but it was informative.
I had expected the book to be about reaction to death. As it turned out it was really about the consequences of less than good decisions and societal expectations.
Thank you to the author, the publisher, Neem Tree Press and BookSirens for the opportunity to read and review an ARC.
January 1, 2024
Who needs enemies when you have friends like these…?
No Funeral for Nazia follows Nazia’s unconventional (and not just by Pakistani standards) end of life celebration request - I don’t want a funeral, but invite the people who hurt me the most in my life to be hypnotised to explore that hatred and hopefully heal from it.
I felt sad for Nazia that she was surrounded by such people in her life. All those who professed to love her ultimately destroyed her in their quest to have her as their own. Then of course there was the “friend” who simply wanted to destroy Nazia for her own sake…
The story was an interesting one but as none of the characters were likeable, and none seemed central to the plot (in that they all had their little piece of the puzzle to contribute), it was hard to get fully engrossed. Even the daughter who should have been an innocent equally should have known better. It was also a rather unbelievable premise - not the “anti-funeral” necessarily but I wasn’t fully convinced by the attendees’ motivations for even being there. The secrecy leading up to and even on the day in question wasn’t always necessary and I don’t think could have held these people in the room.
In any case, I’d like to explore more about Pakistani society and history in the future - perhaps with some more viewpoints from Sorraya and Noori as they’re from opposite worlds.
No Funeral for Nazia follows Nazia’s unconventional (and not just by Pakistani standards) end of life celebration request - I don’t want a funeral, but invite the people who hurt me the most in my life to be hypnotised to explore that hatred and hopefully heal from it.
I felt sad for Nazia that she was surrounded by such people in her life. All those who professed to love her ultimately destroyed her in their quest to have her as their own. Then of course there was the “friend” who simply wanted to destroy Nazia for her own sake…
The story was an interesting one but as none of the characters were likeable, and none seemed central to the plot (in that they all had their little piece of the puzzle to contribute), it was hard to get fully engrossed. Even the daughter who should have been an innocent equally should have known better. It was also a rather unbelievable premise - not the “anti-funeral” necessarily but I wasn’t fully convinced by the attendees’ motivations for even being there. The secrecy leading up to and even on the day in question wasn’t always necessary and I don’t think could have held these people in the room.
In any case, I’d like to explore more about Pakistani society and history in the future - perhaps with some more viewpoints from Sorraya and Noori as they’re from opposite worlds.
February 12, 2025
I was in the middle of reading three other books when I picked this one up, and I was impelled to abandon all the others to finish this one.
All the words I can come up with fall short in describing my admiration for this stunning piece of work. It's thrilling, gripping, and absolutely unputdownable. By the end, I was stuck in the dilemma of wanting to finish the book but also wanting to read it slowly so I could savor it more!
100% recommended!
P.S. I think slight trigger warnings are necessary for some parts of the story, like mentions of s*xual assault and such, so please, if you do end up reading it, tread a tad bit carefully.
All the words I can come up with fall short in describing my admiration for this stunning piece of work. It's thrilling, gripping, and absolutely unputdownable. By the end, I was stuck in the dilemma of wanting to finish the book but also wanting to read it slowly so I could savor it more!
100% recommended!
P.S. I think slight trigger warnings are necessary for some parts of the story, like mentions of s*xual assault and such, so please, if you do end up reading it, tread a tad bit carefully.
December 25, 2025
s complete time waste. awful writing and awful characters. would not recommend at all!
March 3, 2024
How often do you judge a novel by its cover or title? Well, I have done it quite often and might continue to do so. The first thing that struck me about Taha Kehar's No Funeral for Nazia was the title. It's such a hook! Unfortunately, the story failed to live up to the promise set by the intriguing title.
Set in Pakistan, this story revolves around the themes of love, friendship, betrayal, adultery, and politics.
Nazia, a successful writer, has led an interesting life, challenging predefined norms. And even in her death, she has left a mark. In her last letter to her sister Naureen, she states her wish to have a party instead of a funeral after her death. Naureen is determined to fulfill her sister's dying wish despite her husband's opposition.
The party where the guests are Nazia's ex-husband, daughter, closest friends, and the maid's daughter takes an unexpected turn when Naureen announces the arrival of an unexpected guest. A hypnotherapist!
As the night proceeds, each guest spends time with the hypnotherapist. In a hypnotised stage, they reveal different aspects of their relationship with Nazia. Thus, we see Nazia's story through their eyes.
Nazia, as the main protagonist, is as flawed as the rest of the characters. Even though she doesn't speak for herself, we "see" her through the eyes of others. Her friends' and family members' stories of their interactions with her reveal various aspects of her life. Nazia and Naureen are better sketched than the rest of the characters.
While Kehar's writing is engaging, most of the narration is in the form of monologues, and I found it a little daunting. There was no fresh perspective being shed, and the narration proceeded on predicted lines.
The novel is fast-paced, but the conclusion left me wanting. I was expecting more and was definitely disappointed by the end. There are too many things happening and the threads are not tied properly at the end.
Even the party didn't make sense. Nazia could have still had her janaza and held a party later! The idea of "no funeral" didn't add any great mystery.
Conceptually, the book deals with the profound topics of death and its impact on loved ones, the importance of closure, how a person is perceived by others, and how this perception shapes our views. But the lack of a strong connection with any character prevented me from enjoying it.
No Funeral for Nazia is an okay one-time read.
_________________________________________________
Connect with me on Twitter | Instagram | Blog and let’s talk BOOKS!!
Set in Pakistan, this story revolves around the themes of love, friendship, betrayal, adultery, and politics.
Nazia, a successful writer, has led an interesting life, challenging predefined norms. And even in her death, she has left a mark. In her last letter to her sister Naureen, she states her wish to have a party instead of a funeral after her death. Naureen is determined to fulfill her sister's dying wish despite her husband's opposition.
The party where the guests are Nazia's ex-husband, daughter, closest friends, and the maid's daughter takes an unexpected turn when Naureen announces the arrival of an unexpected guest. A hypnotherapist!
As the night proceeds, each guest spends time with the hypnotherapist. In a hypnotised stage, they reveal different aspects of their relationship with Nazia. Thus, we see Nazia's story through their eyes.
Nazia, as the main protagonist, is as flawed as the rest of the characters. Even though she doesn't speak for herself, we "see" her through the eyes of others. Her friends' and family members' stories of their interactions with her reveal various aspects of her life. Nazia and Naureen are better sketched than the rest of the characters.
While Kehar's writing is engaging, most of the narration is in the form of monologues, and I found it a little daunting. There was no fresh perspective being shed, and the narration proceeded on predicted lines.
The novel is fast-paced, but the conclusion left me wanting. I was expecting more and was definitely disappointed by the end. There are too many things happening and the threads are not tied properly at the end.
Even the party didn't make sense. Nazia could have still had her janaza and held a party later! The idea of "no funeral" didn't add any great mystery.
Conceptually, the book deals with the profound topics of death and its impact on loved ones, the importance of closure, how a person is perceived by others, and how this perception shapes our views. But the lack of a strong connection with any character prevented me from enjoying it.
No Funeral for Nazia is an okay one-time read.
_________________________________________________
Connect with me on Twitter | Instagram | Blog and let’s talk BOOKS!!
October 30, 2023
Nazia was a well known author but before her death she wasn’t working on a new novel rather she was filling her diary with instructions for her sister Naureen on what was to happen when she had died. Nazia didn’t want a funeral instead she had specific instructions that she wanted a party to be held but with only six people invited. What does Nazia have in store for the six invitees?
As soon as I read the synopsis for this book there was something about it that just felt different and as soon as I started to read that’s exactly how I would describe the book because I’ve never read anything like this story before.
Death and mourning play a big role in South Asian culture from the formalities, rituals to the mourning periods as it’s a time for people to come together and mourn. So the idea that Nazia didn’t want any kind of funeral takes many of the characters by surprise and in some ways they find this idea shocking because it goes against everything they’ve been taught. There are many characters that actually express their disbelief as to Nazia’s wishes. It showed that Nazia was the type of person who went against the norm and didn’t like to abide by rules set by others and society.
When the book starts we are told that Nazia has died and that her sister Naureen is organising a party for six people. We know very little about Nazia and don’t know what happened to her apart from the fact that her death was unexpected. We are then introduced to the selected people that Nazia wanted to attend the party including her daughter, ex husband, friend, publisher, previous employer and a surprise guest, a hypnotist. As the story progresses we learn more about Nazia, her life and how she is connected to each guest. At the same time we learn that Nazia was a complicated character, some have good memories of her and others memories are less than positive. I thought it was quite unique that Nazia included a hypnotist as the sixth guest especially because he is an outsider and a stranger. But it’s clear that Nazia had a plan and this was intentional. She wanted each guest to talk about their memories, their connection to her and come to terms with her no longer being there.
The story was filled with secrets, betrayal, passion, love and relationships. Ultimately Nazia’s goal was to help those closest to her to heal but at the same time strengthen the bonds and relationships between those she left behind.
As soon as I read the synopsis for this book there was something about it that just felt different and as soon as I started to read that’s exactly how I would describe the book because I’ve never read anything like this story before.
Death and mourning play a big role in South Asian culture from the formalities, rituals to the mourning periods as it’s a time for people to come together and mourn. So the idea that Nazia didn’t want any kind of funeral takes many of the characters by surprise and in some ways they find this idea shocking because it goes against everything they’ve been taught. There are many characters that actually express their disbelief as to Nazia’s wishes. It showed that Nazia was the type of person who went against the norm and didn’t like to abide by rules set by others and society.
When the book starts we are told that Nazia has died and that her sister Naureen is organising a party for six people. We know very little about Nazia and don’t know what happened to her apart from the fact that her death was unexpected. We are then introduced to the selected people that Nazia wanted to attend the party including her daughter, ex husband, friend, publisher, previous employer and a surprise guest, a hypnotist. As the story progresses we learn more about Nazia, her life and how she is connected to each guest. At the same time we learn that Nazia was a complicated character, some have good memories of her and others memories are less than positive. I thought it was quite unique that Nazia included a hypnotist as the sixth guest especially because he is an outsider and a stranger. But it’s clear that Nazia had a plan and this was intentional. She wanted each guest to talk about their memories, their connection to her and come to terms with her no longer being there.
The story was filled with secrets, betrayal, passion, love and relationships. Ultimately Nazia’s goal was to help those closest to her to heal but at the same time strengthen the bonds and relationships between those she left behind.
May 24, 2024
Thanks to Neem Tree Press and Taha Kehar for the NetGalley ARC!
"No Funeral for Nazia" is a captivating mystery drama that unfolds gradually, revealing the secrets and motivations of each character as they connect to the enigmatic Nazia.
Eschewing a traditional funeral, Nazia orchestrated a farewell party aimed at providing closure for those she believed needed it most. A testament to her perceptive nature, Nazia's final act ensured each guest would confront their emotions exactly as she anticipated for she knew how each character will abide her last wishes.
This fast-paced novel throws one plot twist after another at the reader, delving into the murky depths of morality when clashing egos run amok. Each character is meticulously crafted, with intricate layers of motivations that slowly unravel. The story opens with a hint of deep-seated trouble brewing among the partygoers, and the reveal is both suspenseful and satisfying. Underlying it all is a vicious cycle of power imbalances, set against the backdrop of Pakistan's tumultuous political struggle.
The novel's characters are morally complex, a fact that sparked a frustrating mix of hatred and sympathy within me. As the story unfolded, we'd get a glimpse of the motivations behind their despicable actions. It feels clear the author is exploring the nuances of human behavior, demonstrating how a multitude of factors can push individuals to commit terrible deeds. Despite this newfound understanding, the characters' actions remain reprehensible.
Here's the thing, I don't condone what that person did towards the end of the book and will never understand why that person did that unforgivable thing but I assume Nazia know and I condemn her for endangering someone else with her use of power imbalance. I need to be vague but I have to give a fair warning that the book failed to deliver before the book starts, there's an attempted rape of an adolescent and a child, as well as child sexual abuse towards the ending.
For fans of fast-paced drama and intriguing mysteries, this novel is a quick, satisfying read. In a world with morally grey characters, where will you draw the line?
"No Funeral for Nazia" is a captivating mystery drama that unfolds gradually, revealing the secrets and motivations of each character as they connect to the enigmatic Nazia.
Eschewing a traditional funeral, Nazia orchestrated a farewell party aimed at providing closure for those she believed needed it most. A testament to her perceptive nature, Nazia's final act ensured each guest would confront their emotions exactly as she anticipated for she knew how each character will abide her last wishes.
This fast-paced novel throws one plot twist after another at the reader, delving into the murky depths of morality when clashing egos run amok. Each character is meticulously crafted, with intricate layers of motivations that slowly unravel. The story opens with a hint of deep-seated trouble brewing among the partygoers, and the reveal is both suspenseful and satisfying. Underlying it all is a vicious cycle of power imbalances, set against the backdrop of Pakistan's tumultuous political struggle.
The novel's characters are morally complex, a fact that sparked a frustrating mix of hatred and sympathy within me. As the story unfolded, we'd get a glimpse of the motivations behind their despicable actions. It feels clear the author is exploring the nuances of human behavior, demonstrating how a multitude of factors can push individuals to commit terrible deeds. Despite this newfound understanding, the characters' actions remain reprehensible.
Here's the thing, I don't condone what that person did towards the end of the book and will never understand why that person did that unforgivable thing but I assume Nazia know and I condemn her for endangering someone else with her use of power imbalance. I need to be vague but I have to give a fair warning that the book failed to deliver before the book starts, there's an attempted rape of an adolescent and a child, as well as child sexual abuse towards the ending.
For fans of fast-paced drama and intriguing mysteries, this novel is a quick, satisfying read. In a world with morally grey characters, where will you draw the line?
August 19, 2024
Blurb
Nazia Sami is a celebrated author, but perhaps her greatest plot twist is yet to be produced. In her final days, she wields a pen one last time as she fills her diary with instructions for her sister, Naureen, and writes six letters to be delivered after her death. There is to be no funeral for Nazia. Instead, only six invitees are asked to attend a party, one of whom is a mystery guest. Over the course of an extraordinary evening, secrets are revealed, pasts reconsidered, and lives are forever changed. Perfect for fans of MOHSIN HAMID and KAMILA SHAMSIE, No Funeral for Nazia is a striking and inventive exploration of what death can mean for both the deceased and those left behind.
Review:
I was really intrigued by the title of the book and the story itself was also intriguing. The thing I loved most about the book was the complexities of the characters and that the women in this book break many of the stereotypes we have of what a Muslim woman is and does. I found this very refreshing and it also means that the characters have many of the same flaws and vulnerabilities as women all over the world. For me, there is a strong feminist theme running through the book, especially with the character of Nadia, who breaks the rules society has laid down for her, even after her death.
The story is set in Pakistan and follows the impact of the death of Nazia, on her closest family and friends. Instead of a proper Muslim funeral, Nazia’s instructions are that her sister is to hold a party instead. During the evening of the party many secrets are revealed and past hurts and misdemeanours are forgiven.
I don’t want to say too much about the plot as it will spoil the story, but if you are looking for something different to read then I would highly recommend this book.
There are many references to the past political history of Pakistan, which I also found interesting and I will do some more research around, as my knowledge of the MQM is sparse.
A huge thank you to TheWriteReads and Neem Tree Press for my gifted copy of the book, in return for an honest opinion of the book, and for inviting me to be part of the blog tour.
Nazia Sami is a celebrated author, but perhaps her greatest plot twist is yet to be produced. In her final days, she wields a pen one last time as she fills her diary with instructions for her sister, Naureen, and writes six letters to be delivered after her death. There is to be no funeral for Nazia. Instead, only six invitees are asked to attend a party, one of whom is a mystery guest. Over the course of an extraordinary evening, secrets are revealed, pasts reconsidered, and lives are forever changed. Perfect for fans of MOHSIN HAMID and KAMILA SHAMSIE, No Funeral for Nazia is a striking and inventive exploration of what death can mean for both the deceased and those left behind.
Review:
I was really intrigued by the title of the book and the story itself was also intriguing. The thing I loved most about the book was the complexities of the characters and that the women in this book break many of the stereotypes we have of what a Muslim woman is and does. I found this very refreshing and it also means that the characters have many of the same flaws and vulnerabilities as women all over the world. For me, there is a strong feminist theme running through the book, especially with the character of Nadia, who breaks the rules society has laid down for her, even after her death.
The story is set in Pakistan and follows the impact of the death of Nazia, on her closest family and friends. Instead of a proper Muslim funeral, Nazia’s instructions are that her sister is to hold a party instead. During the evening of the party many secrets are revealed and past hurts and misdemeanours are forgiven.
I don’t want to say too much about the plot as it will spoil the story, but if you are looking for something different to read then I would highly recommend this book.
There are many references to the past political history of Pakistan, which I also found interesting and I will do some more research around, as my knowledge of the MQM is sparse.
A huge thank you to TheWriteReads and Neem Tree Press for my gifted copy of the book, in return for an honest opinion of the book, and for inviting me to be part of the blog tour.
February 10, 2025
I’d been looking forward to this one since last year and was not disappointed. NFFN is a pretty sharp departure from the author’s previous book ‘Typically Tanya’ which was a more satirical and humorous novel. While the satire is still somewhat prevalent, NFFN features a far more interesting premise than I had ever though possible. A party to remember a departed friend, sister, and lover instead of a funeral brings together the eponymous Nazia’s closest relations and turns into an unexpected and surrealistic experience before the next dawn. Through the shared memories of Nazia’s relations, we are shown just what trials her life had put her through, what turmoil her heart had endured, and what scars her mind had suffered.
The book reminded me of the Indian movie ‘Party’ and a novel called ‘The Five People You Meet In Heaven’, the former for its cozy drawing room atmosphere packed full of drama, and the latter for obvious reasons. Nazia’s five people on Earth narrate the Heaven (or Hell) they shared with Nazia in an unconventional but clever setting that made me want to read more of this woman’s life from their perspectives. As the character was already deceased, the accounts of her loved ones unraveled some deeply held secrets that provided for superb reading. The story also offers plenty of nostalgia particularly for Karachiites as it intersperses the characters' lives with some of the key moments in this city’s bloody history, some of which felt a little expository but are necessary to ground the story into reality. The Nazia here could easily have been any one we know and perhaps wanted to know, an allure that the author cultivates brilliantly.
Despite one or two subplots that I felt could have had more attention, NFFN is a fascinating story about life, death, and the regrets in between, and an opportunity to reconcile with them rather than letting them fester into our souls. A must-read for fans of drama and cozy-ish mysteries.
The book reminded me of the Indian movie ‘Party’ and a novel called ‘The Five People You Meet In Heaven’, the former for its cozy drawing room atmosphere packed full of drama, and the latter for obvious reasons. Nazia’s five people on Earth narrate the Heaven (or Hell) they shared with Nazia in an unconventional but clever setting that made me want to read more of this woman’s life from their perspectives. As the character was already deceased, the accounts of her loved ones unraveled some deeply held secrets that provided for superb reading. The story also offers plenty of nostalgia particularly for Karachiites as it intersperses the characters' lives with some of the key moments in this city’s bloody history, some of which felt a little expository but are necessary to ground the story into reality. The Nazia here could easily have been any one we know and perhaps wanted to know, an allure that the author cultivates brilliantly.
Despite one or two subplots that I felt could have had more attention, NFFN is a fascinating story about life, death, and the regrets in between, and an opportunity to reconcile with them rather than letting them fester into our souls. A must-read for fans of drama and cozy-ish mysteries.
May 18, 2025
︵‿︵‿୨♡୧‿︵‿︵
Book Review Of “No Funeral For Nazia”
Author: Taha Kehar
Author’s Intro: Taha Kehar is a Pakistani author, journalist, and a lawyer known for his contemporary fiction, sharp social commentary, and thought—provoking narratives exploring class, identity , and human relationships.
Genre: Fiction
ISSBN: 978- 627-7626-29-7
Pages: 230
Publication: 19-10-2023
Publisher: Neem Tree Press / Liberty Publishing
Review:
There are some books that don’t shout—they whisper. And those whispers stay with you. No Funeral for Nazia by Taha Kehar is one of those quiet, soul-stirring reads that wraps itself around your heart before you even realize it.
The story begins with the death of Nazia Sami—someone who seems to have touched many lives, and left just as many questions behind. As a group of women from her past come together, we slowly begin to see Nazia’s life through their eyes. Each chapter gently peels back the layers—not just of Nazia’s story, but of the women remembering her, and the emotional weight they’ve carried for years.
It’s not a fast-paced book. It’s soft, reflective, and emotional in the most unexpected ways. Kehar captures the quiet truths of female friendship so beautifully—the kind that is messy, unspoken, full of love, and sometimes full of hurt. He writes about the things we don’t always say out loud: the societal pressure to stay silent, the loneliness behind smiles, the longing to be understood.
This book doesn’t give you dramatic twists or big reveals. Instead, it offers a slow, deeply personal journey through memory, grief, and healing. And somehow, by the end, you feel like you knew Nazia too. Or maybe... someone like her.
No Funeral for Nazia is a reminder that we’re all more than what the world sees, and sometimes, the quietest lives leave the loudest echoes. It’s tender. It’s human. It made me pause and reflect—and I think it might do the same for you.
Rating: 4.5/5
Book Review Of “No Funeral For Nazia”
Author: Taha Kehar
Author’s Intro: Taha Kehar is a Pakistani author, journalist, and a lawyer known for his contemporary fiction, sharp social commentary, and thought—provoking narratives exploring class, identity , and human relationships.
Genre: Fiction
ISSBN: 978- 627-7626-29-7
Pages: 230
Publication: 19-10-2023
Publisher: Neem Tree Press / Liberty Publishing
Review:
There are some books that don’t shout—they whisper. And those whispers stay with you. No Funeral for Nazia by Taha Kehar is one of those quiet, soul-stirring reads that wraps itself around your heart before you even realize it.
The story begins with the death of Nazia Sami—someone who seems to have touched many lives, and left just as many questions behind. As a group of women from her past come together, we slowly begin to see Nazia’s life through their eyes. Each chapter gently peels back the layers—not just of Nazia’s story, but of the women remembering her, and the emotional weight they’ve carried for years.
It’s not a fast-paced book. It’s soft, reflective, and emotional in the most unexpected ways. Kehar captures the quiet truths of female friendship so beautifully—the kind that is messy, unspoken, full of love, and sometimes full of hurt. He writes about the things we don’t always say out loud: the societal pressure to stay silent, the loneliness behind smiles, the longing to be understood.
This book doesn’t give you dramatic twists or big reveals. Instead, it offers a slow, deeply personal journey through memory, grief, and healing. And somehow, by the end, you feel like you knew Nazia too. Or maybe... someone like her.
No Funeral for Nazia is a reminder that we’re all more than what the world sees, and sometimes, the quietest lives leave the loudest echoes. It’s tender. It’s human. It made me pause and reflect—and I think it might do the same for you.
Rating: 4.5/5
October 11, 2023
𝘛𝘩𝘢𝘯𝘬 𝘺𝘰𝘶 Neem Tree Press 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘧𝘳𝘦𝘦 𝘤𝘰𝘱𝘺 & 𝘧𝘰𝘳 𝘩𝘢𝘷𝘪𝘯𝘨 𝘮𝘦 𝘰𝘯 𝘵𝘩𝘦 𝘣𝘭𝘰𝘨 𝘵𝘰𝘶𝘳!
Well, this is a really special little book and I'm so thankful I got to read it.
•
I wasn't so sure it was going to be my sort of thing when I started it— it initially felt a little slow and we were introduced to a lot of characters which left me feeling slightly overwhelmed and confused for a few chapters. However, this soon changed by the time I got just under halfway and by then I was totally enamoured with where the plot was taking me.
•
I really did enjoy Taha's writing all the way through; some parts had an almost poetic feel to them and I loved the character arcs and the way we learnt more about them in the middle and late chapters. I adored the concept of this book too, it really had me thinking about how we look at death, funerals and forgiving (or not) past mistakes, not only of others but our own. I thought this was really cleverly done and reading how different the entire notion of funerals are depending on culture and religion was so interesting to read.
•
As I already mentioned, I loved how we learnt about the background of each character we were introduced to. I thought each one had been well thought out during Taha's writing process and the scenes in which we got to know each character more were done so well— I found myself sympathising with a couple of the characters that I didn't expect to and the occasional witty dialogue between some gave light relief to an otherwise fairly deep story.
•
This is a contemporary South Asian mystery and overall, I am so glad I got to read it. I'd definitely recommend everyone to read No Funeral for Nazia at least once, especially if you're a fan of more character based novels.
Well, this is a really special little book and I'm so thankful I got to read it.
•
I wasn't so sure it was going to be my sort of thing when I started it— it initially felt a little slow and we were introduced to a lot of characters which left me feeling slightly overwhelmed and confused for a few chapters. However, this soon changed by the time I got just under halfway and by then I was totally enamoured with where the plot was taking me.
•
I really did enjoy Taha's writing all the way through; some parts had an almost poetic feel to them and I loved the character arcs and the way we learnt more about them in the middle and late chapters. I adored the concept of this book too, it really had me thinking about how we look at death, funerals and forgiving (or not) past mistakes, not only of others but our own. I thought this was really cleverly done and reading how different the entire notion of funerals are depending on culture and religion was so interesting to read.
•
As I already mentioned, I loved how we learnt about the background of each character we were introduced to. I thought each one had been well thought out during Taha's writing process and the scenes in which we got to know each character more were done so well— I found myself sympathising with a couple of the characters that I didn't expect to and the occasional witty dialogue between some gave light relief to an otherwise fairly deep story.
•
This is a contemporary South Asian mystery and overall, I am so glad I got to read it. I'd definitely recommend everyone to read No Funeral for Nazia at least once, especially if you're a fan of more character based novels.
December 2, 2024
The premise of No Funeral for Nazia is intriguing, but its execution fell a bit short for me. The story revolves around Nazia, who has passed away. Instead of a funeral, her sister is tasked with hosting a party with six guests, including Nazia’s ex-husband. However, this isn't a gathering to remember her—it’s a deliberate attempt to forget her. The plot weaves in elements of mystery as secrets of love and betrayal gradually come to light leaving us with a happy ending.
Set in Karachi, Pakistan, the book provides a rich cultural backdrop but doesn't sufficiently accommodate international readers who may lack familiarity with the country's history, language, or religious practices. This could limit the book's accessibility for a broader audience.
The story's pacing was slower than I preferred, which impacted my engagement. Despite these reservations, I gave the book a 3 1/2 star rating.
Notably, this is the author’s debut novel, inspired by his mother’s death, which adds an emotional layer to the narrative. I admire the personal connection and would consider reading his future works to see how his storytelling evolves.
I’ve recommended the book to others, hoping it might spark meaningful discussions. Perhaps with time, and through these conversations, I might reconsider my rating. Would you consider diving into this book to explore its layers? I’d love to hear others’ thoughts!
I received an advance review copy for free, and I am leaving this review voluntarily.
Set in Karachi, Pakistan, the book provides a rich cultural backdrop but doesn't sufficiently accommodate international readers who may lack familiarity with the country's history, language, or religious practices. This could limit the book's accessibility for a broader audience.
The story's pacing was slower than I preferred, which impacted my engagement. Despite these reservations, I gave the book a 3 1/2 star rating.
Notably, this is the author’s debut novel, inspired by his mother’s death, which adds an emotional layer to the narrative. I admire the personal connection and would consider reading his future works to see how his storytelling evolves.
I’ve recommended the book to others, hoping it might spark meaningful discussions. Perhaps with time, and through these conversations, I might reconsider my rating. Would you consider diving into this book to explore its layers? I’d love to hear others’ thoughts!
I received an advance review copy for free, and I am leaving this review voluntarily.
October 9, 2023
No Funeral for Nazia by Taha Kehar will revive your love for mystery!
How often do you read a mystery novel with a woman protagonist set in Pakistan? And that is not all. The protagonist of Taha Kehar's new novel is not a quintessential obedient, self-sacrificing Pakistani woman but possesses a streak of qualities- considered earth-shattering, forbidden, and aphasia-inducing on this side of the globe.
She chooses 'speak your heart out' to 'aimless tears shedding' as her way to say goodbye to her family. What is the harm in it? Maybe not for her, for she finds solace and peace in death. But is everyone else ready to face their demons while exposing others?
She was present in her absence, never speaks for herself, but shows herself in the elaborate descriptions from others.
She is considered arrogant, self-serving, and cruel by her loved ones. But they still yearn to say one last goodbye. They tell you what they know and have seen, but will you believe their testimony or draw your own conclusions?
What I love about this is Taha Kehar wrote about a time of political turmoil so vivid yet distant in our memories. It is a must-read for Karachiites to revisit the political shenanigans of a time that tore many families apart.
Yes, it is a narrative that challenges social conventions with a little too convenient an approach to complex emotions, but it will revive your love for mystery.
An enjoyable and quick read!
How often do you read a mystery novel with a woman protagonist set in Pakistan? And that is not all. The protagonist of Taha Kehar's new novel is not a quintessential obedient, self-sacrificing Pakistani woman but possesses a streak of qualities- considered earth-shattering, forbidden, and aphasia-inducing on this side of the globe.
She chooses 'speak your heart out' to 'aimless tears shedding' as her way to say goodbye to her family. What is the harm in it? Maybe not for her, for she finds solace and peace in death. But is everyone else ready to face their demons while exposing others?
She was present in her absence, never speaks for herself, but shows herself in the elaborate descriptions from others.
She is considered arrogant, self-serving, and cruel by her loved ones. But they still yearn to say one last goodbye. They tell you what they know and have seen, but will you believe their testimony or draw your own conclusions?
What I love about this is Taha Kehar wrote about a time of political turmoil so vivid yet distant in our memories. It is a must-read for Karachiites to revisit the political shenanigans of a time that tore many families apart.
Yes, it is a narrative that challenges social conventions with a little too convenient an approach to complex emotions, but it will revive your love for mystery.
An enjoyable and quick read!
August 8, 2025
In No Funeral for Nazia, Taha Kehar crafts an unforgettable narrative—a woman’s death, and instead of mourning, she requests a party. This subversive setup becomes the stage for a night of revelations, confrontations, and healing as her friends and family gather and undergo hypnotherapy—a theatrical twist that unlocks buried emotions.
Through shifting perspectives, the novel deftly explores each character’s tangled history with Nazia—her sister, ex-lover, friends, and daughter—each shaped by both affection and resentment. These complex portraits reveal how grief intertwines with personal baggage but also opens pathways to closure.
Set in the vibrant, chaotic tapestry of Karachi, the story immerses readers in local culture—Urdu phrases, renowned designers, burial traditions—and even offers a glossary to bridge cultural understanding.  The cityscape also resonates with class dynamics and political undertones, deeply rooting the narrative in its social context.
No Funeral for Nazia is a wildly inventive redemption story, one that flips mourning rituals on their head in order to reveal what really lies beneath. It’s funny, deeply human, richly cultural—and ultimately, a celebration of life’s unresolved relationships. If you enjoy stories that explore grief, class, memory, and the search for closure with both wit and emotional depth, this novel belongs on your shelf. It surely is a keeper
Through shifting perspectives, the novel deftly explores each character’s tangled history with Nazia—her sister, ex-lover, friends, and daughter—each shaped by both affection and resentment. These complex portraits reveal how grief intertwines with personal baggage but also opens pathways to closure.
Set in the vibrant, chaotic tapestry of Karachi, the story immerses readers in local culture—Urdu phrases, renowned designers, burial traditions—and even offers a glossary to bridge cultural understanding.  The cityscape also resonates with class dynamics and political undertones, deeply rooting the narrative in its social context.
No Funeral for Nazia is a wildly inventive redemption story, one that flips mourning rituals on their head in order to reveal what really lies beneath. It’s funny, deeply human, richly cultural—and ultimately, a celebration of life’s unresolved relationships. If you enjoy stories that explore grief, class, memory, and the search for closure with both wit and emotional depth, this novel belongs on your shelf. It surely is a keeper
Displaying 1 - 30 of 81 reviews