Pamela Pryor's son has, at long last, left home. She now feels a certain freedom -- and also certain restlessness. There have been three significant men in her life -- Peter, her ex-husband; Douglas, a style guru; and Dean, a beautiful younger man -- all of whom have begun to think of Pamela in romantic terms once more. But Pamela wants to get to know herself again and can't quite decide with which of her three suitors (if any) she should take up.
Born in Wimbledon, now part of London, Mavis left school at 16 to do office work with Editions Alecto, a Kensington publishing company. She later moved to the firm's gallery in Albemarle Street, where she met artists such as David Hockney, Allen Jones, Patrick Caulfield and Gillian Ayres. In 1969 she married a "childhood sweetheart", Chris Cheek, a physicist, whom she had met at a meeting of the Young Communist League in New Malden, but they separated three years later. Later she lived for eleven years with the artist Basil Beattie. She returned to education in 1976, doing a two-year arts course at Hillcroft College, a further education college for women.
Although Cheek had planned to take a degree course, she turned instead to fiction writing while her daughter, Bella Beattie, was a child. She moved from London to Aldbourne in the Wiltshire countryside in 2003, but as she explained to a newspaper, "Life in the city was a comparative breeze. Life in the country is tough, a little bit dangerous and not for wimps."
Cheek has been involved with the Marlborough LitFest, and also teaches creative writing. This has included voluntary work at Holloway and Erlstoke prisons. As she described in an article: "What I see [at Erlstoke] is reflected in my own experience. Bright, overlooked, unconfident men who are suddenly given the opportunity to learn grow wings, and dare to fail. It helps to be able to tell them that I, too, was once designated thick by a very silly [education] system. My prisoners have written some brilliant stuff, and perhaps it gives them back some self-esteem."
Entertaining and funny. However, whilst the unrealistic device at the end worked artistically, I felt it detracted from the rest of the story, which was more plausible throughout. I didn't like the references to Egyptian goddesses at the end. The book had made its point already. Probably just me though. I enjoyed the book overall.
This entire review has been hidden because of spoilers.
Skipped through most of this one. Got lost in so many places, the shop being the hardest to keep up with. Read the epilogue and boom, book finished. Disappointed, as the title is what sucked me in to give it a go.
An entertaining light and funny read - I don't often laugh out loud whilst reading but some of the situations are really comical and I enjoyed the author's depiction of the characters.
Some funny parts, but mostly boring. I enjoyed the first book I read by her "Getting back Brahms". But now, as in the case of Lodge, Lurie, Hornby, Parsons (social comedians?), the more you read, the less you like them.