In On Literary Biography, John Updike lays out his skeptical, yet generous, reflections on reading and writing about the lives of literary figures. Asking what satisfactions literary biography may offer readers, he decides that the first and perhaps the most worthy is in allowing us to continue and expand our acquaintance with an author who interests us, so that we may partake again, from another angle, of the joys we have experienced within the author's oeuvre. He tells of finding in a biography of Proust the solid details of what he had previously encountered through that writer's subjective sensibility, but he acknowledges that there can be other reasons for attending to the genre. If the reader is also a writer, a desire to learn the details of a fellow's craft may come into play. Or in a diagnostic mood, readers may seek to relate features of a writer's achievement to the psychological and physical circumstances in which it occurred. Some of us, some of the time, may also take pleasure in seeing the human flaws of writers exposed and in watching as the literary mentality is turned to show an unsavoury side. Updike calls one variant of the biography that uncovers person
John Hoyer Updike was an American writer. Updike's most famous work is his Rabbit series (Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit At Rest; and Rabbit Remembered). Rabbit is Rich and Rabbit at Rest both won Pulitzer Prizes for Updike. Describing his subject as "the American small town, Protestant middle class," Updike is well known for his careful craftsmanship and prolific writing, having published 22 novels and more than a dozen short story collections as well as poetry, literary criticism and children's books. Hundreds of his stories, reviews, and poems have appeared in The New Yorker since the 1950s. His works often explore sex, faith, and death, and their inter-relationships.