I have a Lot of Thoughts on this book.
I do love it, the way you love a family member despite all their flaws and occasional disagreements. This almost unconditional love is brought on by the warmth and familiarity I feel with the anecdotes and scenery it paints - the book really does capture growing up as a Malaysian in the 2010s REALLY well.
The writing is poignant, colourful, and easy to read (thought I do have some criticisms later). The characters are lovable; this was one of the biggest strengths of the novel to me.
For me, the book fluctuated between 5 and 2 stars depending on the episode. Some I really loved and were incredibly accurate in capturing the intricacies of its setting (such as the disillusionment with politics, worries about love and marriage, school shenanigans), through the lens of enjoyable narration by Auyong/Mary Anne. The story’s strength lies in creating the perfect atmosphere and contrasting the perspectives on the same events as someone growing up (Mary Anne) and growing older (Auyong). I especially enjoyed their relationships with Beevi, and how these vastly different people paint a whole picture of such a complex woman. I found the Said Hameed backstory pretty compelling, though I wish the tWiSt was hinted at more slowly throughout the book, instead of dumped on us at the climax.
These strong parts tend to be when life in Lubok Sayong just… happens?
Unfortunately, some episodes were much weaker imo for different reasons:
A. Disbelief at some of the more fantastical events: e.g. the suddenness of Mr Miller’s death, the Freedom Parade, the ghost boy. These are weaved in-between the really grounded/accurate ones (the egg-standing eclipse fad, the flood, the KL visit) that it’s jarring when something so… unnatural (thanks Beevi) happens. Maybe I’m missing the point though, and that Beevi’s exaggerations are meant as a sign that Auyong too is exaggerating his memoirs.
B. A “dirty old man” undertone that Auyong sometimes had - I wouldn’t have minded as much if these weren’t so contrasting with the otherwise cozy/nostalgic tone of the rest of the story. The tonal whiplash between “old friends discussing politics in a barbershop” to “we could see under their skirts” took me out. Again, maybe I’m just picky in my reading, and that I’m a bit more prudish when it comes to sexually dubious behaviour that goes uncommented on.
C. The handling of the LGBTQ+ element: I don’t think this was covered in the most tactful way, or with the weight and seriousness it deserves. One thing I do commend is Auyong’s development in changing the pronouns he refers Boon with. However, the fact that this switch happens mid-narration during the recollection of a R*PE scene rubbed off EXTREMELY wrong to me - why does he finally see her as a woman only when she gets r*ped, as if THAT is what makes her a woman in his eyes… Though I’m sure the author intended well, this scene deserved more thought (perhaps an author review with sensitivity readers from the trans community). Somehow this is even more undercut by the fantasy of an openly publicised Pride event in a Malaysian kampung.. though I really do wish such dreams were realistic, the setting’s climate (around Bersih era) would result in far worse consequences for Auyong and co. than some animal corpses & nail bombs in the mail.
It’s kind of depressing that the most unbelievable elements of the story is that things were TOO nice… people weren’t as racist, transphobic, or homophobic in the story as I expected them to be.
Maybe this was meant as an escapist fantasy; in which case I would give it 5 stars. Unfortunately, I think at least the Boon arc SHOULD have been covered with the weight of real life.
Regardless, this was a wonderful read, and I’m definitely more mindful of the little joys of Malaysian life.