'There are three things that grow in March Mire,' said the aunt, in a silly sing-song voice, her eyes half closed, 'and that grow nowhere else together, and seldom anywhere. Find them in one spot, take them and make them up. From them comes this dew. Oh Louisa. Listen carefully. This stuff grants the gift of death.'
Louisa widened her eyes but she was not actually impressed. Death was everywhere in the mire and especially often in her aunt's nasty bottles.
'Listen,' said the aunt again, 'the poison in this bottle leaves no trace as it kills. In the world beyond the mire this can mean much. I've told you, there are towns along the moors, and great houses piled up with money and jewels. If every cobweb on that ceiling was changed to bank notes it would be nothing to them... We'll seek for just such a rich place. Then I'll know how to go on. You shall pretend to be a lost lady, as I've trained you. You'll do as I say, and our fortunes will be made.'
'But how, Aunt?'
'They'll fall in love, and make over their goods through wills, which I've told you of. And then I'll see them off...'
Thus begins Louisa's strange journey into the world beyond the mire, armed only with her striking beauty, her perfect manners, and her aunt's deadly poison. A thrilling historical fantasy!
Tanith Lee was a British writer of science fiction, horror, and fantasy. She was the author of 77 novels, 14 collections, and almost 300 short stories. She also wrote four radio plays broadcast by the BBC and two scripts for the UK, science fiction, cult television series "Blake's 7." Before becoming a full time writer, Lee worked as a file clerk, an assistant librarian, a shop assistant, and a waitress.
Her first short story, "Eustace," was published in 1968, and her first novel (for children) The Dragon Hoard was published in 1971.
Her career took off in 1975 with the acceptance by Daw Books USA of her adult fantasy epic The Birthgrave for publication as a mass-market paperback, and Lee has since maintained a prolific output in popular genre writing.
Lee twice won the World Fantasy Award: once in 1983 for best short fiction for “The Gorgon” and again in 1984 for best short fiction for “Elle Est Trois (La Mort).” She has been a Guest of Honour at numerous science fiction and fantasy conventions including the Boskone XVIII in Boston, USA in 1981, the 1984 World Fantasy Convention in Ottawa, Canada, and Orbital 2008 the British National Science Fiction convention (Eastercon) held in London, England in March 2008. In 2009 she was awarded the prestigious title of Grand Master of Horror.
Lee was the daughter of two ballroom dancers, Bernard and Hylda Lee. Despite a persistent rumour, she was not the daughter of the actor Bernard Lee who played "M" in the James Bond series of films of the 1960s.
Tanith Lee married author and artist John Kaiine in 1992.
Lee, who wrote some great fantasy, good horror, and interesting science fiction, was in many ways ahead of her time. This novella is a delightful dark fairy tale of a beautiful young girl who's raised in poverty in a swamp by a witch and who makes her way into the world and succeeds by dint of her wit and daring and intelligence.... and by becoming a serial killer. It's a Jane Austen comedy of manners with a dollop of Agatha Christie and a jolt of Robert Bloch. It's written with dark delicacy and considerable charm and is the perfect pastime for a couple of rainy hours.
Lee proves, once again, that she is the true queen of the macabre. She draws the reader into association with the criminal and makes the unlikable, immoral and irredeemable somehow the stars of the show. The reader is drawn into Louisa’s confidence and, as such, is a party to her Gothic display of morbid curiosity and depraved actions. And, despite all that, it hard not to find her sagacity in darkness utterly beguiling.
A wonderfully gruesome tale told in a kind of high English voice. Think of a dark Jane Austin nightmare and how. Tanith Lee must be one of the most diverse speculative fictions authors around. She's an inspiration. I love her work!
A short piece (novella? novelette?). Louisa has been raised in a swamp by a mad witch, but the witch stressed education and elocution; so, when the witch is no more and Louisa encounters a local lord, he is convinced that she is also of the nobility, fallen on hard times, and brings her back to his manor where his servants and various heirs in the line of succession look upon her with great suspicion. So what is one to do? Well, the answer may or may not be found in the title of the book ...
What's not to like, if you're a Tanith Lee fan? It's short, really a novella, and reminds me of "Vivia," or one of her other stories about an icy woman with seemingly no moral compass. Tanith breaks a lot of so-called "rules" about fiction writing, but it doesn't matter because she creates characters so fascinating that I want to read about them, even if they're horrible and cold. Louisa is brought up in the swamp by an herbalist who teaches her the fine art of poisoning, and Louisa then finds a rich family to prey upon. Despite her rough up-bringing, the one thing the haggy old herbalist DID teach her was proper diction, so Louisa easily fools people into thinking she's from an upper class. Things go along fairly predictably, then at the very end someone makes an appearance that I found unexpected and amusing, and reminded me of Edward Gorey.
Lee's short book, really barely a novella, details the rise of Louisa as she moves from the Moors to the big house. In some ways, it is a play upon some of what happens in Wuthering Heights, though a darker Heathcliff who embraces her amorality or immorality.
Bloodfilled, scheming and diffirent dark story of decit and murders. Typical Tanith lee in other words and very well-written. Quick novelette to read and fashinating story.
22.2.2017 - 4* Už jsem si zvykla na to, že Tanith Lee má svůj osobitý, unikátní styl psaní. Kterému naprosto propadám. A myslím, že kdyby tuto povídku/novelku napsal kdokoliv jiný, nedokázala bych si ji užít tolik, jako od této autorky. Jelikož si hraje se slovy. Jelikož dokáže vykreslit vše v tak nádherně pochmurném, macabre stylu, že se do toho musíte zamilovat. Tohle mělo až trochu pohádkovou atmosféru, a přestože jsem to hodila pod fantasy, ten prvek je tam velice, velice jemně až absentně vepsaný. Je to parodie, je to absurdní, je to vtipné pro ty, kteří chápou a doceňují černý humor. Autorka dokázala, abych si zamilovala naprosto nezamilováni-hodný charakter, který by mě jindy nezaujal. Nevypovídá to o příběhu vše, co potřebujete vědět? :)
I own an indecent amount of Tanith Lee books and this one lacks the richness and depth of imagery as her other books. Still good and a keeper for my library.
It's a story of an isolated beautiful young woman who was trained by her archetypal witch of an aunt on how to put on airs from a book of etiquette. Living in the swamp, there's no appropriate audience for this skill but she adopts it as if she were born aristocracy.
Enter the poison that earns her her title. After dealing with her aunt, she legs it to the nearest town where she is picked up by an old, wealthy bachelor and his nephew. He's not richer than God, but he's nearly there.
Her career unfolding, she quickly goes to work.
Sometimes repetitive, slightly unengaging characters, but overall a charming story for those who like their bad girls gone medieval.
I like anything by Tanith Lee and this book is no exception. Louisa the Poisoner is like an updated version of a Grim fairy tale but more believable because Louisa seems like an actual sociopath than someone who turns into a wolf during certain lunar events.
This is more novella than novel, and rather dark, but I enjoyed it. I only wish Lee's books were easier to get here in the United States.
Изящен, камерен, макабрен роман в класически готически стил, с мрачна неопределеност, саркастична предначертаност и финал, достоен за шедьовър на Уди Алън. Моята любимка Танит Ли не винаги уцелва правилният жанр, история или герои, но дори, когато не успява, остава удоволствието от великолепният ѝ начин на писане, майсторски поетичен и завладяващ естетските сетива дори на неособено претенциозните читатели. Но този път готиката и Танит се прегръщат повече от любовно, и резултатът може да се мери по мрачно забавление с Деветте живота на Александър Баденфийлд и Магазинчето за самоубийци – мои абсолютни фаворити на тъмното чувство за хумор.
В една злокобна гора, до душегубно блато живеят умела в отровите вещица и нейната малка… дъщеря, внучка, отвлечено отнякъде невинно детенце. Малката красавица се нарича Луиза и е възпитана в идеална социопатична емпатичност – усеща прекрасно мислите и емоциите на всеки около нея, но не ѝ пука за ничий живот, здраве и усмивка, щом нямат общо с нейните собствени планове. А тя планове има, и то грандиозни, и не��ключващи разни мръсни, откачени вещици с неясни намерения. Започва се с първото елегантно и неемоционално убийство; първата перфектно забъркана отрова с кошмарни ефекти и гарантиран летален ефект без антидот; първата съвършено замислена лъжа, попаднала в ушите на най-идеалният реципиент. И него откриваме по силата на великата Съдба в лицето на отегчен богаташ, с липсващ морал и твърде много наследници, потропващи нетърпеливо около ложето му, изгарящи в желание да го положат бързичко в гроба.
Сечта започва. Луиза е в началото на морбиден кадрил, оставящ партньорите ѝ бездиханни, понякога доста буквално. Всяко убийство в кариерата на прелестната куха обвивка без дори спомен от сърдечна дейност, ни води до естествена кулминация от кръв и кости, но развръзката, ах, развръзката ще ви възмути, огорчи, очарова и задоволи точно в този ред. В света на Танит Лий справедливостта е широко понятие, престъплението бива често оправдано, а героите са в целия спектър от сивата и червената гама, но са очарователни, пленителни и зашеметяващи по безапелационен начин. Но ключовата дума винаги ще остане красота. Дори смъртоносната такава. Диамант в короната на кралица Танит, без капка съмнение.
Think Jane Austen meets the young poisoner's handbook....
Orphan Louisa has been brought up in a hovel in a swamp by her witch aunt. She is taught etiquette and how to comport herself as a lady, the aunt having a plan to marry her into some wealthy family and then kill off the husband so Louisa can inherit lots of money. Louisa gets to the poison first however and the first thing she does? Why murder her aunt of course! Then she sets off into town where she is adopted into the Maskullance family where she begins to bump off the members one by one....
Themes: • Witchcraft • Adolescent heroine • Murderer • Dark family • Family relationships
What can I say? Has Lee's staple adolescent, beautiful, mentally unbalanced, with no moral compass heroine. I quite enjoyed this one but being a novella it is very contained, so the language isn't as breathtaking as much of Lee's other prose and there isn't much magic/fantasy. I also found the ending a tad anti-climactic. Still this is a quirky macabre read, just not Lee at her best.
I'm going to be thinking about this weirdly wonderful and sinister tale for a good long while. Couched in a familiar allegorical structure, this story goes in surprising directions, as I'm sure anyone familiar with Lee's work would expect. Creepy, strange, engaging, and playful by turns, the story revolves around the titular "heroine," who is exceptionally evil and yet, somehow, not the least sympathetic character in the story. As I said, this is the sort of story that I'll be turning over in my head for a good long while.
Y’all, I have no idea what to think or how to feel about this book, except that when I was done I kind of wanted to slow clap. The main character is the titular Louisa, who’s been raised in a swamp by her witchy aunt, who one day brews up a rare and undetectable poison. So Louisa immediately poisons her, and sets out to find a fortune. Lots of poisonings ensue, and an ending I didn’t expect. Very dry, dark humor here. A-.
Why did I have to discover Tanith Lee by myself? Why was I not informed already of her wit and ingenuity??? Why was the world not serving her to me?
I really liked this one. I loved Louisa and her thought process, I thought the story was fun and the writing funny and intriguing (and very easy to get into). The matter-of-fact way Louisa approaches murder, from the very start, was... well, I was charmed.
I love her use of language she captures the feeling of the time, I listen on a audio book wasn't very impressed with the reader, otherwise the story is interesting but not as gripping as the first book I read of her's "The Lord's of Darkness" which was really good. Short story.
A fun little romp about an enterprising young girl who decides to go and find her fortune by poisoning a local lord and his family, and all the fun little ways she goes about her task. Dark, hilarious, and worth your time.