Монтаж

by Sergei Eisenstein

Книга включает в себя несколько разделов, в которых описывается само понятие монтаж, о взаимодействие монтажа и архитектуры, монтажа и живописи; монтаж в кинематографе.

Genres: Film

592 pages, Hardcover

First published January 1, 2000

About the author

Sergei Mikhailovich Eisenstein was a Soviet film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). In its 2012 decennial poll, the magazine Sight & Sound named his Battleship Potemkin the 11th greatest movie of all time.

Eisenstein was among the earliest film theorists. He believed that editing could be used for more than just expounding a scene or moment, through a "linkage" of related images. He developed what he called "methods of montage":
1) Metric
2) Rhythmic
3) Tonal
4) Overtonal
5) Intellectual

Eisenstein's articles and books—particularly Film Form and The Film Sense—explain the significance of montage in detail. His writings and films have continued to have a major impact on subsequent filmmakers.

Reviews

[Lore03 · Rating 5 out of 5]

Eisenstein è perfettamente consapevole dei tratti più importanti del cinema, e della componente più rilevante di tutte: il montaggio.
Pagine splendide, appassionate e appassionanti, nelle quali non ho potuto far altro che rivedermi in ogni singola frase, e rimanere affascinato da tanta maestria.
Stupendo.

[Ivva Tadiashvili · Rating 5 out of 5]

მგონი ბოლო სტატიიდან დაწყება ჯობდა. მაგარი წიგნია, ეიზენშტეინს მაგარი მეთოდები აქვს, დღემდე გამოყენებადი. მნიშვნელოვნად გამოყენებადი.

[Natali Mtsariashvili · Rating 3 out of 5]

სატანა კაცი, დაგვტანჯა ხალხი.