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288 pages, ebook
First published January 1, 2010
“I wouldn't think you'd be overly concerned about conformity, Princess. It isn't normal for Egyptians to ride horses astride, yet here we are, doing just that. It isn't normal for women to drive their own chariots, or be educated in the Kap, or dispatch Shasu. Or is having a mind of ones own a privilege reserved for royal princesses?”
"No, of course not. I've just never met anybody else who thought that doing things their own way was a good idea. Most people like to do things the way they've always been done."
"But you're not like other people."
"No. And neither are you." — Senenmut & Hatshepsut
Going to start with what would usually be my concluding thoughts because this turned into a really long review. I have a serious bias to this book. This review is written after maybe the 3rd or 4th time I've read it. The writing is at times clunky the writing but the characters are engaging and make you feel the emotions you should. There are all kinds of moments that could be problematic for some readers in Her Majesty the King. Rape, Incest, Death and that is without raising the mess that is the age of majority in 1480s BCE Egypt. But if you can read past those and life in the world with the characters then it is an enjoyable ride. I'm rating it 4.5 stars rounded up to 5, there is something that keeps pulling me back to this story.
The arc of Her Majesty the King starts the day Hatshepsut turns 14, the age of majority in her day and ends when she is 22(ish) with her ascension to the Horus Throne. In between, there are two-time skips but the majority takes place when Hatch is 19. Part of the heart of the story is a rather complicated love story. It's a pentagon of a form. Hatshepsut, Senenmut, Hapuseneb, Neshi and Tuthmosis. Tut is a forced marriage to preserve the royal bloodline and the Royal Ka. The other will be a lover physical or emotional. Senenmut, Hapu and Neshi couldn't be much more different. Their archetypes are the like-minded commoner, the aristocrat/ the priest, the royal prisoner/ Prince. Hatch was raised with Hapu and Neshi they know her and they adore her. There is a line in the closing pages that summarises the relationship of the three and Hatch quite well "I had three loyal, gifted men—Senenmut, Hapuseneb, Neshi—who loved me so much they would rather die than fail me. As long as they didn't kill one another first." Her relationship with Senenmut is likely what keeps bringing me back, they are the only people that can keep up with each other intellectually. It makes for some brilliant conversations.
One of my favourite aspects of this story, at least time around, was the signposting. Every major event is not only this book but The Horus Throne and The Eye of Re are seeded before they happen. Senenmut is not like other Egyptian men (yes, of course, it is part of the appeal) but the extent of his differences his seeded here if you know what to read for. Two of the reveals are shown to the reader in veiled fashion before we see them. But there are also misdirects.
Another aspect I liked is something that previous me wouldn't have picked up on, the gender roles. This is a story that simultaneously annihilates some of the gender roles of the time but rigidly conforms to others. Without going into spoilers too much. Hatch is a King and God's Wife both masculine and feminine in her roles. Her "husband" Senenmut strictly conforms to his masculine role of the protector. It's hard to explain.
This is a story with a great support cast. Which I will add to another review because this is long enough. But essentially there is a lot of development done and each of the characters is designed to show a different side of Hatshepsut. Senimen and Dedu are favourites though what starts as working for her out of loyalty to their family members becomes loyalty to her.
This is Historical Fiction with a capital H and capital F. If you are going to read it you need to be able to exist and be in that world. Some things to realise before you read. This starts when Hatch is 14, the age of majority for this culture. Senenmut is 24. The fiction aspect is acknowledged by O'Neill in the postscript and Appendix. But O'Neill has a point in that this is a series of steps that would allow Hatshepsut to rule as a Horus King under the cultural restrictions. There is a reason Hatshepsut is used not infrequently in historical fiction, we don't know how she managed to do what she did.
"You're the king—you can do as you like."
"If only that were true. Because I'm a woman, my every action will be minutely scrutinised. If the courtiers knew about you, I would be condemned for wanton behaviour"
"But kings are admired for their sexual prowess."
"Male kings. Sexual appetite in a woman terrifies most men." — Senenmut & Hatshepsut
A representative gif: