Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2023 with the help of original edition published long back [1920]. This book is printed in black & white, sewing binding for longer life, printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - eng, Pages 164. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.} Complete Printer's errors 1920 O'Duffy, Eimar
It can sometimes seem that Eimar O’Duffy (1893-1935) is most remembered for being a forgotten writer. John Hogan begins his slim 1972 biography of O’Duffy with the line “Eimar Ultan O’Duffy is virtually a forgotten writer”, then quotes Vivian Mercier’s 1946 essay on O’Duffy: “The late Eimar O’Duffy . . . was simply ignored.”
O'Duffy, of Anglo-Irish stock, became a captain in the Irish Volunteers and was sent by Eoin MacNeill, along with Bulmer Hobson, to stop the 1916 insurrection in Belfast. He wrote a wide variety of books and plays, but it is the Cuanduine trilogy that is his great achievement. King Goshawk and the Birds is the first part of the trilogy and is an important landmark in the Irish comic novel tradition.
«Ошибки печатника» — второй роман Эймара О’Даффи, он знаменует собой некоторый переход от тяжеловесного критического реализма первого романа к последующей сатирической трилогии (и далее к совсем легким детективам 30-х годов). Реалистичен, конечно, — но еще и смешон местами, лукав и написан гораздо воздушнее. По сути, это комедия манер и сатира на дублинское общество перед Великой войной и при ее начале: Ирландское возрождение, Гэльская лига, ирландские добровольцы, театральный бум, рассадник поэтов — вот это все показано изнутри умеренно светского общества через историю незадачливого 46-летнего предпринимателя, который решает влюбиться и взбунтоваться против своих квадратных детей, один из которых считает себя сверхчеловеком. Все в итоге заканчивается хорошо, все оказываются человеческими людьми, и даже любовная интрига разруливается с приятностью. Пираты, сокровище и необитаемый остров там тоже есть.