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Wandering Willie's Tale

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

73 pages, Hardcover

First published January 1, 1824

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About the author

Walter Scott

9,133 books2,018 followers
Librarian Note: There is more than one author in the GoodReads database with this name.

Sir Walter Scott was a Scottish novelist, poet, historian, and biographer, widely recognized as the founder and master of the historical novel. His most celebrated works, including Waverley, Rob Roy, and Ivanhoe, helped shape not only the genre of historical fiction but also modern perceptions of Scottish culture and identity.

Born in Edinburgh in 1771, Scott was the son of a solicitor and a mother with a strong interest in literature and history. At the age of two, he contracted polio, which left him with a permanent limp. He spent much of his childhood in the Scottish Borders, where he developed a deep fascination with the region's folklore, ballads, and history. He studied at Edinburgh High School and later at the University of Edinburgh, qualifying as a lawyer in 1792. Though he worked in law for some time, his literary ambitions soon took precedence.

Scott began his literary career with translations and collections of traditional ballads, notably in his Minstrelsy of the Scottish Border. He gained early fame with narrative poems such as The Lay of the Last Minstrel and The Lady of the Lake. As the popularity of poetic storytelling declined, especially with the rise of Lord Byron, Scott turned to prose. His first novel, Waverley, published anonymously in 1814, was set during the Jacobite rising of 1745 and is considered the first true historical novel. The success of Waverley led to a long series of novels, known collectively as the Waverley Novels, which blended historical events with compelling fictional narratives.

Over the following years, Scott produced a remarkable number of novels, including Old Mortality, The Heart of Midlothian, and The Bride of Lammermoor, each contributing to the romantic image of Scotland that became popular throughout Europe. With Ivanhoe, published in 1819, he turned his attention to medieval England, broadening his appeal and confirming his status as a major literary figure. His works were not only popular in his own time but also laid the groundwork for historical fiction as a respected literary form.

Scott married Charlotte Genevieve Charpentier in 1797, and they had five children. In 1820, he was granted a baronetcy and became Sir Walter Scott. He built a grand home, Abbotsford House, near Melrose, which reflected his passion for history and the Scottish past. However, in 1825, financial disaster struck when his publishers went bankrupt. Rather than declare bankruptcy himself, Scott chose to work tirelessly to pay off the debts through his writing. He continued to produce novels and non-fiction works at a staggering pace despite declining health.

Walter Scott died in 1832, leaving behind a literary legacy that influenced generations of writers and readers. His works remain widely read and studied, and he is credited with helping to revive interest in Scottish history and culture. Abbotsford House, now a museum, stands as a monument to his life and achievements.

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Displaying 1 - 7 of 7 reviews
Profile Image for Per.
1,269 reviews14 followers
February 11, 2021
https://archive.org/details/WeirdTale...
http://www.gutenberg.org/files/2516/2...

Weird Tales reprint of a part of a chapter from Redgauntlet, first published in 1824. The reprint, which according to Wikipedia is a famous short story which frequently appears in anthologies, is missing 13 paragraphs at the beginning and 3 paragraphs at the end, as well as these two footnotes:

THE PERSECUTORS

The personages here mentioned are most of them characters of historical fame; but those less known and remembered may be found in the tract entitled, ‘The Judgment and Justice of God Exemplified, or, a Brief Historical Account of some of the Wicked Lives and Miserable Deaths of some of the most remarkable Apostates and Bloody Persecutors, from the Reformation till after the Revolution.’ This constitutes a sort of postscript or appendix to John Howie of Lochgoin’s ‘Account of the Lives of the most eminent Scots Worthies.’ The author has, with considerable ingenuity, reversed his reasoning upon the inference to be drawn from the prosperity or misfortunes which befall individuals in this world, either in the course of their lives or in the hour of death. In the account of the martyrs’ sufferings, such inflictions are mentioned only as trials permitted by providence, for the better and brighter display of their faith, and constancy of principle. But when similar afflictions befell the opposite party, they are imputed to the direct vengeance of Heaven upon their impiety. If, indeed, the life of any person obnoxious to the historian’s censures happened to have passed in unusual prosperity, the mere fact of its being finally concluded by death, is assumed as an undeniable token of the judgement of Heaven, and, to render the conclusion inevitable, his last scene is generally garnished with some singular circumstances. Thus the Duke of Lauderdale is said, through old age but immense corpulence, to have become so sunk in spirits, ‘that his heart was not the bigness of a walnut.’


LAMENTATION FOR THE DEAD

I have heard in my youth some such wild tale as that placed in the mouth of the blind fiddler, of which, I think, the hero was Sir Robert Grierson of Lagg, the famous persecutor. But the belief was general throughout Scotland that the excessive lamentation over the loss of friends disturbed the repose of the dead, and broke even the rest of the grave. There are several instances of this in tradition, but one struck me particularly, as I heard it from the lips of one who professed receiving it from those of a ghost-seer. This was a Highland lady, named Mrs. C—— of B———, who probably believed firmly in the truth of an apparition which seems to have originated in the weakness of her nerves and strength of her imagination. She had been lately left a widow by her husband, with the office of guardian to their only child. The young man added to the difficulties of his charge by an extreme propensity for a military life, which his mother was unwilling to give way to, while she found it impossible to repress it. About this time the Independent Companies, formed for the preservation of the peace of the Highlands, were in the course of being levied; and as a gentleman named Cameron, nearly connected with Mrs. C—, commanded one of those companies, she was at length persuaded to compromise the matter with her son, by permitting him to enter this company in the capacity of a cadet, thus gratifying his love of a military life without the dangers of foreign service, to which no one then thought these troops were at all liable to be exposed, while even their active service at home was not likely to be attended with much danger. She readily obtained a promise from her relative that he would be particular in his attention to her son and therefore concluded she had accommodated matters between her son’s wishes and his safety in a way sufficiently attentive to both. She set off to Edinburgh to get what was awanting for his outfit, and shortly afterwards received melancholy news from the Highlands. The Independent Company into which her son was to enter had a skirmish with a party of caterans engaged in some act of spoil, and her friend the captain being wounded, and out of the reach of medical assistance, died in consequence. This news was a thunderbolt to the poor mother, who was at once deprived of her kinsman’s advice and assistance, and instructed by his fate of the unexpected danger to which her son’s new calling exposed him. She remained also in great sorrow for her relative, whom she loved with sisterly affection. These conflicting causes of anxiety, together with her uncertainty, whether to continue or change her son’s destination, were terminated in the following manner:—

The house in which Mrs. C—— resided in the old town of Edinburgh, was a flat or story of a land accessible, as was then universal, by a common stair. The family who occupied the story beneath were her acquaintances, and she was in the habit of drinking tea with them every evening. It was accordingly about six o’clock, when, recovering herself from a deep fit of anxious reflection, she was about to leave the parlour in which she sat in order to attend this engagement. The door through which she was to pass opened, as was very common in Edinburgh, into a dark passage. In this passage, and within a yard of her when she opened the door, stood the apparition of her kinsman, the deceased officer, in his full tartans, and wearing his bonnet. Terrified at what she saw, or thought she saw, she closed the door hastily, and, sinking on her knees by a chair, prayed to be delivered from the horrors of the vision. She remained in that posture till her friends below tapped on the door, to intimate that tea was ready. Recalled to herself by the signal, she arose, and, on opening the apartment door, again was confronted by the visionary Highlander, whose bloody brow bore token, on this second appearance, to the death he had died. Unable to endure this repetition of her terrors, Mrs. C—— sank on the door in a swoon. Her friends below, startled with the noise, came upstairs, and, alarmed at the situation in which they found her, insisted on her going to bed and taking some medicine, in order to compose what they took for a nervous attack. They had no sooner left her in quiet, than the apparition of the soldier was once more visible in the apartment. This time she took courage and said, ‘In the name of God, Donald, why do you haunt one who respected and loved you when living?’ To which he answered readily, in Gaelic, ‘Cousin, why did you not speak sooner? My rest is disturbed by your unnecessary lamentation—your tears scald me in my shroud. I come to tell you that my untimely death ought to make no difference in your views for your son; God will raise patrons to supply my place and he will live to the fullness of years, and die honoured and at peace.’ The lady of course followed her kinsman’s advice and as she was accounted a person of strict veracity, we may conclude the first apparition an illusion of the fancy, the final one a lively dream suggested by the other two.
Profile Image for David Meditationseed.
548 reviews34 followers
May 15, 2018
Although the premise is very interesting, especially the proposal of the setting and the evocation of the mythological legends about the "beyond" and the Devil, unfortunately the language almost in the form of dialect imposed a tremendous difficulty to read.

The excess of interjections or expressions as "well ..." or "then" or "looked like a devil" in so many paragraphs, with all respect to the author and his importance to literature especially the fantastic, took from me the desire to delve into his tale.
Profile Image for Izzati.
589 reviews7 followers
July 8, 2020
Being that it was written in Scottish, and I am not well-versed in the accent, it was really a task for me to understand what was going on in the story at all. However, the story itself was interesting, from what little I could gather from it.
6,726 reviews5 followers
November 18, 2023
I listened to this as part of the Classic Tales of Horror - 500+ Stories. It was very enjoyable 2023
Profile Image for Stacey.
908 reviews27 followers
March 29, 2016
Very difficult to understand as it's written with a severe Scottish brogue. From what I got it's the story about a man's father who has to make a deal with the devil to pay his rent a second time- he had paid it but the Laird he paid (who was also thought to be the devil) died suddenly and his money was unaccounted for.
Displaying 1 - 7 of 7 reviews

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