July 2-I got to page 8 and had to slam it down. I almost did that on the first page, but kept going in the hope that it got better. But it did not. It only got worse. I've never read such classless trash, and I'm surprised the author went there. Thanks to her not putting the name of the characters on the back of the book, I had no idea who the female lead was. I hoped it wasn't one of the women in the beginning of the book, but it looked to be going that way. There was a prostitute named Brenda, who was killed by a blond-headed Asian woman I believe, who I'm assuming is the enemy, or a Ghostwalker. I'm not sure, and I didn't want to stick around to find out. Then there was Sheila, who was working for someone who had her pay off a guy to do something with the senator. And the man, if I understood correctly, was giving the elderly senator, who had had a bad stroke, a hand job, "stroking" him and "working on his knees" for the old man, I believe the author phrased it. How lovely. I was so totally disgusted and turned off by this utter filth that I threw it down.
This was my first book into the Ghostwalkers series, and now that I see it's filled with prostitutes, disgusting sex, payoffs, younger men having gay interludes, when the man isn't naturally gay, with an older man who is on death's door, and assassinations, I don't really even want to read the series.
After reading the reviews on here, I decided to give it another chance, because none of the women above were the female lead. The author should've started with the main characters, because I almost threw it down.
I hated the instant attraction that Sam and Azami had for each other. The first time they see each other he loves everything about her, from the way she styles her hair to the suit she wears. And I don’t know how many times the words calm and serene were used to describe her face, but it was
For like 10 or more pages Sam goes on and on and on and on> about how dangerous the 3 are, Azami and her brothers, whose names are practically unpronounceable. Daiki and Eiji. In fact, none of the names were working for me in here. They all sucked. And Sam’s sucked because it was so generic and mundane. I think the guy deserved a name that went with his skills and reputation. It was really confusing how the author kept referencing Azami in different ways. She would sometimes call her Azami, and sometimes Thorn. I was so confused I thought Thorn was a completely different person. They should only get one name, because otherwise it’s confusing. And it’s not like her brothers called her a nickname; she was addressing herself as such. Really weird.
Aside from there being the same phrases and lines, this novel was different from the Carpathians, which was like a breath of fresh air. I liked the new abilities in here, like teleporting, and Sam was really cool with all that he did. He changed the color of his skin slightly to fit in with the outdoors, and he even used poison on their attackers.
The chemistry they had between them was nice at places, like they each felt alone and hopeless when he broke the connection between their minds to answer Ryodan. Then he sold her out, saying that she was a possible GhostWalker, and that her and her brothers were a threat. I expected her to feel betrayed, but she just smiles and says she would have done the same thing. Here we go again, with these unbelievably good-natured women who will forgive anything the man does.
It’s the first time they’ve met, and they’re already kissing each other, and he’ s asking how to court her. That is so rushed, and I don’t know what the appeal would be to making the characters instantly attracted to each other. And he’s saying he thinks she’s the one woman for him and she’s going to be his wife. It really takes away from it when I know they met like an hour ago, and it barely means anything.
The author always goes way too far with the torturing, mutilation, and childhood traumas. Azami had been experimented on, cut open and worked on without anesthesia, and had a bunch of scars from it. That was bad enough. But it turns out her hair had turned white from all the torture. How such a thing is even possible is beyond me, but Feehan’s horror stories will not be denied. She has to dye her hair black. And then she has these huge tattoos of a spider web and phoenix covering her front and back, to cover the scars, and I don’t like tattoos that big on women. And to really top it off, “one breast is larger than the other, and a little lopsided, as if part had been carelessly cut away.” Ew. I don’t even care how that sounds, that’s disgusting. There’s torture, and then there’s mutilation. And Sam actually gets affected by her appearance. That’s a bit of a stretch for me.
As always, the experienced men are given these dumb virgins who ask if they did something wrong, and if it’s gonna be a problem that they don’t know anything, and all that crap. It’s really annoying. And Sam saying “in any case, I know enough for the both of us. Trust me, honey, we have nothing to worry about in that department” was really disgusting.
The story was completely bogged down with political and technological crap. I got so lost and bored with the proceedings I almost fell asleep. It was like civics and economics class all over again. When politics come into play, I check out. About 100 pages were spent talking about Whitney and the senator, the president, and the White House, and I found my eyes glazing over. I had to concentrate hard to keep up. And the satellites that Samurai Telecommunications made went completely over my head. I didn’t see how satellites even fit into the story. I thought GhostWalkers were going to be a little better, but it was disappointing to learn that they were smack dab in the middle of the technological world.
Feehan seemed to have been sticking to Japanese life quite closely, and then just abandoned it when it got in her way. She has Azami tell Sam that they can’t display their affection in public and that he has to ask her brother’s permission to marry her. Sam does that, and her brothers hand him a ring, and say she’s waiting for him at his house. Where’s the strict Japanese courtship I’ve been hearing about? You’re telling me it’s not acceptable to hold hands in public but it’s okay for them to have sex when they’re not yet married? And her brothers are okay with that? Okayy.
I just love how virgins undress men and bathe them with absolutely no hesitation. It’s just rich. And when you’ve got Sam using the words “hack job Whitney had done on her body” when he looks at her, there’s a problem. I do not believe for one second that a man would be attracted to a stranger so profoundly that he’d overlook that. I’m not buying it.
As always, I look at my progress and realize that I’m over halfway through the book, and absolutely NOTHING has happened. They talk about what could be going on, they talk about what’s happened, they speculate, and then they talk about what they’re going to do. They talk and talk and talk, but there is no action. It’s so incredibly frustrating and boring when you’re reading hundreds of pages of characters just talking and thinking.
When Azami kept calling him Sammy all of a sudden, I just cringed. First, it’s out of character for her to use a baby name like that, and second, that’s a really childish name to give to a grown man. Basically, it wasn’t working for me.
Sam seems to be really enamored with her tattoos, and I just wanted to yell we get it, she has a phoenix and spider tattoo. We aren’t likely to forget that, and we don’t need to be reminded every 2 seconds. And I just wasn’t buying that he was into it. He kept lavishing attention on the spider, noting the spider, kissing the spider, and even told her she needed another spider on her stomach for him “to tease.” Wow, the man must really have a spider fetish. It’s actually weird. And I just didn’t think a man like Sam would be so into a woman with tattoos, especially a spider. You have to have the characters compliment each other. You can’t just throw two random people together.
I was thinking that the abilities were cool in here, but then I found out Azami had a synthetic heart or something like that, and she had been given cat DNA, and I was turned off from the whole story even further.
When they’re planning their trip to the Congo, Feehan threw out acronyms like it was garbage day. I don’t know if she assumed readers knew things like HAHO was high altitude, high opening jump and AGL was air to ground level, or if this was in the other books in the series and she assumed readers of this one had read the other ones, but assumptions on her part were a major mistake. I was so lost with all the names of guns, ammunition, tactics and all that. I like action, but I’m convinced women just can’t do it. A bunch of terms and phrases were thrown out, and since there were barely any explanations, I don’t even know if the author knew what she was talking about. It was ridiculous.
And then Feehan, on pg. 313, suddenly thinks it’s pertinent to drop descriptions of the side characters. I did you not, she launches into descriptions of Nico, Kadan, and Jonas, even though they’ve been almost constant participants from the beginning. Wtf? She also gives a little synopsis of Sam’s character. Yes, that’s right; it’s the same Sam that is the main character of this book, yet on pg. 314 I’m given a rundown of his abilities like I know nothing about him. It’s lunacy.
As always in Feehan’s novels, hundreds of pages slowly drone on, in which nothing occurs but conversations repeating the same things, and endless paragraphs reiterating the same things. The action didn’t even happen until the last 50 pages or so.
The ending was disappointing, because I thought Azami would kill Whitney or at least run into him, so that he’d know that she was still alive. I wanted her to get revenge over him, but I guess Feehan is dragging that out into the next books. I feel that should have been in Azami’s story.
Azami and Sam as a couple were a complete failure. They did not go together at all, and I wasn’t buying the attraction on either end actually, but especially on Sam’s. He said he wanted more spider tattoos on her, but I didn’t believe him. I don’t his character is attracted to a woman with tattoos, especially large ones covering her entire midsection, chest, and back. There was also a culture clash. I like when people of different races come together, if it’s done believably. But I just did not think these two went together at all. I hated that he wouldn’t be able to display his affections for her in front of anyone—ever. I thought she’d get over that, but nope, it was clearly stated that she wouldn’t be able to touch him in the presence of others. And then there was one scene where she’s making tea for him with her father’s sacred utensils, and Sam is trying to kiss her and touch her, and she tells him basically to stop because she has to treat the ceremony with respect and honor. Wtf? That’s so annoying, like she’s so strict about her rituals that she’ll cut him off just to get them done. And Azami did a major 360 from the strong assassin she was in the beginning of the book, fighting alongside Sam and killing the attackers, to speaking just like an Englishwoman, being soft around him and saying how much he affected her, and calling him the childish name of Sammy. Really? No one above the age of 5 should be addressed as Sammy. And then, instead of going with the men into the Congo like I expected and wanted her to, she stays behind, saying she could be of more use to him watching on the satellite. Yet, all she did was talk to him like twice and tell him the boat was waiting for him. Yeah, big help that was. They would have never made it without you. It was like she was a completely different person. And the possessive comments set my teeth on edge. I don’t know how many thoughts Sam had about dragging her away like a cavemen, turning into a caveman, and being really possessive, but it was like the Dark series all over again.