サプリExtra

Suppli #Extra

by Mari Okazaki

Comment Fujii a-t-elle réussi à mener de front grossesse et travail ? Pourquoi sa jeune soeur se montre-t-elle si jalouse envers elle ? Yugi et Kôda parviendront-ils enfin à se marier ? Quel genre de
père Sahara sera-t-il ? Toutes les réponses dans ce volume de Complément affectif ! À noter en bonus, un long entretien avec Mari Okazaki.

Genres: Manga

133 pages, Comic

First published April 8, 2010

About the author

Mari Okazaki (Japanese: おかざき真里, Okazaki Mari) is a Japanese manga artist.
Okazaki was born in Nagano in 1967 and grew up in the region of Kansai. She graduated with a major in Design from Tama Art University and worked in advertisement for a number of years.
Okazaki had been publishing illustrations and short comics since high school, although her professional manga career started around 1994. In the early 2000's she left her day job to become a full time cartoonist and illustrator.
Okazaki comics have appeared in josei magazines (marketed to an audience of young adult women) as well as seinen magazines (marketed to an audience of young adult men). Her longest completed manga series to date are the josei Suppli, serialised from 2003 to 2009, and the seinen A-Un, serialised from 2014 to 2021.

Reviews

[Arianna · Rating 3 out of 5]

A conclusive volume that also presents some of the "behind the scenes thoughts" by interviewing the author. I found the interview interesting and I liked also the small stories in the volumes, but they didn't add much to the whole manga and if I would have missed reading it I think it would have been perfectly fine so.

[Tea · Rating 4 out of 5]

This volume gives you a ending for almost every character and there is also a part like a fan-book.
Nice but sad beacuse it's the end

[B · Rating 4 out of 5]

Relire cette série m'a vraiment touchée, surtout à présent que je travaille -- certaines choses me semblaient probablement très lointaines lors de mes premières lectures. Voir ces personnages travailler aussi dur est impressionnant ; on ressent réellement la différence de perception culturelle. L'histoire d'amour de l'héroïne -- les histoires -- n'est pas linéaire, pas d'un seul tenant, mais faite de briques empilées ; c'est compliqué, illogique et très réaliste. On s'attache aux personnages, et les dessins sont vraiment splendides.