This book is a prime example of an interesting concept turned sour through bad execution.
The premise is a typical dystopian one : the actions of today have caused major environmental disasters, raising the sea levels up to disastrous levels. Mara, the protagonist, is a 15-year old who ushers her fellow island villagers to set out to find civilization as the flooding encroaches upon their homes.
I must admit, the story took many unexpected twists and turns that convinced me to continue reading. But soon those twists became more detrimental than supplementary to the story. Here are some issues :
1.) Mara can be impatient and impulsive - a character trait that can add a sort of anticipation and excitement on what happens next. Who doesn't like an adventurous heroine? But really, impulsive is the only real trait I can glean from the whole story. At some points, she can be indecisive, but at other times she can be whiny, and focused on irrelevant things. In the first chapter, she goes off on some strange tangent, and seems to be obsessed with the village elder's old romance with her grandmother - when the bigger issue is really the storm and flood just seconds away.
She never grows from her mistakes either, which makes readers wonder if she really is a 15 year old. So, while I am usually all for inquisitive heroines, Mara does not have anything else going for her, and never really goes anywhere.
2.) Bad plot devices that bring you nowhere. And plot holes. Everywhere. Of course, the book doesn't start off with the whole cause of the floods and the state of the world - that's part of the mystery that readers unravel through the book. But this book is like opening a Christmas present and finding an orange peel. Readers discover how the sea level rose to dangerous levels, causing mass panic and death. But how about after that? There must have been other revolutions besides Lily's plan, other survivors besides the island of Wing. In fact, the whole novel is missing any deep descriptions of the setting. As the narrator, Mara should be able to provide an in depth description of her hometown. Maybe the culture, maybe how they built their houses and sustained themselves ? Yes, that's mentioned, but more focus is put on the village elder's past love life than the descriptions, to be honest.
Speaking of love life, the love interest of Mara isn't even properly introduced until the later half of the story. And yet, in the span of a week they've fallen in love and kissed. Even though the most conversation they've had is talking about how to save the world. I admit that it's plausible for them to feel deep respect for one another to have survived their respective lives, but falling in love? Yes, I'm sure talking about the dead lives your grandfather has built his empire on really makes you want to make out with me. I know you stereotyping refugees sure makes ME want to take you to bed right now!
...uh, NO.
And let's not forget about the bad plot devices! For no reason, some character named Tony Rex attempts to kill (?) Mara, and then gets stabbed by her instead. The end. Yep, Tony had a nice thriller factor going for all of the ten paragraphs he appeared in. Why was he there? The world may never know.
Also, it was too easy, I thought - a malnourished girl who's never stabbed anyone, finding the ease to stab someone straight in the heart.
3.) Finally, there was the pacing. Sometimes, I'd be reading, and then think- isn't something missing? One side of a conversation? A reaction that's happened too quickly for Mara to catch? But no, it was just never there before. For example, when Mara snaps at her beloved, Fox, it's like she reverts back to her inner thoughts. No reaction is given from Fox - no snap, no glare, nothing. Another scene where this strange phenomenon happens is when Mara is trying to get Candleriggs to leave with her. It's like one moment she's there trying to convince her, and then the next they're sailing away. Perhaps I'm simply used to more descriptive writing styles like Lord of the Rings, but there are only so many words you can cut out before you've completely cut out a while character's part out.
Really, this is all just my opinion. If others have loved this book and don't understand my rant, that's totally fine. But I really must warn those with similar tastes to mine - those who like descriptive stories that don't focus on romance overly and desperately - that this story will only disappoint and be a waste of time.