I am always looking for some interesting 70's horror and this one caught my eye since I'd already planned to eventually read Cullinan's THE BEGUILED. It has a lot of the themes you see in 70's horror while not feeling at all like a retread.
Our narrator is Maggie Caine, a middle-aged housewife, married to a man she doesn't particularly care for. She cares about her two children, teenaged Duff and 10-year-old Frannie, and yet she seems to hold them, and everyone, at a remove. One of my chief pleasures was how different the family and parenting norms were, you would never see a first person narrator who is a mother write this way now.
Maggie's husband Jack is dissatisfied with city life and decides to move them all back to the land, to his family homestead, after it becomes vacant upon the death of the elderly relative who lived there. There are more than your fair share of 70s horror stories about this, but seeing it through Maggie, who doesn't feel any particular compulsion to leave, is a nice twist on the familiar story. Jack, who decides he's going to write a novel, would normally be our protagonist, blithely ignoring the rest of his family as they slowly get sucked into destruction. But here it's Maggie, who sees more clearly than anyone else just how everything is going wrong.
Duff, a scrawny, bookish high school senior who plays the flute, begins acting strangely not long after their arrival at the old house. The neighbors are odd, and Maggie keeps catching them in lies. The town has whispers of Satanism as well as a shrine that was allegedly the site of a miracle, but the priests are not convinced the miracle was wrought by God. And Maggie begins to see what she thinks might be visions of a man in a union uniform, a man she begins to believe is her husband's grandfather, General Caine.
Maggie writes from just after the events of the book, and often foreshadows what lies ahead. Cullinan is excellent about doling out these little insights, which let you know terrible things are coming but also distract you from the terrible things you didn't get warned about which surprise you along the way. There are some excellent twists and plenty of subversions of the usual tropes. The priests here are relatively useless as religious practitioners, and they don't seem to think these stories of Satanism are actually true. Maggie herself is a nonbeliever and lapsed Catholic, not one to go looking for an exorcism. Because Maggie has a limited point of view, we don't get too bogged down in the lore or the reasons, we just get to see things through her, even as she starts to realize she cannot trust her own perspective. This unreliability also helps to explain many of Maggie's choices, which would be hugely frustrating in a protagonist who was fully aware.
A real gem, I'm glad to have found it and now I have more of an incentive to read more from Cullinan.
I read the new audio edition from Valancourt Books, and found narrator Linda Jones a great fit for the material.