Pinter the Playwright

by Martin Esslin

Updated to cover Harold Pinter's most recent plays, including Mountain Language, The New World Order and Party Time, this revised edition offers a comprehensive survey of the whole span of Pinter's writing career.

Paperback

First published July 5, 1973

About the author

Martin Julius Esslin OBE (6 June 1918 – 24 February 2002) was a Hungarian-born English producer and playwright dramatist, journalist, adaptor and translator, critic, academic scholar and professor of drama best known for coining the term "Theatre of the Absurd" in his work of that name (1961).

Born Julius Pereszlényi (Hungarian: Pereszlényi Gyula Márton) in Budapest, Esslin moved to Vienna with his family at a young age. He studied Philosophy and English at the University of Vienna and also graduated from the Reinhardt Seminar as a producer. Of Jewish descent, he fled Austria in the wake of the Anschluss of 1938.

Esslin defined the 'Theatre of the Absurd' as that which

"The Theatre of the Absurd strives to express its sense of the senselessness of the human condition and the inadequacy of the rational approach by the open abandonment of rational devices and discursive thought."

Esslin's definition encompassed not only Beckett's works but those of Sławomir Mrożek, Eugène Ionesco, Harold Pinter, Jean Genet, Günter Grass and Edward Albee amongst others.

He began working for the BBC in 1940, serving as a producer, script writer and broadcaster. He was head of BBC Radio Drama 1963-77, having previously worked for the external European Service. After leaving the BBC he held senior academic posts at Florida State and Stanford Universities.

He also adapted and translated many works from the original German, for example many plays of Wolfgang Bauer between 1967 and 1990. Original works included the seminal Theatre of the Absurd, and The Field of Drama.

Esslin died in London on February 24, 2002 after a long battle with Parkinson's disease.

Source: Wikipedia

Reviews

[Richard]

Details perfectly /
and with great efficiency /
Pinter’s brilliance.

[Samuel]

Astute and thorough summaries and analyses of Pinter's plays and sketches. A useful companion that clarifies some of his more abstract works without destroying their ambiguity completely. Not one to solely depend on though.