The evolution of Dieter Roth's magnificent print series, revealing his astonishingly creative response to London's most famous landmark.
Dieter Roth's "6 Piccadillies" are among the most celebrated prints of the last fifty years, as iconic as Piccadilly Circus itself. Few people are aware, however, that these prints were part of a larger plan.
Roth had been sending modified postcards to his friends since the 1950s and was captivated by a collection of Piccadilly Circus postcards belonging to his friends Rita Donagh and Richard Hamilton. Blowing up one of the postcards from 1965, he then developed the six prints, using a combination of offset and screen printing. On two occasions, Roth photographically enlarged and overpainted the "Piccadilly," and it had always been his intention to enlarge all six of the series to create a "Giant Piccadilly Puzzle" with interchangeable elements.
To celebrate the seventy-fifth anniversary of his birth, his longtime friend and publisher, Hansjorg Mayer, has fulfilled Dieter Roth's ambitious program. 250 color illustrations.
Dieter Roth (April 21, 1930 – June 5, 1998) was a Swiss artist best known for his artist's books, editioned prints, sculptures, and works made of found materials, including rotting food stuffs. He was also known as Dieter Rot and Diter Rot.
The dark undertone and furious, obsessive energy of his work ultimately separated him from many of the more lighthearted Fluxus artists. Perhaps despite himself, he was a fluent draftsman and expert printmaker, and his drawings and prints contained his wild energy within peculiarly virtuosic forms. Compared to the innumerable self-described artists of the last several decades who faked their way through his sort of work, Mr. Roth was the genuine item.
It all started off with an innocent tourist post card of a magical place called Piccadilly Circus. What the artist Dieter Roth did was transformed that space, kept the characteristics and made it into his world. This unexpensive book is quite beautiful, and i find it strangely moving. I think because I have such high regard for areas like Piccadilly Circus that really has no meaning.