The first part of this trilogy is Toxic Situations, a novella written in a cinematic manner, centered on a international crime and intrigue. It starts in the vaults of the Center for Disease Control, where Craig Wells Jr. aided by his partner, Dan Turner, are on the case: two rival terrorist groups aim to take hold of lethal capsules of a deadly flu virus, which were developed in a US research laboratory. Written in a fast pace action sequence, this suspense story nonetheless provides a gripping description of the dangers of biological pathogens. The author, Rich Weatherly, has compiled a novella, Toxic Situations, a short story, Family Secrets, and an autobiographical note, Thrills at the Esplanade Cinema, into the covers of this book. It is a body of work inspired by a prolific professional career, which includes technical writing, poetry, and photography, with a personal outlook on the world we live in. While the novella lends itself to becoming a suspense film, the other two short stories provide the underpinning of the author's world view and where he is coming from. As hinted in his epilogue, Richard Weatherly lived through several close encounters with death. As a result, his outlook on life took on a new meaning, which guided his pen in the writing of this trilogy.
In Family Secrets you see Eva, seated in the family Packard Sedan wishing, "I'll show them," as her mom and dad are staring each in a different direction, concealing ugly secrets, and looking away so as not to see the truth about the other. Her family arrives at Craig's family yard, to take part in an Independence day celebration. Eva's recurring nightmare is symbolic of her predicament: she dreams about wading at the end of a swamp, where one of the roots tightens around her ankle, as if trying to pull her down. The story draws to its peak when Craig, a teenage boy carrying a .22 rifle, witnesses two young men approaching Eva. At first he wonders, is she flirting with them? Once he realizes that they are about to attack her, he sprints into action to come to her help. The story alternates its focus between Craig and Eva, the same way you cut from one scene to another in a film, thus creating a rich and intriguing sense of a mystery to unravel from two ends.
In Thrills at the Esplanade Cinema, the third story in the trilogy, the author invites us to follow him on his walk across fields and pastures in the once-rural community of Huntsford, down the memory lane to the Esplanade cinema, where he used to work as an usher back in his youth. I love the description of how it took care and patience to place the letters of a movie name on a long pole, which was then lifted to the ledge and dropped in a groove. It is an warm-hearted, endearing memory.
Lastly, a note about the cover image, which to me is truly eye-catching. The key, held perhaps by our own hand, crosses over diagonally towards the source of light, which is streaming towards us through the keyhole. With it we are about to unlock a mystery, but are still here in the dark, in a moment of anticipation.
Five stars.