Each time someone dies, a library burns.
First of all, let me just say that reading this as an ebook is a crime against literature and should be punished as such. The edition I’m holding resembles a diary with its worn cover, wonderful illustrations, little handwritten notes, blue ink and a rubber band holding it all together. It is, without a shadow of a doubt, the prettiest book I’ve ever seen. If you can’t get your hands on a paper edition, wait until you do or you’ll be robbing yourself of the most wonderful experience.
Second, I think it’s safe to say that this book isn't for everyone. The mixed reviews have already proven as much. Many of you would probably be severely irritated by this dreamlike experience. Besides, a lot of people find Lennie to be quite unlikeable and I must admit that I can see why. She makes so many horrible mistakes. She is lost, insecure, her actions can often be interpreted as selfish and she is very skilful in telling lies. If that’s all someone can see in her, there’s no reason to even try to like her. But I saw a different layer of her character, one that is confused, scared and alone and it didn’t take long for her to win me over.
I put aside for a moment the fact that I’ve turned into a total strumpet-harlot-trollop-wench-jezebel-tart-harridan-chippy-nymphet because I’ve just realized something incredible. This is it - what all the hoopla is about, what Wuthering Heights is about – it all boils down to this feeling rushing through me in this moment with Joe as our mouths refuse to part. Who knew all this time I was one kiss away from being Cathy and Juliet and Elizabeth Bennet and Lady Chatterley!?
Writing a plot summary or trying to explain The Sky Is Everywhere in any way would probably do more harm than good. If I tried to write about Lennie’s story, about her sister Bailey who died of arrhythmia while rehearsing for the role of Juliet, I’d be running the risk of making this book sound so ordinary. The Sky Is Everywhere is nothing short of extraordinary in every way that counts.
Joe… must I go there?! I’m trying to be an adult here, a serious, calm, respectable adult. But Joe can take that away in a second and turn me into a useless, gushing teenager with his joeliciousness, his musicality, his gentleness, his humor, his boldness and his Frenchness and those damn eyelashes. Bat. Bat. Bat. *swoon*
The secondary characters are just as amazing: the hippie Gram who grows flowers famous for their aphrodisiac powers, the five-times-married-five-times-divorced uncle no woman can resist and the sweet and charming brothers Fontaine. They all had a huge part in making this story so special, so unlike any other story I’ve ever read.
And Jandy Nelson, where on earth did you come from?!? Your writing is like this huge energy ball that found its place in my stomach and just exploded over and over and over again, making me cry, laugh or jump with excitement, turning me into whatever you wanted me to be at that particular moment. You had a remote control for my moods and you weren’t afraid to use it and for that you have my eternal love and respect. Yes, I had a Maggie-sized hole in my heart and yes, I thought you might fill it for a second, but instead I ended up with a Maggie-sized hole and a Jandy-sized hole right next to it. You are nobody’s replacement, lady. You are far too good for that.
I will shut up now and try to preserve some semblance of dignity.
Oh, but I forgot my favorite quote:
This is our story to tell. He says it in his Ten Commandments way and it hits me that way: profoundly. You’d think for all the reading I do, I would have thought about this before, but I haven’t. I’ve never once thought about the interpretative, the storytelling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever.
You can tell your story any way you damn well please.
It’s your solo.