Science Fiction is a literature just built for surveying. To really get into it, one must survey the field. If you read Aldiss, you owe it to yourself to do some literary surveying. Surveillance? Anyhow, you'll owe it to yourself to read some Plato, Sir Thomas More, Sir Roger Penrose, and Kim Stanley Robinson. And maybe Robert Zubrin. This is because Brian Aldiss's writing is highly literary-not in the sense of being affectedly literary, but in that the man was broadly educated, well read, and wrote more than just science fiction novels. Roger Penrose gets credit having written this with Aldiss.
Aldiss's sf writing is itself a survey of the idea space related to environment, ecology, and society. This particular novel is less about ecology than environment and society, and its place as a piece of sf related to the history of Utopias and real philosophy makes it a worthy read. Hopefully more worthy than this rushed and disjointed review.
It may be that this was one of the least pleasurable reads I've experienced from Aldiss. Nonetheless it was worthwhile-it is jam packed with interesting intellectual fodder. I'll be chewing the mental cud for a while as my brain digests all the book contains. It was mildly pleasant as far as storytelling goes. My thought is that a good Utopian novel suffers a greater challenge than any Dystopian novel when it comes to engaging the reader, because in it one tries to construct a possible world out of propositions which aim to correct social problems in a series of interrelated thought experiments while at the same time relate a passable narrative. Anyhow, within the novel there are numerous references to Utopian works such as Plato's Republic, More's Utopia, even Mao's Little Red Book, for example. The discussions of the characters bring to mind Plato's dialogues-as in Dialogues and in Republic.
Plato, however, didn't write modern novels. Aldiss does a pretty good job of joining action and character growth with a sort of exposition and intellectual exploration similar to what you find in various dialogs Plato employed. Embedded in the discussions the characters have are all the clues you need to second source the ideas you are reading about, or at least enough to get you started, if you're really that interested. I suspect you will need to be interested if you are ti finish this book because, while the story is *_nice_*, it's not highly compelling; it's INTERESTING. So if you can interest yourself in it, you'll finish this book and maybe want to read the books referred to in it.
It is significant that Roger Penrose is given credit: "By Brian W. Aldiss with Roger Penrose" because Penrose is a cosmologist, theoretical physicist, and a philosopher, a genius of the first order. It is appropriate that a physical philosopher have a hand in this work. You can identify his contribution if you have kept up on science of the more philosophical/theoretical/mathematical sorts. If you're unfamiliar with Sir Roger Penrose, let's just say he is a Stephen Hawking class thinker, one of Hawkings contemporaries, a true peer. If you don't know who Stephen Hawking is, I give up.
The tradition of physical philosophers in Utopian literature is ancient and this book shows it's still relevant. You'll read in the dialog references to ideas about mind and quantum mechanics-that's from Penrose. You should read about his ideas in his words either before or after reading White Mars. He has published several popular books. I suggest his "Shadows of the Mind," which deals most directly with the ideas about consciousness presented in "White Mars."
It's interesting that in addition to Aldiss's "White Mars" there are three novels unrelated to it by Kim Stanley Robinson titled "Red Mars," "Green Mars," and "Blue Mars." They describe the building of something more and less than a Utopia. I'd called them Topian Novels, novels about building a place and its various societies-or should we speak of society as a variegated but singular global thing so say a place and its society. Anyhow, the white of "White Mars" is related to the international cooperation regarding Antarctica, which is white. The colors of Robinson's Mars are related to Mars' actual color is its climate changes as a biosphere and ocean form on its surface.
I suppose if you're going to write about Mars you're going to write about ecology and environment one way or the other. It's been that way since Lowell wrote nonfiction about Mars. Most of what I've read by Brian Aldiss is about environment and ecology. Most US American readers familiar with him will have read "Starship," titled "Nonstop" in Great Britain, and if you are familiar with Kim Stanley Robinson you may have read "Aurora." There are some strong parallels between the two books and between the two authors. It's worth reading both. There's no calling Robinson derivative, tho' one might infer I'm saying there is. It's just that SF is a literature of ideas and the two authors treat similar syndromes of ideas.