A study of the various queens of Medieval Europe, across time and borders. Earenfight does the best she can with limited resources, focusing her study on lesser examined remains like art and wills. By looking at the details surrounding the official record, the queens are able to come into sharper focus.
The offical role of any member of a monarchy is much less set than is popularly believed. Each position is effected by current circumstances and personalities. In the Medieval period, when so much of human culture was in flux, the positions were still being determined. From the early Medieval period and the advent of Christianity as the dominant religion, the position of women as wives and mothers, rulers and regents, ebb and flow.
Medieval queenship is a conversation between the woman and her environment, often transferred between courts and countries as she married. She did not arrive a blank slate, but brought her own ideas and traditions, adapting them to a new environment, and passing them on to her children. Her daughters would then take their turn in the dance as they took their own learning and habits to their new life, continuing the cycle in new circumstances.
Each country developed their own system and ideal in response to their own circumstances, against internal and external pressures. What is acceptable and expected behavior for a queen in one country does not follow to another, or even necessarily to the next generation. It is a constant push and pull, with broad stroke ideas in conflict with lived experience. Setting a queen in a static environment is impossible; flattening any nuances ruins our ability to discover the humanity of history.