OK, I didn't expect a whole lot here - more exploitation of Harley Quinn, more gore with King Shark, and a revolving door of cannon fodder C-list villains-caught-up-in-a-weak-sauce-redemption-play.
I guess Glass' TV-writing talents don't translate so well to the comics page. Well, the dialogue isn't horrible - at least there's some banter to keep us lightly entertained - but the lack of subtlety is downright torturous.
For example, when a new antagonist comes back from the dead and explodes, one character says, "I sense something other-worldly about him." Which would be a funny bit of understatement, but then another character immediately responds with, "What gave it away? Him coming back from a bullet in his head?" Which just kills the joke dead.
I hafta admit tho, Glass + Dagnino isn't half as irritatingly bash-you-over-the-head as the previous volume. In fact, there's one giant mystery that Glass and his rotating cadre of artists don't even try to address: if Amanda Waller is such a super-spy hardass leader who's risen through the ranks with smart-but-shady tactics, why does she make such bad decisions one after another with anything to do with the Suicide Squad - but no one else? It's a little like if Nick Fury was a prima ballerina but became a klutz every time he got around the Avengers. (Wow, Fury in a tutu - there's an image to fall asleep to.)
Cool tech tho - Waller pairs her phone with the 120" Big Brother screen just to give her "incoming call" notifications? Want.
"Human Sacrifice"? So why is King Shark on the Dias - appetizer?
Finally the double-crosses and reversals becoming a numbing paste over any layer of this that I might've been enjoying.
And top it off with an absolutely pointless - or rather, tedious and generic - origin zero issue. Yawn.