Set on the fictional, futuristic Caribbean island of Jacaranda—caught at the nexus between amazing technological advances and huge environmental hazards of globalization—this book recounts the tragic consequences of a forbidden love affair and a family torn apart by injustice. With a searing contrast between an island struggling under the threats of crime, migration, and global warming and an unforgettable love story, it provides an emotionally rewarding experience in which these contemporary issues are given fresh poignancy and meaning. A haunting sequence of narratives builds to tell a compelling tale of murder, psychological mayhem, and love while gleaming with Caribbean spirituality.
CURDELLA FORBES is a Jamaican American writer who lives in Takoma Park, Maryland, and teaches at Howard University. A Tall History of Sugar is her latest novel.
In a future marked by massive environmental changes, a family from the fictional Caribbean island of Jacaranda comes together to write about their brother many years after his death.
This is a strangely mixed book. Is it a memoir? Is it fantasy? Is it a myth? I think it’s all of those. But more than that, it's a beautiful piece of writing.
Grief
This is a book about grief. Grief and guilt. Each of the siblings is sad about their brother’s death, and afraid that they could have done something to prevent it. Evangeline, the Seer in the family, knows what will happen beforehand: could she have stopped it? Their mother was worried about Pete for years, but no one else listened to her. Should they have? When they disapproved of his actions and his personal life what should they have done? Should, should should should.
The major source of this guilt is the family's treatment of Pete when he was alive. His star-crossed, taboo infatuation with a cousin caused deep rifts in the otherwise (at least on the surface) tight-knit family. Later, when he married a woman that his family did not approve of, the family split into factions, led by: his mother, who forbid her daughter-in-law from entering the house; and Evangeline, whose enlightened knowledge places her on a different spiritual field. This leads to the effective ostracism and isolation of Pete, something that the whole family bitterly regrets after his death. In many ways, this is a cautionary tale: don't let your personal disapproval get in the way of a relationship with your relatives.
I haven't read a book that I seriously disliked in some time. I hated hte characters, the story, the style, the language. I would say I hated the plot but there wasn't really one.
We hear from about five people in the Ponty family and the perspective changes are dizzying. I never know if it's a close third person, a distant third person, an omniscient narrator or first person. I think that was my biggest problem with the book. I kept trying to figure out who is speaking.
I didn't think she handled the creole/english mixture very well. It felt really awkward.
Potential spoiler
The story is about a man who has been in love with his cousin since they were children. They each marry someone else. Later in life he is killed. In some convoluted way the family has connected the two events and try as I might, I really can't see it.
Their grief over Pete's death is understandable, everyone wonders what they could have done to prevent it but I wasn't able to relate to any pf the characters except maybe Peaches who had the shortest chapter in the book, (2-4) pages.
I really didn't enjoy this and it was a struggle to finish, but I paid $20 for it so, I had to.