An assortment of fairy tales retold with various Steampunk elements - some worked very well, some didn't work at all, and some were just so-so.
K.W. Jeter's La Valse takes puritanical Hans Christen Anderson's 'The Red Shoes' and flips the script from the original Calvinist message of punishing someone for daring to not want to be poor to a more Marxist message of punishing the rich for being greedy and cruel. The story itself was a good retelling, but the world building was fuzzy as it was unclear what, exactly, all that tech was doing.
Steven Harper's Fair Vasyl is a composite of several Baba Yaga stories, and here we learn that she may be many things, but she is NOT homophobic, which was a nice change of pace when it comes to antagonists, you know what I mean? The Steampunk elements worked PERFECTLY with her fabled house, and I LOVED the snarky cat, who seemed to have wandered in from a 21st century sci-fi show, but it worked, and it all leads up to a great ending of chases, sacrifice, stand offs, sweet love, and a promise of more adventure.
Karen Richardson's The Hollow Hounds updates Hans Christen Anderson's 'The Tinderbox' and places it post-Civil War (with the war made worse by Steampunk weapons). The interesting thing about the original story is, instead of the usual protagonist of a foolish youngest son setting off to wander the world, this story specifically emphasizes the main character is a post-war soldier, used up and tossed aside by the army, and unsure what to do with his life. This, sadly, makes the story extremely flexible to work anytime, anywhere, as all times and places have people who were chewed up and spat out by war and struggle to figure out where they fit in back in civilian life. The soldier here does better than most, and I liked that this retelling gets rid of the creepy stalking subplot.
Paul Di Filippo's The Kings of Mount Golden takes a little known Grimm fairy tale 'The King of the Golden Mountain' and gives it a Boston Brahmin update. There's a reason the original isn't wildly popular - its a confusing mix of too many elements, and it's just as convoluted here. Good use of original Steampunk tech rather than just ticking off the usual boxes, but over all its a weird story that comes to an oddly abrupt ending.
Jay Lake's You Will Attend Until Beauty Awakens tells every single side of the 'Sleeping Beauty' story, developing side characters at the expanse of the main one, and is all just a little cute as it plays with mixing both the fairy tale setting and 19th century. I wanted to know about the twisted family of Summer and Winter, but, sadly, they get dropped after Act I.
Nancy A. Collins's Mose and the Automatic Fireman takes a now lesser known folk hero who was similar to Paul Bunyan or John Henry and gives it the Green Lateran treatment - with the expected results, given just how well that movie turned out. The story has a great opportunity to dig into some of New York's darker history, but ends up making sure everyone knows the main character was a hero, despite his gangster style leadership.
G.K. Hayes's The Clockwork Suit is a steampunk story of 'The Emperor's New Clothes' telling the story from an unwitting minion's point-of-view, and the kid's voice really grated on me, as the author tried to make an authentic sounding kid character, but instead was just annoying.
Gregory Nicol retells 'The Pied Piper of Hamelin' in The Steampiper, The Stovepiper, and the Pied Piper of New Hamelin Texas and moves it to Texas, but keeps all the German elements. There were several problematic aspects to the story, but I was very turned off by the fact the "hero" is rewarded at the end with a foursome with three sisters, one of the very underage.
And the collection ends with Pip Ballantine's The Mechanical Wings, a retelling of the 'Wild Swans' that felt like it was part of a wider universe. I was actually interested in the female characters and wanted to know more about them and the odd Steampunk airborne kingdoms they all lived in. The men, just like in the original, are all useless.